Stop Press

Examiner of Plays' Summary:

A singularly incoherent revue, with its plot devised simply with a view to the introduction of popular songs and specialists. Opening with a harvesting scene it proceeds to a wholly innocent burlesque of a ‘tribunal’ for would-be slackers, with ridiculous pleas for exemption. Then follows the facial ordering of a meal at a restaurant by a Tramp and an American, the nonsense winding up with a skit upon a revue-rehearsal, and a ‘Wedding-bells’ number. Care must be taken as to the decorum of the business in scene IV, where the direction is business-chafing frocks. Recommended for license. Ernest A. Bendall

Researcher's Summary:

The revue 'Stop Press', in its original form, was written by James and Robert Hargreaves with music by the violinist Magini (supplemented by a number of variety acts). It comprised five scenes: Country Life in Summer, A Firelight Study, A Morning Rehearsal, A Wardrobe Mistress’s Salon, and Country Life in Winter, ending with a striking effect of snow falling. Early reviewers often mentioned the satirical tribunal scene noted by the Censor; and also a skit on the American peace activist Henry Ford. Later reviewers also mentioned references to the Kaiser and to high prices and taxation (which may, of course, have been there from the outset). By the end of 1916 a patriotic monologue was being delivered comparing two brothers, one fighting in France and the other striking on the Clyde. By March 1917 the company was augmented by eight (later the number varied) soldiers’ wives who performed a musical sketch, 'The Girls They Left Behind Them'. They were said to be erstwhile performers who had retired from the stage when they married but were now returning to it. One was a widow and another the wife of a prisoner of war. Other changes took place later in 1917 suggestive of further alterations to the original format and material. The revue now comprised seven scenes: Summer Time, Killing Time, War Time (performed by the soldiers’ wives), Passing Time, Pierrot Time, Fashion Time and Winter Time. Kitty Major is now mentioned as delivering a satirical monologue 'The fellow with a conscience that objects'. By January 1918 there were more patriotic songs and a poem about the suffering of Belgium and the sinking of the Lusitania. The show was originally billed as produced by Magini but late in 1917 this was changed to Magini and Tom Major (one of the leading performers at the outset) and then in 1918 to Tom Major alone. The title changed also, from 'Stop Press' to 'Special Edition of Stop Press' and finally to simply 'Special Edition'. The title 'Special Edition' is not in the Great War Theatre database and so the performances noted here for 'Stop Press' also include those for 'Special Edition'. The presence throughout of Tom Major (first as performer and then as producer) and of Kitty Major as leading performer reflects an underlying continuity between March 1916 and August 1918 when 'Special Edition', perhaps because of the war’s end, was superseded by another Tom and Kitty Major vehicle, the musical comedy 'Rosy Island' which is also in the Great War Theatre database. Tom Major was the co-author of the sketch 'Carrying On' which is also in the Great War Theatre database. He was the father of British Prime Minister John Major.

Licensed On: 23 Mar 1916

License Number: 148

British Library Reference: LCP1916/7

British Library Classmark: Add MS 66128 B

Performances

Date	Theatre	Type
27 Mar 1916	Surrey Theatre, London	Unknown	Licensed Performance
27 Mar 1916	Surrey Theatre, London	Professional	Read Narrative ‘It would be unfair to Messrs. James and Robert Hargreaves, who have written the book, and to Magini, who has supplied the music, to say that their latest effort, entitled “Stop Press,” produced at the Surrey on Monday, in any way approaches their previous standard of excellence. “Stop Press” is described as a burlesque in five columns, and it lacks chiefly the one thing the title suggests, namely, novelty. The first scene is the familiar village meeting place, so frequently used in pantomimes - a hostelry on the O.P. side, and a stile and view of green meadows on the other. Much of the comedy, too, is of a pantomime order; for instance, the long-drawn-out argument between two of the characters as to who shall pay for a bottle of wine, and the bewilderment of the barmaid when one of them addresses an imaginary acquaintance who wants to borrow all his spare cash. The entire humour of the burlesque rests upon the shoulders of Mr. Tom Major as Peaceful Henry, a tramp; Mr. Jack Norman, as B. Swift, a waiter; and Kitty Major as Virginia Creeper, a housemaid. Provided with the right material, they would undoubtedly prove a vastly entertaining trio. Mr. Major aroused the Surreyites to wild enthusiasm with his delivery of “When I learn the world behind,” and “Who’s she?” very reminiscent of Miss Wish Wynne’s ditty, “Who ‘er,” sung by Miss Major, was equally enjoyed. The solitary burlesque of the concoction is that of a local tribunal, and here many laughs were raised the excuses of applicants for exemption. The blue pencil should be vigorously employed on the scene between Henry Ford, of U.S.A., and Peaceful Henry, in which the former wins a bet of a dollar for the who can tell the biggest lie by remarking, “I once knew a gentleman in America.” Surely, with the constant exchange of artistes between London and New York such remarks are hardly conducive to enduring friendship between subjects of the two nations on working the same bill. Miss Edna Clyde, as a Lancashire lass, leads the Verdun troupe of dancers and the chorus in “Here’s a few more from Lancashire,” at the conclusion of which the producer rushes on and declares “it is nothing like it,” and so it dawns upon the audience that they have only been watching a rehearsal. There follows a rehearsal on the bare stage, shorn of all stage costumes and scenic trappings, then a visit to a costumier’s where the girls are paraded in new dresses, and back once more to the first scene, this time covered with snow. The whole show left us with the impression that it was indeed a rehearsal of something that might develop into an entertainment. Royce, Babs, and Royce, in a prettily dressed dancing act; the Six Ceylons, in their always acceptable “Fun in an Opium Den”; the Courtiers, humorous and harmonious vocalists; and Miss Ada Wright, a popular comedienne, preceded the burlesque’. The Era, 29 March 1916.
