The Black Sheep Of The Family

The Era, 24 May 1916, reviewed The Black Sheep of the Family, a ‘Drama, in Four Acts, by Gladys Hastings Walton, Produced at the Theatre Royal, Stratford, on Monday, May 16’. It listed the cast: The Hon. Ralph Sylvester … Arthur Hinton Lionel Sylvester … J. Knox Orde Lord Arlingham … Chauncey Morris Tough MacCoy … Roland Willis Jobson .. Louis Weston Bud Rawson … Leslie Wynton Dr. Mackham … Harry Deane Inspector Wilson … Fred Sharpe Judge Smythe … Arthur Acton Barrister Lumley … Oscar Lynne Lady Arlingham … Mrs. Henry Gascoigne Blanche Maitland … Nina Mallam Mary Leigh … Gladys Hastings Walton Mammy Dinkie … Beatrice Annersley Loyale Dare … Ethel Monton. The Era’s review began, ‘“The Black Sheep of the Family” is not a war play, but Miss Gladys Hastings Walton having contrived that her hero should join His Majesty’s Forces and win the D.S.O., the new drama is not wanting in the interest which attached to the tremendous struggle which is in progress in Central Europe. It is to Miss Walton’s credit as a playwright that she is able to bring down the curtain upon a skilfully planned dramatic crisis in the story without going beyond the limits of probability, and she has also shown discretion in not overdoing the “comic relief” – a common fault in plays of the popular order. The plot runs upon rather familiar lines, illustrating, as it does, the unfair treatment of their children of which some parents are guilty’. The review then describes the plot, including that the hero, Ralph Sylvester, goes to New York where he rescues a wealthy young woman, Loyale Dare, from a gang of toughs. He agrees to her plea that he should return to his own country and enlist, and he returns home a year later wounded and decorated with the D.S.O. The Stage, 25 May 1916, reviewed the play, listing the cast as in The Era. The review began, ‘The practice of adopting the name of a popular song as the title of a play is gradually on the increase … Gladys Hastings Walton has constructed an interesting and workmanlike play with no lack of movement, plenty of comic relief, and a well-developed plot. Certainly there are an unnecessary number of references to the “Black Sheep” throughout the play, and the *”Lusitania” speech, put into the mouth of an American character, could be eliminated with advantage, but these are trifles that can speedily be adjusted’. The review then describes the plot and some of the actors’ performances, concluding, ‘To judge from the warm reception accorded The Black Sheep of the Family on the night of our visit, Mr. Hinton has secured a play that should make a strong appeal to popular audiences and emulate the success of former enterprises of his’. [* The Cunard liner R.M.S. Lusitania was sunk by a German U-boat on 7 May 1915; 128 American citizens were among the dead.]

‘“The Black Sheep of the Family” will occupy the stage of the Elephant Theatre during the week. Matinees, Monday and Thursday, 2.30’ (The People, 28 May 1916). The Black Sheep of the Family ‘is this week repeating its success at the Elephant and Castle’ (The Era, 31 May 1916).

‘Miss Gladys Hastings Walton has written a topical play entitled “The Black Sheep of the Family,” and it is being given at the Theatre Royal, Smethwick, this week. Last night there was a capital send off. Mr. Arthur Hinton appeared in the role of Ralph Sylvester’ (Birmingham Daily Gazette, 6 June 1916).

‘Arthur Hinton, Ltd., last night presented a new drama [at the Aston Royal], entitled “The Black Sheep of the Family,” by Miss Gladys Hastings Walton, and the play attracted good houses. The authoress appeared in one the principal characters, with marked success, and Mr. Arthur Hinton figured in the title role’ (Birmingham Daily Gazette, 13 June 1916).

‘The Black Sheep of the Family is the excellent drama which occupies the boards during the week [at the Royal, Oldham]. Six scenes, full of interest, keep the audience entertained throughout, the plot being an excellent one. Mr. A. Chris Hinton, in the title rôle of Ralph Sylvester, makes much of the character, and is well received. His brother, Lionel, is in the capable hands of J Knox-Orde. Ethel Monton has the delineation of Loyale Dare, a task which she accomplishes with much skill. The remaining characters are in capable hands’ (The Stage, 22 June 1916).

