Great War Theatre

Performances at this Theatre

DateScriptType
N/A His Mother's Son V-CUnknown
25 Jan 1915 In Time of WarProfessional
6 Dec 1915 His Mother's RosaryProfessional
16 Dec 1915 His Mother's Son V-CProfessional
14 Apr 1916 Brave Women Who WaitProfessional
Read Narrative
Twice nightly
8 May 1916 The Soldier PriestProfessional
Read Narrative
Performers: Matthew H Glenville and Co.
26 Jun 1916 John Raymond's Daughter or A Soldier's Love ChildProfessional
Read Narrative
Performed twice nightly. 'Eva Elwes got very close to human nature when writing this play, which is well worth seeing.' ('Hull Daily Mail', 27 June 1916, p. 4)
14 Aug 1916 Joy - Sister of MercyProfessional
21 Aug 1916 The Sunshine of Paradise AlleyProfessional
25 Sep 1916 Heaven at The HelmProfessional
1 Oct 1916 PalsProfessional
Read Narrative
'That a good part of this play has as its background the fighting areas of France must counted to it for merit in the eyes of those to whom it is addressed. It is melodrama, but also tonic. This is its first visit to the city, where it seems to have had a cordial welcome.' ('Hull Daily Mail', 3 October 1916, p. 3)
27 Nov 1916 Should a Woman Forgive?Professional
Read Narrative
Performed by Will Casey and company.
1 Jan 1917 The Amazing MarriageProfessional
Read Narrative
Performed twice nightly for the week.
22 Feb 1917 The Cottage GirlProfessional
Read Narrative
'There is more simplicity and less strain in the play which is at this house this week than has been usual for some time past. Moreover, there is no allusion to the war and its problems, and no really deep-dyed villainy in the domestic circle. It is an English rural story, in which figure the red coats of the hunt, the squire, the villagers, and so forth.' ('Hull Daily Mail', 20 February, 1917 p. 3).
26 Feb 1917 Married Midst Shot And ShellProfessional
9 Mar 1917 A Mother's PrayerProfessional
Read Narrative
Twice nightly. ' ... a capital healthy and stirring drama of the sea, which should attract the particular attention of the naval man on holiday and his friends. It is well written, and played with vigour and discrimination by a talented company.' ('Hull Daily Mail', 10 April 1917, p. 2)
7 May 1917 Honour the Man You WedProfessional
Read Narrative
Twice nightly performances
29 Oct 1917 Mother’s Sailor BoyProfessional
Read Narrative
Performers: Dot Stephens Co
18 Feb 1918 The Fishermaid of Old St MaloProfessional
Read Narrative
'The play is a very popular one, and Mr C. Watson Mill should do good business this week. Refinement rather than sensation is the keynote.' ('Hull Daily Mail', 19 February 1918, p. 3)
20 May 1918 John Raymond's Daughter or A Soldier's Love ChildProfessional
Read Narrative
Presented by the Watson Mill Stock Company
22 Jul 1918 Heaven at The HelmProfessional
Read Narrative
Performed by Harry Tresham (John Hope), John Hooker (Robert Charlton), F Thorpe Tracey (Simon Keen), Will E Moss (Tom Tough), Charles Yorke (Otto Brandt), Arthur Bell (Capt. Johnson),Harry Harrop (Dr Stanton), Nancy Mitchell (Winnie Wilson), Miss Bell (Mrs Brandt), May Payne (Isobelle Brandt), Dora Marriott (Elsie Maynard).
12 Aug 1918 His Mother's RosaryProfessional
9 Sep 1918 Mother’s Sailor BoyProfessional
Read Narrative
Performers: Watson Mill Stock Repertory Company
18 Nov 1918 When The Joy Bells Are RingingProfessional
Read Narrative
Performed here between 18 and 23 November with a cast including Harry Tresham (actor), John Hooker (actor), and Miss Marrott (actress). The 'Hull Daily Mail' reviewed the play on 19 November 1918 and wrote: 'The play selected this week by the Watson Mill Company is not, as some might be led to believe, a play written round the victory of the Allies. It is, however, a military play and is on the same lines as 'His Last Leave'. Clifford Rean, the author, has a thorough grasp of the emotions of the melodramatic audiences of the present day, and creates some strong character drawing. The story deals with the remarkable resemblance of two men entirely unknown to each other. No wonder that the old father was taken in by the impersonator of his soldier son. All ends well, for the real son of the Squire of Hindmarsh eventually returns from the war and is reunited to his family once more. Mr Harry Tresham fills the two roles - one Sidney Wildmarsh, son of the Squire of Staplemoor, and the other a jewel thief named Ned Henderson. The former has been married secretly to the niece of the village parson. After his return to the front the “double” presents himself, and complications ensue. Eventually, both the parson and his young niece are driven from the village in disgrace. In the last scene the young squire, who had lost his memory through shell shock, returns in time to claim Myrtle as his wife. Mr John Hooker as the Squire, Miss Marrott as Myrtle, and the rest of the company gave of their best, the piece “going” with a smoothness we are now accustomed to from this company’.
2 Dec 1918 Girl MotherProfessional
Read Narrative
Twice nightly
9 Dec 1918 Back to the Wife and Home [Home from the Trenches]Professional
Read Narrative
Mentioned under the title Home From The Trenches in advertisements in the Hull Daily Mail, 9-13 December 1918.
29 Dec 1919 Love's Young DreamProfessional
1 Mar 1920 By Pigeon PostProfessional
Read Narrative
Arthur Hardy (producer), C. Haviland Burke (actor), Bertram Marsh-Dunn (actor), Baliol Holloway (actor), Garrett Hollick (actor), Charles Poulton (actor), Tommie Butler (actress), Queenie Finnis (actress) 'Four years of warfare have provided ample material for spy plays..Arthur Hardy's capable company present it with a full sense of the responsibility that a spy plot in the Air Service entails.' (Hull Daily Mail, 2 March 1920)
20 Sep 1920 Seven Days LeaveProfessional