3 Apr 1916	Hippodrome, Rotherhithe	Professional	Read Narrative ‘Designed solely to amuse, and with little or no attempt to realise its title or develop a story, Stop Press is causing plenty of amusement at the Rotherhithe Hippodrome this week, where it was presented for the first time on Monday by a cast under the direction of Magini and Company. It is described as a new burlesque in five columns, and the book has been written by James and Robert Hargreaves, to music composed, selected, and arranged by Magini, the orchestration being by Caffyn Baxter. The scenery includes some taking sets by Leolyn Hart, and the dainty ladies’ costumes have been designed by Katrina Lavinia to notable effect; while some indication of the range of the piece may be gathered when it is recorded that the scenes show Country Life in Summer, A Firelight Study, A Morning Rehearsal, A Wardrobe Mistress’s Salon, and Country Life in Winter. Beyond this, little description of the piece is necessary, or indeed possible. It contains several amusing scenes and dainty episodes, but, as has already been said, there is no story to speak of. Prominent in the cast are Tom and Kitty Major, who act and sing cleverly in the several characters allotted to them, the whole production being under the supervision of Mr. Major. The other principals are Jack Warman, Edna Clyde, George Laurence, and Gladys Ainsley, and there is a capital chorus of well-trained and attractive ladies. Some of the dialogue in the first scene, by the way, calls for revision, and there is little profit to be made nowadays out of antiquated jokes about Mr. Ford and his peace crusade, or our American cousins. One of the characters, that of a tramp, does exceedingly well with a sympathetic rendering of the clever song “When I leave the world behind,” but whatever sympathy is enlisted for the character is very soon dispelled when the tramp afterwards appears as an incorrigible old scoundrel – an example of eccentric character drawing which occurs more than once. Detailed criticism of the various work of the artists cannot be given with any degree of accuracy, on account of the lack of programme information – an injustice to artists we have more than once protested against in these columns. With some necessary overhauling, Stop Press should do well'. The Stage, 6 April 1916.
17 Apr 1916	Opera House, Wakefield	Professional	Read Narrative ‘The revue “Stop Press,” featuring Mr. Tom Major and Miss Kitty Major, is here [the Opera House, Wakefield], supported by Magini, violinist’. The Era, 19 April 1916.
1 May 1916	Royal Hippodrome, Eastbourne	Professional	Read Narrative Advertised in the Eastbourne Gazette, 3 May 1916: the cast included Tom Major, Kitty Major, George Lawrence, Edna Clyde, Gladys Ainsley, Arthur Brooke, Amanda Day and Jack Warman, plus the Verdun Troupe of Dancers and full beauty chorus. ‘The new burlesque revue which is being presented at Mr S. W. Winter’s theatre in Seaside-road this week is humorously described as being in “five columns.” The scenes form a splendid background for the parade of the charming principal ladies and pretty chords girls who appear in some of the latest creations. “Stop Press” has all the essential factors which go to make a successful revue. There are enlivening chorus songs and lilting music; and the smart comedians have a rich store of topical “gags” ... During the [first] scene there is a humorous skit at the expense of Harry Ford (the American peace crank), and scenes from the tribunal are thoroughly enjoyed by the audience' (Eastbourne Gazette, 3 May 1916). ‘Apart from the excellent and amusing nature of Magini & Co.’s burlesque, Stop Press, which forms the attraction at the Hippodrome during the current week, one of the most pleasing features of the production is the spectacular brilliance with which it is mounted. Rarely has such a strikingly picturesque mounting been seen at Mr. Winter’s popular music hall, and although the piece by no means rests solely upon its scenic effects for its success, the setting is an important factor in its appeal for public favour. The piece itself is just an irresponsible piece of fun, with no coherent story, but it with meets with enthusiastic appreciation owing largely to its smart up-to-date jests and its exhilarating humour, whilst the inspiriting songs and lively dances add appreciably to the pleasure of the audience ... “Harry Ford” of U.S.A. turns up and there is some witty conversation between him and the tramp. Later we see a burlesque tribunal, at which we some very funny excuses and reasons for trying to be exempted (Eastbourne Chronicle, 6 May 1916).
8 May 1916	Hippodrome, Dover	Professional	Read Narrative ‘This week there is another fine revue at the Royal Hippodrome, presented by Magini and Co. in five scenes. It is brim full of fun and humour and there is never a dull moment from start to finish. Mr. Tom Major, Mr. Jack Warman, Mr. George Lawrence, Miss Kitty Major, Miss Gladys Ainsley, and Miss Edna Clyde are the principal entertainers and they are ably backed up by a splendid chorus. All the songs and choruses are well sung, and the dancing is of the best. The scenery is very effective, and the dresses very elaborate’. Dover Express, 12 May 1916.
15 May 1916	Collins' Music Hall, Islington, London	Professional	Read Narrative When Stanley James, at present managing Magini and Co’s Stop Press revue, inserted an advertisement in The Stage, 11 May 1916, his address for the following week was Collins’s, Islington. Similarly an advertisement inserted by Tom Major seeking a carpenter.
29 May 1916	Queen's Music Hall, Poplar	Professional	Read Narrative The Era, 31 May 1916, listed Stop Press as On The Road from 29 May at the Queen’s, Poplar.
5 Jun 1916	Tivoli, Hull	Professional	Read Narrative Noted in the Hull Daily Mail, 2 June 1916: ‘“Stop Press” – Tivoli … next week. Latest in revue. Music by Ragini [sic]. Stated to be excellent cast – T. Major, Kitt [sic] ditto, Geo. Lawrence, Edna Clyde, A. Bruhe, Betty Kitts, A. Day, and Jack Warman. Variety also. Also, ‘The Tivoli was crowded last, night for a light production of the revue order entitled “Stop Press,” the book of which is by James and Robert Hargreaves, and the music and songs by Maginj. Mr Caffyn Baxter is the musical director for Magini and Co., and the leaders are Tom and Kitty Major. There are five scenes, and the production was well received. The Fourits, a quartette of young vocalists and wooden shoe dancers, contribute an entertaining “turn.” The Irish song “Mary from Tipperary,” by a clever juvenile, was very enthusiastically received' (Hull Daily Mail, 6 June 1916). ‘The Stop Press revue is well staged with pretty scenes and smart dresses, and is brimful of fun. Tom and Kitty Major deserve much praise. The capable company are well received' (The Stage, 8 June 1916).
19 Jun 1916	Hippodrome, Aston	Professional	Read Narrative ‘"Stop Press,” described as a new burlesque revue in five columns, is the chief feature in this week’s entertainment at the Aston Hippodrome, and last night it caught on well. Comedy, song and story were all up to date, and there were many pretty dances by the Verdun Troupe. Jack Warman, Kitty and Tom Major, with George Lawrence, did well in their respective parts, and a full beauty chorus added to the tout ensemble' (Evening Despatch, 20 June 1916). ‘Revue again takes precedence at the Aston Hippodrome this week, and last night Messrs. Magini and company presented the new burlesque, “Stop Press, in Five Columns.” From start to finish the audience was kept in capital good humour by a very clever lot of artistes, who include Jack Warman, Kitty Major, Tom Major, and George Lawrence. The revue contains some pretty and effective scenes, notably country life in summer and winter' (Birmingham Daily Gazette, 20 June 1916).