The Era, 28 June 1916, listed The Black Sheep of the Family as On The Road from 26 June at the Grand, Halifax; similarly The Stage, 22 June 1916. Advertised in the Halifax Evening Courier, 29 June 1916: ‘Arthur Hinton, Ld. [sic], present an Up-to Date Drama “The Black Sheep of the Family”’.

When Arthur Hinton advertised for theatres for his ‘latest and greatest success’, The Black Sheep of the Family, in The Era, 5 July 1916, he gave his address as the T.R., Dewsbury. Also, The Era, 5 July 1916, listed The Black Sheep of the Family as On The Road from 3 July at the T.R., Dewsbury.

‘Quite one of the best dramas that has been seen at the Hippodrome for some time is being staged there this week. It has the somewhat melodramatic title of “The Black Sheep of the Family,” but although there are a few lapses into the melodramatic and the farcical in the story, on the whole it is good sound drama above the ordinary level in merit of the twice nightly production. The situations are not very much strained for the purpose of getting effect; and the lines are often well written. In view of the fact that the period of the drama ranges from 1913 to 1916 and concerns the affairs of a noble British family, it is not altogether surprising that the war is brought into the story, but this is done only to show that “the black sheep always make the best fighters.” Mention of the war allows the authoress (Miss Gladys Hastings Walton) to get in some neat comment on “neutrality.” In other respects the drama, although cast somewhat on the usual lines, is raised above the mediocre. The comedy is kept in its proper place in relation to the other elements in the story. On the whole the drama is well worth seeing. It well acted. Mr. Arthur Hinton plays “the black sheep” very successfully, and Miss Ethel Monton as Loyale Dare, an American heiress, acts quite convincingly. The authoress, Miss Gladys Hastings Walton, appears in the smaller part of Mary Leigh, a housemaid around whose betrayal the whale story revolves. Other parts are played Mrs. Henry Gascogne, Miss Nina Mallam, Miss Beatrice Annersley, Mr. J. Knox-Orde, Mr. Chauncey Morris, Mr. Roland Willis, Mr. Louis Weston and Mr. J. B. Tully’. Huddersfield Daily Examiner, 11 July 1916.

When Arthur Hinton advertised for theatres for his ‘latest and greatest success’, The Black Sheep of the Family, in The Era, 19 July 1916, he gave his address as the T.R., Rochdale. Also The Era, 19 July 1916, listed The Black Sheep of the Family as On The Road from 17 July at the T.R., Rochdale.

Advertised in the Wigan Observer and District Advertiser, 22 July 1916, as ‘a new up-to-date drama … An Interesting Play, full of Heart and Gripping Incidents’: twice nightly at 7 and 9 with a Monday matinee. When Arthur Hinton advertised his ‘latest and greatest success’, The Black Sheep of the Family, in The Era, 26 July 1916, he gave his address as the Hip., Wigan.

‘At the Prince’s Theatre next week a new and original pay entitled “The Black Sheep of the Family” will be presented by Mr. Arthur Hinton’s company. The cast includes Miss Ethel Monton, who plays the part of “Loyal Dare,” an American heiress, and Mr. Hinton himself pourtrays [sic] “Ralph Sylvester,” the “Black Sheep.” The story of the play is by Miss Gladys Hastings Walton, and abounds in strong situations It also has a vein of sparkling comedy running through it. The play has been a big success in London and the provinces. All scenery and effects are travelled; in fact it is described as “some” show’. Bradford Weekly Telegraph, 28 July 1916.

‘Next week … Arthur Hinton’s “Black Sheep of the Family” will be at [Mr. Frederic Baugh’s] Palace, Bow’ (The Era, 2 August 1916). The Era, 9 August 1916, listed The Black Sheep of the Family as On The Road from 7 August at the Pal., Bow.

