Tivoli, Hull

Noted in the Hull Daily Mail, 2 June 1916: ‘“Stop Press” – Tivoli … next week. Latest in revue. Music by Ragini [sic]. Stated to be excellent cast – T. Major, Kitt [sic] ditto, Geo. Lawrence, Edna Clyde, A. Bruhe, Betty Kitts, A. Day, and Jack Warman. Variety also. Also, ‘The Tivoli was crowded last, night for a light production of the revue order entitled “Stop Press,” the book of which is by James and Robert Hargreaves, and the music and songs by Maginj. Mr Caffyn Baxter is the musical director for Magini and Co., and the leaders are Tom and Kitty Major. There are five scenes, and the production was well received. The Fourits, a quartette of young vocalists and wooden shoe dancers, contribute an entertaining “turn.” The Irish song “Mary from Tipperary,” by a clever juvenile, was very enthusiastically received' (Hull Daily Mail, 6 June 1916). ‘The Stop Press revue is well staged with pretty scenes and smart dresses, and is brimful of fun. Tom and Kitty Major deserve much praise. The capable company are well received' (The Stage, 8 June 1916).

‘The revue “Stop Press” pays a return visit to the Tivoli, where it is presented by Magini and Co. The cast includes Tom and Kitty Major, Margot Myne, Charles Levy, George Brooks, Betty Kitts, Frank Martyn, and Sisters Wyse. Crowded and enthusiastic audiences were kept in a hilarious mood. There are songs about the war and there is an amusing village tribunal scene. The songs “All Travel by the Sunshine Line,” When I Leave This World Behind,” and “There are a few there from Lancashire,” and the pathetic one about war, were all well received. There is another unusual scene representing a rehearsal of chorus girls for revue, which lends itself to much humorous business. Another diversion last night was a patriotic monologue from the conductor’s seat in the orchestra of a soldier’s brother on the Clyde laying down his tools for an advance in wages. There is a troupe of dancers, and, course, a beauty chorus appear' (Hull Daily Mail, 27 December 1916).

‘Mr Harry Goodson’s fine scene revue, “Jolly Times,” bears a most appropriate title, and the fact that a strong military element is introduced should enhance its reputation. Of the five scenes three are laid “Somewhere France,” and the characteristic cheeriness of Tommy Atkins under all conditions is admirably presented. The final scene, “A Dancing Saloon and Cafe in Paris,” is notable on account of the beautiful dresses, which are essentially Parisian. The laughter maker of the production Joe. Alexandre, who is seen as Squibby Brown (afterwards Corporal Squibbs). He is a genuine trench humourist, and would do credit to Bruce Bairnsfather’s famous “Old Bill.” Mirth runs riot when Squibby’s irate Colonel, Lord Hugh Malcombe, finds him rather unsteady on his feet owing to having indulged none too wisely, but too well. Joe. Alexandre has an admirable partner in Joseph Victor, who appears in the role of Lance-corporal Moppitup. The “star” vocalist of the revue was undoubtedly Peter McSweeney (Pte. and Hon. Owen Malcombe), who is a gentleman ranker. His song praising the old contemptibles of 1914 is exceptionally well rendered, and evokes much applause. “It’s a long way no longer” also received the plaudits of the appreciative audience. A fascinating “Waac” is Florence Williams, who gives “Down on the farm” and “I’ve been walking out with my Waac.” Sadie Gerrard (an American) sees Madge Merle to advantage. Her songs are given with a strong American accent, and she also excels as a “Jazz” dancer. Dorothy Vernon as Muriel, the canteen girl, is successful’. Hull Daily Mail, 29 April 1919.