26 Jun 1916	Grand Theatre, Derby	Professional	Read Narrative ‘Revue is again the principal attraction at the Grand Theatre next week, the management having booked Magini’s company in their latest success, “Stop Press.” The revue has been written by James and Robert Hargreaves, whilst the music has been arranged by Magini. The artistes responsible for the production include Kitty and Tom Major, George Lawrence, Jack Warman, Edna Clyde, Betty Kitts, Amanda Day, and George Brooks, whilst specialities will be introduced by the Verdun Troupe of Dancers. There are five scenes, which represent country life in summer time, a firelight study, how a revue is rehearsed, Madame Lavinia’s Fashion Saloon, and country life in the winter time' (Derbyshire Advertiser and Journal, 23 June 1916; similarly the Derby Daily Telegraph, 24 June 1916). ‘Revue constitutes the principal attraction at the Grand Theatre again this week, and the title of the latest to visit Derby is “Stop Press.” It is presented by Magini and Company, in five columns, to stick to the printers’ phrase, and it is certainly out of the beaten track in many respects, whilst as it undoubtedly caused plenty of hilarity amongst the audience, and elicited frequent and hearty applause, it quite fulfilled its mission in providing a capital evening’s entertainment for those who assembled on Monday night ... Mr. George Lawrence ... is capital as the recruiting sergeant in the burlesque tribunal' (Derby Daily Telegraph, 27 June 1916). Also reviewed in the Derbyshire Advertiser and Journal, 30 June 1916.
3 Jul 1916	Hippodrome, Hulme, Manchester	Professional	Read Narrative ‘Humour is the feature of the revue “Stop Press,” presented at the Hulme Hippodrome. Tom and Kitty Major are the principals, and they are fairly successful. George Lawrence introduces good songs and Jack Warman is very amusing’. Manchester Evening News, 4 July 1916.
10 Jul 1916	Pavilion, Newcastle	Professional	Read Narrative ‘“Stop Press,” presented at the Pavilion by Magini and Company, has the valuable recommendation of being funny. Nobody can but laugh at the business which transpires, and in that respect acknowledgment of the work of Tom Major and Jack Warman is particularly noteworthy. They are clever and resourceful, and keep business going right merrily so long as they are before the footlights. They have the support of other capable artistes, and altogether are able to “carry on” in a way that meets with unanimous approval, expressed by enthusiastic applause and hearty laughter' (Newcastle Journal, 11 July 1916). ‘“Stop Press” is the title of a revue being given at the Pavilion, Newcastle, this week ... A firelight study, in which George Lawrence as a sailor, and Betty Kitts, his sister, are the participants, is quite a good feature, and wins instant applause. The performance bristles with topical items, not the least interesting being allusions to the tribunal and its decisions' (Newcastle Daily Chronicle, 11 July 1916).
24 Jul 1916	Hippodrome, Preston	Professional	Read Narrative ‘The true spirit of revue is embodied in “Stop Press,” which is staged at the Hippodrome this week. The setting is bright, the dresses gay and charming, the music light and delightful, the dancing and chorus work of an enlivening character, while the dialogue and byplay are all most approved light comedy order. The show really consists of four miniature revues and a pretty little “firelight study,” in which a sister welcomes home in the firelight a sailor from “Somewhere on the North Sea,” the parts being excellently represented by Miss Betty Kitts and Mr. George Lawrence ... A tribunal burlesque, with Mr. George Lawrence as recruiting sergeant, is a big success' (Preston Herald, 29 July 1916). ‘The second French Red Cross Day, observed in Preston on Saturday, resulted in a sum of £218 being raised for the object in the street collection, compared with £194 10s last year. The ladies of the “Stop Press” revue company, appearing at the Hippodrome, were amongst the successful collectors’ (Preston Herald, 5 August 1916).
31 Jul 1916	Hippodrome, Chesterfield	Professional	Read Narrative The Derbyshire Courier, 29 July 1916, advertised ‘Magini and Company present their Latest London Successful Revue Stop-Press. Written by James and Robert Hargreaves. Music by Magini. Including the following well-known artistes:- Kitty Major and Tom Major, Betty Kitts, George Brooks, Margot Myne, George Lawrence and Jack Cranston. Verdun Troupe of Dancers. London Beauty Chorus’.
7 Aug 1916	Grand Theatre, Mansfield	Professional	Read Narrative The Mansfield Reporter, 4 August 1916, advertised at the Grand Theatre, Mansfield, on Monday 7 August and all the week ‘Messrs. Magini & Co. Present a New Musical Burlesque Stop Press!’.
21 Aug 1916	Lyceum Theatre, Edinburgh	Professional	Read Narrative The Daily Record, 21 August 1916, advertised at the Lyceum ‘The Latest Successful London Revue, “Stop Press.” All-Star Cast incudes Kitty Major, Tom Major, Geo. Lawrence, Jack Cranston, And London Beauty Chorus'.
28 Aug 1916	Hippodrome, Stockton-on-Tees	Professional	Read Narrative The Hartlepool Northern Daily Mail, 28 August 1916, advertised at the Hippodrome, Stockton ‘Monday August 28th, and during the week: Magini [and] Company present their Latest London Successful Revue, “Stop Press,” including the following well-known artistes – Kitty Major, Tom Major, Margot Myne, Leo Lyon, George Brooks, Sisters Wyse, Betty Kitts, George Lawrence. Topical Budget of Passing Events’. Also, ‘One of London’s latest successful revues, “Stop Press,” by Messrs J. and R. Hargreaves, is presented by Messrs Magini and Company [at the Hippodrome, Stockton]. It is a bright, sparkling comedy, and not the least outstanding of its features are its music and dancing. Kitty and Tom Major, Betty Kitts, George Lawrence, the Sisters Wyse, all take important individual parts, and are supported by a good chorus. The Verdun Troupe of Dancers are very smart. Lily and Itt appear in a funny and original comedy act’ (Daily Gazette for Middlesbrough, 29 August 1916).