The Era, 16 August 1916, listed The Black Sheep of the Family as On The Road from 14 August at the Palace, Battersea, presumably with Arthur Hinton's touring company.

‘Next week’s attraction at the Opera House will be an entirely new production by Mr. Arthur Hinton, entitled “The Black Sheep of the Family.” The company is a strong one, embracing as it does such well-known names as J. Knox Orde as “Lionel Sylvester,” Mr. Arthur Hinton as “Ralph Sylvester, the Black Sheep,” Miss Ethel Monton as “Loyale Dare,” and Miss Gladys Hastings Walton (the authoress) as “Mary Leigh.” The dresses and costumes are a special feature. The drama is in six scenes and will be given in its entirety twice nightly, with a matinee on Saturday at 2.30’ (Coventry Herald, 18 August 1916; also the Coventry Evening Telegraph, 19 August 1916). ‘At both performances last night “The Black Sheep of the Family” completely filled the popular parts of the Opera House ... There are no dull moments in “The Black Sheep of the Family,” and a very great deal to admire. It is both a well-written and a well-produced play’ (Coventry Evening Telegraph, 22 August 1916).

The Era, 30 August 1916, listed The Black Sheep of the Family as On The Road from 28 August at the Victoria, Walthamstow. Mrs. Henry Gascoigne, a member of Arthur Hinton's 'Black Sheep' company, inserted a theatrical card in The Era, 30 August 1916, giving her address as the Victoria, Walthamstow.

‘At the Theatre Royal Mr. Arthur Hinton and company made a tremendous hit with “The Black Sheep of the Family,” in which the black sheep (Mr. Hinton) shows up to advantage as compared with his “good” brother. There are many exciting episodes’ (Sheffield Independent, 5 September 1916). ‘The return visit [sic?] of “The Black Sheep of the Family” met with a cordial welcome on Monday’ at the Theatre Royal, Sheffield (The Era, 6 September 1916).

‘The Black Sheep of the Family is the title of a gripping drama which occupies the boards at the popular Wellington street playhouse [the Theatre Royal] this week. It is a new and up-to-date drama, and is being produced before good audiences, who follow it with keen interest. Mr. Arthur Hinton, an actor of great capability, sustains the title role as “Ralph Sylvester.” He is turned away from home chiefly through the evil plotting of his younger brother (Lionel), who is eager to become heir to the property of his father, “Lord Arlingham.” Ralph becomes associated with a pack of vagabonds in New York, but, however, meets a loyal friend in “Loyale Dare,” and after many hardships returns home to hear that his brother Lionel had shot himself before the police could got hold of him. It is a most exciting play, and is cleverly pourtrayed [sic] by Mr. Arthur Hinton Limited’s Company. There are many artistes worthy of mention who assist Mr. Arthur Linton [sic]. Miss Ethel Manton [sic] ably fulfils the role of “Loyale Dare,” Mr. J. Knox [sic] “Lionel Sylvester,” Mr. Chauncy Morris “Lord Arlingham,” Mr. Louis Weston “Jobson,” and Mrs. Henry Gascoigne “Lady Arlingham,” are also very prominent’. Barnsley Independent, 16 September 1916.

‘“The Black Sheep of the Family” … is the title of the drama which is being played at the Crewe New Theatre. The play is well staged, and the various characters are sustained by well-known artists’. The actors named are Arthur Hinton, J. Knox Orde, Chauncy Morris, Roland Wallis [sic], Ethel Monton, Beatrice Annersley, Gladys Hastings Walton, Mrs Henry Gascoigne and Nina Mallam. Nantwich Guardian, 19 September 1916. Also the same newspaper 22 September 1916.