4 Sep 1916	Palace Playhouse, Dundee	Professional	Read Narrative ‘“Stop Press,” which occupies the boards at the Palace, Dundee, is a musical burlesque which is touring with infinite success. It is a merry production, full of good fun, catchy music, and ear haunting songs. Prominent on the cast are Tom Major, Kitty Major, and Jack Warman. They are artistes of great repute, and are famous for their versatility. Tom Major and Jack Warman are responsible for much of the fun, whilst Kitty Major is a sprightly lady, and she scores a big success with her songs and dances. There are other artistes doing capital work in the piece comprising George Lawrence, Edna Clyde, Betty Kitts, Arthur Brookes, and Amanda Day, besides the Verdun Troop of Dancers. These ladies are experts in their line' (Sunday Post, 3 September 1916). ‘The Palace Playhouse this week worthily deserves to be favoured with packed houses. Tom Major and Kitty Major, who are appearing in the successful “Stop Press” revue - or more accurately a musical burlesque - are artistes who enjoy a remarkable popularity in all parts of the kingdom. The production, which is under the personal supervision of Tom Major, is one which supplies a perfect wealth of merriment' (Dundee Courier, 12 September 1916). Also reviewed in the Dundee Evening Telegraph, 12 September 1916.
18 Sep 1916	Olympia Theatre, Glasgow	Professional	Read Narrative ‘Merriment abounds in the new burlesque “Stop Press,” which delighted big houses at the Olympia last night. The production is enhanced by capital singing, while the splendid scenic effects and dainty dresses are particularly pleasing to the eye. With Kitty Major, Tom Major, Betty Kitts, and Geo. Lawrence in the cast, everything goes with a fine swing' (Daily Record, 19 September 1916).
2 Oct 1916	Palace Theatre, Kilmarnock	Professional	Read Narrative ‘Mr Cummings is happily in luck for next week’s show, as he has been successful in securing [at the Palace] Magini and Coy, in that immensely popular revue, entitled, “Stop Press.” The artistes are popular and well known. The other turns include Chris Kenny, ventriloquist; and Pop Carson, who is making a return visit. The pictures will be, from Monday to Wednesday, “With the Kut Relief Force in Mesopotamia,” a British official war film; from Thursday to Saturday, “The Hidden City of Crime”’. Kilmarnock Herald and North Ayrshire Gazette, 29 September 1916.
16 Oct 1916	Hippodrome, Accrington	Professional	Read Narrative ‘Evidence of the popularity of the revue entertainment was again afforded at the Hippodrome last night, when Magini and Co. presented their latest success under the title of “Stop Press.” There is nothing very ambitious about the production from a spectacular point of view, but the humorous element is decidedly strong, and the reception accorded to the revue was most hearty. With such well-known and popular artistes as Kitty Major and Tom Major in the company there could be no doubt as to the success of the production, and anticipations were fully realised/. The laughter was continuous when this couple were on the stage, and the revue is certainly one of the most entertaining that has appeared locally for some time. Supporting them are other efficient artistes, including Margot Myne, George Brooks, Ivor Price, Sisters Wyse, Betty Kitts, and Frank Martyn, and the “Verdun” troupe of dancers contribute some graceful work. The revue is shown in five scenes, and the “stage rehearsal” is somewhat of a novelty that has the additional merit of being excellently performed. Another amusing feature is the representation of “a village tribunal,” which evoked roars of merriment'. Accrington Observer and Times, 17 October 1916.
23 Oct 1916	Lyric, Liverpool	Professional	Read Narrative ‘Foremost here [Liverpool Lyric Theatre] is the new revue “Stop Press,” sent by Magini and company, among the leading artists being Kitty Major, Tom Major, Betty Kitts, and Frank Martyn. The remainder of the bill is occupied by Frank Cass, comedian, and Mary True, whose concertina work earns rounds of applause’. The Era, 25 October 1916.
30 Oct 1916	Prince's Theatre, Blackburn	Professional	Read Narrative ‘Magini and company present [at Prince’s, Blackburn] the up-to-date revue, “Stop Press,” by James and Robert Hargreaves. Cast includes Kitty Major, Margo Mayne, Sisters Wyse, Betty Kitts, Tom Major, Ivor Price, George Brooks, Frank Martyn’. The Era, 1 November 1916.
13 Nov 1916	Gaiety Theatre, Birmingham	Professional	Read Narrative When the manager of the Stop Press company inserted an advertisement for a commanding juvenile lead in The Era, 15 November 1916, the address was the Gaiety, Birmingham.
27 Nov 1916	Hippodrome, Cheltenham	Professional	Read Narrative ‘The revue “Stop Press,” which is presented at. the Hippodrome [Cheltenham] this week, differs very largely from most shows of the class, and is certainty worthy of a better title. It is of a distinctly versatile character, approaching very closely on variety, and the scenes, as well as the “turns” which alternate between, possess a strong flavour of novelty, mingled with a buoyancy.md colour which contribute to make the show one of the best that has been seen at the Hippodrome. It is effectively dressed and well mounted, and the company numbers some talented artistes, including Tom Major and Miss Kitty Major' (Gloucestershire Echo, 28 November 1916).
11 Dec 1916	King's Theatre, Longsight, Manchester	Professional	Read Narrative ‘“Stop Press,” with Tom and Kit Major in the cast, is one long scream at the King’s Theatre’. Manchester Evening News, 12 December 1916.
25 Dec 1916	Tivoli, Hull	Professional	Read Narrative ‘The revue “Stop Press” pays a return visit to the Tivoli, where it is presented by Magini and Co. The cast includes Tom and Kitty Major, Margot Myne, Charles Levy, George Brooks, Betty Kitts, Frank Martyn, and Sisters Wyse. Crowded and enthusiastic audiences were kept in a hilarious mood. There are songs about the war and there is an amusing village tribunal scene. The songs “All Travel by the Sunshine Line,” When I Leave This World Behind,” and “There are a few there from Lancashire,” and the pathetic one about war, were all well received. There is another unusual scene representing a rehearsal of chorus girls for revue, which lends itself to much humorous business. Another diversion last night was a patriotic monologue from the conductor’s seat in the orchestra of a soldier’s brother on the Clyde laying down his tools for an advance in wages. There is a troupe of dancers, and, course, a beauty chorus appear' (Hull Daily Mail, 27 December 1916).
1 Jan 1917	Palace Theatre, Redditch	Professional	Read Narrative The Stage, 4 January 1917, listed Stop Press as On Tour from 1 January at the Palace, Redditch.
8 Jan 1917	Grand Theatre, Doncaster	Professional	Read Narrative ‘Magini and company present the revue, “Stop Press” [at the Palace, Doncaster] including the following: Kitty Major, Tom Major, Margot Myne, Charles Levy, George Brooks, Betty Kitts, Sam Shirke, Hector Bain, and Sisters Wyse; the Dental Riskits; the Four Hesseys, in scenes musical; and pictures’. The Era, 10 January 1917.
15 Jan 1917	Hippodrome, Gloucester	Professional	Read Narrative ‘The following is the programme for next week [at the Hippodrome]:- Special and expensive engagement of Magini and Co., presenting their latest London successful revue – “Stop Press.” The artistes are: Kitty Major, Tom Major, George Brooks, Sisters Wyse, Charles Levy, Hector Bain, Margot Myne, Sam Shirke, Betty Kitts. Verdun Troupe of Dancers. London Beauty Chorus’ (Gloucestershire Chronicle, 13 January 1917). ‘A distinct change in the usual variety programme of the Hippodrome is obtained by the revue “Stop Press,” written by James and Robert Hargreaves, and presented by Magini and Company. Though as is usual, the plot is flimsy; there is bright music, sparkling humour and any amount of work for the principals. Smart topical allusions are skilfully interwoven, high prices and taxation are touched upon, and there is also an exceedingly funny representation of a military tribunal ... Charles Levy gives an acceptable monologue during an interval from the conductor’s chair, entitled “His Brother on the Clyde.” The whole company work together with excellent results, and “Stop Press” has enjoyed a marked measure of popularity’ (Gloucestershire Chronicle, 20 January 1917). ‘Revue holds sway at the Hippodrome twice nightly throughout the week. The good qualities of Magini and Co.’s “Stop Press” are that it is well presented that the principal business is generously distributed amongst a number of competent people, that it makes effort to be neither sensational or shocking, and that it is sufficiently endowed with songs and ragtime music to be throughout a tuneful and attractive affair. Attention has been paid to the necessity of revue humour being within reasonable latitude, up to date ... The revue is nothing if not topical, and there are references to the Kaiser of course, the present high prices and taxation, and the military tribunal ... During an interval Charles Levy gives an effective rendering from the conductor’s chair of a monologue entitled “His Brother on the Clyde"' (Gloucester Journal, 20 January 1917).
22 Jan 1917	Empire, Stroud	Professional	Read Narrative ‘Mr. Rasbach has scored this week by booking Mr. Magini’s rollicking revue, “Stop Press" [at the Empire]. It is probably one of the best of its kind ever seen in Stroud. There is not a dull moment from beginning to end, and Monday night’s audiences thoroughly entered into and fully enjoyed the fun. In the first scene Tom Major scores in his songs “When I leave this world behind “ and “Percy, of Petticoat-lane,” while Kitty Major introduces herself as “Creeping Virginia,” and sings “Who’s She?” in a way that provokes hilarious laughter. Her jokes are all very cute and good. There are other principals, all of whom do their respective parts exceedingly well; and the tip to all is on no account to miss the revue at Stroud Empire this week. The London Beauty Chorus gets through a lot of work, as also does the Verdun Troupe of Dancers’. Gloucestershire Echo, 23 January 1917.
12 Feb 1917	Tivoli, Manchester	Professional	Read Narrative “Stop Press” is a smart revue well presented here [the Tivoli, Manchester] by Messrs. Magini and company, featuring Kitty and Tom Major, Betty Kitts, ably supported by Sam Sharke [sic - Shirke], Hector Bain, Margot Myne, Charles Levy, George Brooks, the Sisters Wyse, and Verdun Troupe of Dancers. There is plenty of fun, catchy songs and good dances. Bioscope completes’. The Era, 14 February 1917.
26 Feb 1917	Queen's Theatre, Holbeck, Leeds	Professional	Read Narrative ‘Patrons of the Queen’s Theatre cannot complain of lack of variety in the fare provided, as, following pantomime and drama, the attraction this week is Messrs. Magini’s company in a revue, entitled “Stop Press.” It provides a thoroughly enjoyable couple of hours’ entertainment. A good deal of enthusiasm was created last night by a stirring recitation delivered by the conductor relating to two brothers, one in France and the other out on strike on the Clyde. Another item which was warmly applauded was a scene wherein the entertainers were the wives of eight men who are serving or have served with the Colours. In the revue itself the singing of Mr. Tom Major stands out most prominently, while Miss Kitty Major is well to the fore in the humorous part’ (Leeds Mercury, 27 February 1917). Also reviewed in the Yorkshire Evening Post, 2 March 1917.
5 Mar 1917	Pavilion, Newcastle	Professional	Read Narrative ‘Revue in a new form, under the title of “Stop Press,” and running through five “columns,” will be the special attraction at the Pavilion next week. It is to be presented by Messrs. Magini and Co., who have secured such popular comedians as Kitty and Tom Major in the principal parts. The Verdun troupe of dancers and a London beauty chorus also figure in the piece. A musical sketch, “The Girls They Left Behind Them,” with eight soldiers’ wives in the cast, is to be presented by Tom Major’ (Newcastle Daily Chronicle, 3 March 1917). ‘There is some catchy music in the revue, “Stop Press,” which is being presented by Messrs. Magini and Company at the Pavilion, Newcastle, this week. The songs by the principals are for the most part well known, and the choruses are well sung by an attractive beauty chorus. The Verdun troupe of dancers are responsible for some new and fascinating dances. Tom Major, who personally supervises the production, is the principal comedian, and is well supported by Miss Kitty Major, the Sisters Wise, George Brooks, Margot Myne, Sam Shirke, Charles Levy, Hector Bain, and Betty Kitts. The revue is followed by a sketch, “The Girls They Left Behind Them,” in which eight soldiers’ wives appear’ (Newcastle Daily Chronicle, 6 March 1917). ‘“Stop Press” at [the] Pavilion. This popular revue is with us once more, and with new features added, and all the familiar ones retained, it swings along more merrily than ever ... As an interlude a striking sketch, “The Girls They Left Behind Them,” is introduced. This depicts a kitchen scene where the girls, now doing so much in the National Service, come home, and the parts are well played by eight soldiers’ wives. It is a splendid little entertainment in itself, and deserves the applause with which it is greeted’ (Newcastle Journal, 6 March 1917).
19 Mar 1917	Hippodrome, Balham	Professional	Read Narrative ‘“Stop Press” is this week forming the principal attraction at the Balham Hippodrome. Produced a little over a year ago, the revue seems to have enjoying been a fair measure of success; effective scenery, pretty dances, and a company of clever artists are the chief features that recommend it. Of story there is the merest suggestion, but many amusing scenes and pretty episodes are sufficient to satisfy the average amusement-seeker. Tom and Kitty Major are responsible for a great deal of the success attained. Whether acting, singing, or dancing, this couple are well to the fore, and play cleverly together, while any character they are called upon to impersonate is presented in an easy and humorous style. Among others who also lend good assistance are Charles Levey [sic], Hector Bain, and Betty Kitts, all now to the cast since we last saw the revue. They are very welcome, and their work is highly appreciated. The chorus, a well-trained one, accomplish their share in a sure and effective manner. “Stop Press” should continue to find many good audiences' The Stage, 22 March 1917).
26 Mar 1917	Hippodrome, Sheerness	Professional	Read Narrative The Era, 28 March 1917, listed Stop Press as On The Road from 26 March at the Hippo., Sheerness.
2 Apr 1917	Barnard's Palace, Chatham	Professional	Read Narrative The Era, 28 March and 4 April 1917, listed Stop Press as On The Road from 2 April at Barnard’s, Chatham.
9 Apr 1917	Royal Palace Theatre, Ramsgate	Professional	Read Narrative The Thanet Advertiser, 7 April 1917, advertised at the Royal Palace Theatre, Ramsgate, on Monday 9 April and during the week ‘Gigantic holiday attraction. Special and Expensive Engagement. Magini & Company present their Latest Successful London Revue – Stop Press! Cast includes: Kitty Major, Tom Major, George Brooks, the Sisters Wise, Margot Myne, Sam Shirke, Charles Levy, Hector Bain, Betty Kitts, Verdun Troupe of Dancers, London Beaty Chorus’. ‘There is another capital revue at the Palace Theatre, Ramsgate, this week. Miss Kitty Major, who is the life and soul of “Stop Press,” is a delight. As the “maid of the inn,” the tatterdemalion whose neighbours think she is no better than she ought to be, or merely as a handsome and splendidly dressed woman, Miss Major plays her part to perfection, and brims with low comedy of the most artistic as well the most mirth-provoking brand. But she is only one of the stars. Miss Betty Kitts sings popular airs with spirit and distinction, looks chic and dances with as much grace as cleverness. Mr. Hector Bain sings well and acts admirably; Mr. Charles Levy, with a good voice, brings down the house with a fine patriotic song; and little Margot Myne is a dainty little butterfly dancer who wins all hearts. In addition, there are a couple of really remarkable step dancers, one of whom makes an admirable second to Miss Kitts as a singer of taking ditties. Mr. Maurice Lee gives a gripping patriotic recitation from the conductor’s chair with fine effects and the Verdun Troupe of girl dancers delight the eye. Add to this a “male-impersonator” who as a prelude to the revue sings efficiently and does a step dance that brings down the house, a beauty chorus of really girls, and scenic effects that are novel and pleasing, and it will be seen that “Stop Press” is indeed a successful revue’ (Thanet Advertiser, 14 April 1917).
16 Apr 1917	Hippodrome, Margate	Professional	Read Narrative ‘Appearing at the Margate Hippodrome, Tom and Kitty Major have this week entertained large audiences with their production of the clever revue “Stop Press”’. Thanet Advertiser, 21 April 1917.
23 Apr 1917	Palace, Gravesend	Professional	Read Narrative When Miss Leta Oliver of the Stop Press revue inserted a theatrical card in The Stage, 26 April 1917, her address was the Palace, Gravesend.
7 May 1917	Garrison Theatre, Tidworth	Professional	Read Narrative The Era, 2 May 1917, listed Stop Press as On The Road from 7 May at the Garrison, Tidworth.
14 May 1917	Hippodrome, Birkenhead	Professional	Read Narrative ‘At the Birkenhead Hippodrome, this week, Magini and Co. present “Stop Press.” It is an excellent revue, and includes plenty of songs and dances; whilst a special feature of note was the excellent humour supplied by Miss Kitty Major, who scores a great success’. Liverpool Echo, 15 May 1917.
11 Jun 1917	Opera House, Dudley	Professional	Read Narrative The Dudley Chronicle, 26 May 1917, advertised ‘The Gigantic Revue, “Stop Press”’ at the Opera House and Hippodrome, Dudley in the week beginning 11 June.
20 Aug 1917	Metropole Theatre, Openshaw	Professional	Read Narrative The Manchester Evening News, 20 August 1917, advertised ‘Magini & Major present the Grand New Production, Special Edition of Stop Press Revue’ at the Metropole Theatre, Openshaw.
27 Aug 1917	Hippodrome, Rotherham	Professional	Read Narrative ‘The popularity of the revue with Rotherham audiences was again demonstrated last night at the Rotherham Hippodrome, when Major and Magini presented “Special Edition,” or “Stop Press,” featuring Miss Kitty Major. Five scenes full of “go” are included. They possess ample variety, two of the most popular being a war tune by “Soldiers’ Wives” and Pierrot tune by concert party. There is plenty of attractive music, sprightly choruses, and dancing, the company being well selected’. Sheffield Daily Telegraph, 28 August 1917.
10 Sep 1917	Empire Theatre, Barnsley	Professional	Read Narrative ‘Major and Magini present here [the Empire Palace, Barnsley] “Stop Press,” played twice nightly. The revue, which is in seven scenes, is excellently staged and dressed, the music is bright, and the singing, acting and dancing are good. The strong cast includes Lily Ennis, Kitty Major, Fred Anderson, Amy Pollard, Nelly Gannon, Betty Mayne, Nelly Ginnell [sic - Nellie Gwinnell], and Sam Shirke, who are successful in their different rôles. The Dorothy Troupe are responsible for several pleasing items’. The Stage, 13 September 1917.
17 Sep 1917	Hippodrome, Bolton	Professional	Read Narrative ‘Magini and Major’s musical comedy, “Stop Press,” is presented here [the Hippodrome, Bolton]. Kitty Major sustains the principal rôle. The cast also includes Nellie Gwinnell, Amy Pollard, Nellie Gannon, Ennis Mayne, and F. Anderson, who give a good account of their parts. The Dorothy troupe of dancers give pleasing exhibitions’. The Stage, 20 September 1917.
24 Sep 1917	King's Theatre, Longsight, Manchester	Professional	Read Narrative ‘“Stop Press,” which is performed by Messrs. Magini and Major’s company, is proving successful [at the King’s, Manchester]. Fred Anderson, the only male artist in the piece, is particularly active. Kitty Major, Ennis Myne, Nellie Gwinnell, Amy Pollard, and the Dorothy Troupe of dancers also contribute’. The Stage, 27 September 1917.
1 Oct 1917	Hippodrome, Rochdale	Professional	Read Narrative The Rochdale Observer, 29 September 1917, advertised at the Royal Hippodrome on 1 October and during the week ‘Magini and Major’s “Special Edition” of “Stop Press” Musical Comedy, Introducing all the Latest Tit-bits of the Revue World’, under the personal supervision of Tom Major. The revue comprised seven scenes: Summer Time, by Kitty Major and Company; Killing Time, by Dan Denton and Kitty Major; War Time, by the Soldiers’ Wives; Passing Time, by Ennis Myne and Kitty Major; Pierrot Time, by the Kit I. Did’s Concert Party; Fashion Time, Beauty and Dress; and Winter Time, by the full company. Other cast members named in the advertisement were Nellie Gwinnell, Amy Pollard, Nellie Gannon, True Steel and Sam Shirke. Also on the bill were La Petite Olivette, a dancing marvel and miniature actress-vocalist; Bairnsfather’s cartoons no. 5, and other interesting pictures; and Mdlle. Zampa, a graceful gymnast. Also, ‘The Hippodrome was crowded at each house on Monday evening, when the Major and Magini Company appeared in the “Special Edition of the Stop Press Revue.” Catchy songs, dances, and much nonsense are features of the revue, and the dresses are bright and attractive. A monologue entitled “The fellow with a conscience that objects,” given by Miss Kitty Major, has a popular ring about it. The principal vocalist is Miss Lily Ennis, and there is a capable chorus. Miss Kitty Major and Mr. Dan Denton are responsible for the laughter-producing department. The closing scene, “Winter time,” is a beautiful spectacle' (Rochdale Observer, 3 October 1917; a shorter version of the notice appeared in the Rochdale Observer, 6 October 1917).
15 Oct 1917	Junction Theatre, Manchester	Professional	Read Narrative ‘At the Grand Junction “Special Edition” continues to make merry, Kitty Major and Ennis Myne leading the way in a good company’. Manchester Evening News, 16 October 1917.
22 Oct 1917	Hippodrome, Salford	Professional	Read Narrative ‘The “Special Edition” of Stop Press Revue, which is appearing at the Salford Hippodrome, provides one of the best entertainments seen here for some time. Miss Kitty Major and “The Soldiers’ Wives” company are really excellent’. Manchester Evening News, 23 October 1917.
5 Nov 1917	Osborne Theatre, Manchester	Professional	Read Narrative The Manchester Evening News, 5 November 1917, advertised ‘Magini & Major present their Special Edition of Stop-Press Revue, Featuring Miss Kitty Major’ at the Royal Osborne Theatre. Also, ‘“The Special Edition” of the “Stop Press” revue continues to do well at the Broadhead theatres, and it is now making a hit at the Osborne’. Manchester Evening News, 6 November 1917.
12 Nov 1917	Alexandra Theatre, Widnes	Professional	Read Narrative The Runcorn Weekly News, 9 November 1917, advertised at the Alexandra, Widnes, on Monday 12 November and during the week, ‘Magini and Major present their Special Edition of Stop-Press Revue. Introducing all the Latest Tit-Bits of the Revue World, Featuring Kitty Major, Nellie Gannon, Violet Loftus, Violet Macauley, Bat Starr, Tubby Turner, Addie Botham, Margot May, Dick Montague, Ennis Myne, Tom Major’s “Soldiers’ Wives” Company, Tom Major’s “Kit-I-Dids” Concert Party Company, Dorothy Troupe of Dancers and London Beauty Chorus’.
19 Nov 1917	Empire, Garston	Professional	Read Narrative The Liverpool Echo, 16 November 1917, listed the Stop Press revue, including Tubby Turner, at the Garston Empire and commented, ‘“Stop Press,” the revue due at Garston Empire, has an alias, “Special Edition.” We have often thought of writing one – but second thoughts cropped up. Tubby Turner is the extra special in “Stop Press”’.
26 Nov 1917	Victoria Theatre, Broughton	Professional	Read Narrative When Tom Major advertised the Special Edition revue in The Stage, 22 November 1917, the address for the following week was the Victoria, Broughton, Manchester.
10 Dec 1917	Hippodrome, Mexborough	Professional	Read Narrative ‘Mexboro’ Hippodrome patrons are next week to be again favoured by revue, when Messrs. Magini and Major are due to present their special edition of “Stop-Press Revue,” a production that after a remarkably long and successful run has been brought right up-to-date, and in its new form promises to surpass all precious records it has created ... The revue features a popular comedienne in Miss Kitty Major, who among other numbers will sing “A few here from Lancashire,” “Who’s She?” and a cleverly written monologue, “The fellow with a conscience who objects"' ... The revue should draw well’ (South Yorkshire Times and Mexborough & Swinton Times, 8 December 1917). ‘Revue of a particularly enjoyable type has been attracting big crowds to the Hippodrome this week. The visit of Messrs. Magini and Majors company in “Special Edition of Stop-Press Revue” has, indeed, provided local patrons with one of the best expositions of this form of entertainment seem here for some time ... in scene 5 Miss Kitty Major introduces a clever concert party of five ladies, three of whom are soldiers’ wives, one a soldier’s widow, and one a soldier’s daughter. Needless to say, they have a big and well-deserved reception ... Miss Kitty Major is a sparkling comedienne., and establishes herself a favourite with her first number, “Who’s She?” Another good item is a topical song, “A few here from Lancashire,” and she also gives a monologue which is extremely severe on the conscientious objector, viz., “The Fellow with a conscience who objects." ... Nellie Gannon [sings] "I didn’t want my boy to be a soldier"' (South Yorkshire Times and Mexborough & Swinton Times, 15 December 1917).
17 Dec 1917	New Theatre, Crewe	Professional	Read Narrative ‘“Special Edition” which is being presented by Messrs. Major and Magini at the New Theatre during the week, has an acceptable military flavour. The songs are for the most part reminders of “Tommy” and “ack,” and the singers are the wives, mothers, daughters and relatives of soldiers and sailors. One of the most entertaining items is that provided by Tom Major’s soldiers’ wives, who are a tremendous success in the song, “I Didn’t Want My Boy To Be a Soldier.” Miss Kitty Major is a delightful vocalist. There is an excellent chorus. The monologue “The Follow With a Conscience Which Objects” is one of the best features of the programme. Mr. Nelson Blakey is a rattling good comedian' (Nantwich Guardian, 21 December 1917).
21 Jan 1918	Temperance Hall, Merthyr Tydfil	Professional	Read Narrative ‘No one should miss seeing Mr. Tom Major’s special edition of the “Stop Press Revue” running at the Temperance Hall this week. The majority of the company is composed of wives and daughters of soldiers, men who have left the stage to fight for King and country, and whose dear ones have returned to the footlights in order that their husbands and fathers may take their share of hard fortune without extra cost to the State. Among the company are Miss Kitty Major, Misses Ennis Myne, Rhoda King, Violet Loftus, May Holt, Batt Starr, Peggy Sweby, Dorrie Don, Margot May, Dick Montague and Nelson Beakey, every one born actresses and actors. There are seven scenes in “The Stop Press Revue,” and from start to finish there is a delightful entertainment ... In one scene a lady contributes a war song, “Is it nothing to you?” which enraptured her hearers, and in another scene Miss Major recites some thrilling lines on “Peace,” telling of the pitiful sights to be seen in Belgium, which bring home to everyone the tragedy of war. She tells the story of fire and sword, and desolation, and introduced the tragedy of the sinking of the Lusitania. All through the revue there is the watchword “For King and country,” the songs are apt, and band and chorus do their share meritoriously. There are beautiful dresses, and the revue goes with a swing and dash which from the first moment creates an inspiring atmosphere. Do not fail to visit the Temperance Hall to-night (Friday) or Saturday’. Merthyr Express, 26 January 1918. ( the Cunard liner R.M.S. Lusitania was sunk by a German U-boat on 7 May 1915.)
11 Feb 1918	Olympia, Tredegar	Professional	Read Narrative The Era, 13 February 1918, listed Special Edition as On The Road from 11 February at the Olympia, Tredegar.
18 Feb 1918	Grand, Aberaman	Professional	Read Narrative When Tom Major advertised in The Stage, 21 February 1918, for theatres for Stop Press for the following Monday (25 February) and for 18 and 25 March his address was the Grand, Aberaman. The show’s cast included Kitty Major, comedienne, Tubby Turner, Lancashire comedian, Fred Harris, Welsh comedian, Ennis Mayne, principal boy, and a full company of performers. But N.B. The Era, 13 February 1918, listed Special Edition as On The Road from 18 February at the G., Aberavon.
25 Mar 1918	Hippodrome, Cheltenham	Professional	Read Narrative The Cheltenham Looker-On, 16 March 1918, advertised at Gillsmith’s Hippodrome, Albion Street, Cheltenham from Monday next 18 March [sic] ‘Tom Major presents his Special Edition Revue, Introducing all the latest Tit-Bits of the Revue World, featuring Kitty Major, Rhoda Ring, Violet Loftus, May Holt, Sisters Desmond, Tubby Turner, Arthur Stanley, Dorrie Don, Jay Junior, Peggie Sweby, Julia Way Blossom, Ennis Myne, Tom Major’s “Soldiers’ Wives” Compy., and “Kit-I-Dids” Concert Party. Troupe of Dancers & Beauty Chorus’. ‘Mr. Tom Major’s company are appearing at the Hippodrome this week in a “Special Edition” revue, featuring revuesical tit bits in a series of bright and entertaining scenes ... A war-time scene, introduced by Miss Kitty Major in collaboration with members company who are soldiers’ dependants, makes a particularly strong appeal' (Gloucestershire Echo, 19 March 1918). ‘The Hippodrome reverts to revue during the present week. “Special Edition” presented by Tom Major follows the now traditional revue lines, which is no more nor less than a sequence of vaudeville turns with a beauty chorus as a background. Of story there is not a vestige, but that now-a-days is never in the list, and consequently never missed ... The scenes number seven; that of Mrs. Murphy’s kitchen is given by some six dependents of either soldiers or sailors who have now returned to their old profession. This is Kitty Major’s opportunity, and she and her comrades “carry on” right merrily with song, and merry jest at the present-day war-worker. They had a great reception on Monday evening. Kitty Major also renders a monologue written by a wounded Tommy, in which he says what he thinks of the conscientious objectors' (Gloucester Journal, 30 March 1918; also a similar review in the Gloucestershire Chronicle, 30 March 1918).
6 May 1918	Scala Theatre, Seacombe	Professional	Read Narrative ‘Bright and snappy is the revue “Special Edition,” at the Seacombe Scala. Starring in a top-notch company are Kitty Major, Tubby Turner, and Ennis Myne’. Liverpool Echo, 7 May 1918.
13 May 1918	Queen's Park Hippodrome, Manchester	Professional	Read Narrative ‘A striking performance is given by Tom Major’s company of the revue “Special Edition” at the Queen’s Park Hippodrome. The whole piece goes with a merry swing, the singing and dancing being exceptionally good’ (Manchester Evening News, Wednesday 14 May 1918). Also the Manchester Evening News, Wednesday 15 May 1918, advertised at the Queen’s Park Hippodrome ‘Tom Major presents his up-to-date Revue “Special Edition”. Cast includes Kitty Major, Tubby Turner, Ennis Myne’.
27 May 1918	Queen’s Varieties, Castleford	Professional	Read Narrative ‘Tom Major is presenting his Special Edition [at the Queen’s Varieties, Castleford]. It is a pretty show and funny. Kitty Major is popular. Tubby Turner causes amusement. The Soldiers’ Wives company give a popular turn. The Dorothy Troupe dance themselves into favour. Other good turns are given by Rhoda Ring, May Baron, Lilian Ravenscroft, Jack Wildash, Dorrie Don, Jay Junior, Peggy Sweby, and Julia May Blossom’. The Stage, 30 May 1918.
22 Jul 1918	Theatre Royal, Jarrow	Professional	Read Narrative ‘On Monday evening, Mr. T. Major presented his new production, “Special Edition,” for the first time to the public at the local theatre. It is full of songs, and fun. An interesting feature being that several of the lady members are the wives of soldiers or sailors,, and one is the wife of a prisoner of war. These ladies had all retired from the stage when they married, but on the outbreak of war they returned to the business ... An interesting monologue is given by Mrs. Major, its rendering on Monday being much appreciated'. Jarrow Express, 26 July 1918.
29 Jul 1918	Borough Theatre, North Shields	Professional	Read Narrative ‘An excellent performance was given at each house at the Boro’ Theatre, North Shields, last night. The principal attraction was Tom Major’s “Special Edition,” a very interesting and amusing revue, with music by J. E. Machin. Among the principal artistes are such favourites as Kitty Major, Tubby Stevens, and Frank Gregory, hoop manipulator. One of the features is the “Soldiers’ Wives” Company, composed of dependants on soldiers. Other performers who take a prominent part are Jay Junior, May Baron, Nora Hilton, and Lily Ennis, and the Dorothy Troupe of Dancers' (Shields Daily News, Saturday 30 July 1918).

Stop Press

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