‘A new drama entitled “The Black Sheep of the Family” is presented at the Theatre Royal by Messrs. Hinton’s company, and last night its humour and pathos won general praise. The story deals with the waywardness of the Hon. Ralph Sylvester, the “black sheep” of the family, who, after going through many vicissitudes, makes good. There are several exciting incidents. The leading characters are in capable hands. Mr. Arthur Hinton, in the title role, is a distinct success; and Miss Ethel Monton plays the part of the heroine in an attractive manner. Mr. Chauncy Morris sustains the part of Lord Arlington [sic] in an able manner’ (Leeds Mercury, 26 September 1916). ‘Well staged and well played, the drama, “The Black Sheep of the Family,” produced at the Theatre Royal this week, mainly concerns two brothers, the sons of a peer. The younger, the real rascal, is held up by his parents as a paragon of virtue, whilst the other is not half so black as they paint him. The heir to the title shoulders many of his brother’s wrong doings and goes into exile. There are episodes of life among New York hooligans and cut-throats, and then he hies him to France, under an assumed name, to earn in battle the inevitable distinction and a shattered arm. The leading characters are all in capable hands’ (Yorkshire Evening Post, 26 September 1916).

‘‘‘The Black Sheep of the Family,” with which Mr. Arthur Hinton and his company last night commenced their engagement at the Grand Theatre, is melodrama of a thoroughly popular order, with an interesting story and a strong emotional thread. It received an admirable interpretation from Mr. Hinton, Miss Ethel Monton, Mr. J. Knox Orde, and Miss Gladys Hastings Walton, who is the authoress of the play’ (Nottingham Evening Post, 3 October 1916). ‘The company of Arthur Hinton, Ltd., are capitally presenting the drama, “The Black Sheep of the Family.” As the n’er-do-well and callous Ralph Sylvester Mr. Hinton plays with strong and convincing effectiveness. The part of Loyale Dare is feelingly and expressively rendered by Miss Ethel Monton. The authoress (Miss Gladys Hastings Walton) shows excellent ability in her portrayal of Mary Leigh; and other rôles are well filled by Mr. J. Knox Orde, Mr. Chauncy Morris, Mr. Roland Willis, Miss Beatrice Annersley, and Miss Nina Mallam’ (The Era, 4 October 1916).

‘Mr. Arthur Hinton, Ltd., are touring “The Black sheep of the Family” here [Theatre Royal, Ashton-under-Lyne]. Miss Ethel Morton [sic], as Loyale Dare, wins much favour for her excellent characterisation. Mr. Arthur Hinton gives a clever conception of the Hon. Ralph Sylvester. Mr. Knox Orde is also a capable interpreter of character. Other artistes in the cast are Miss Nina Mallam, Mrs Henry Gascoigne, Misses Gladys Hastings Walton, Beatrice Annersley, and Messrs. Channay [sic] Morris, Roland Willis, Louis Weston, W. T. Bartle, H. Deane, Geo. Willing, Arthur Acton, Oscar Lynne’ (The Era, 11 October 1916).

When Arthur Hinton advertised in The Stage, 19 October 1916, for a ‘recognised juvenile gent.’, he gave his address as the Hippodrome, Altrincham.

Advertised in the Manchester Evening News, 23 October 1916, as ‘Arthur Hinton’s, Ltd., new and up to date drama’. Also, ‘At the Salford Hippodrome “The Black Sheep of the Family” provides a most interesting story’ (Manchester Evening News, 24 October 1916).

‘“The Black Sheep of the Family” makes a good entertainment at the Osborne’. Manchester Evening News, 31 October 1916, which carried a separate advertisement for ‘Arthur Hinton, Ltd., presents a New and Up-to-date Drama, The Black Sheep of the Family’ at the Royal Osborne Theatre. Also, ‘Arthur Hinton, Ltd., presents here [the Royal Osborne Theatre, Manchester] this week Gladys Hastings Walton’s drama, “The Black Sheep of the Family,” with a strong cast, including Mr. Arthur Hinton as Ralph Sylvester (the title-rôle), Miss Ethel Monton as Loyale Dare, Mr. J. Knox-Orde as Lionel Sylvester, and Miss Walton, the authoress, in the part of Mary Leigh’ (The Era, 1 November 1916).

The Era, 8 November 1916, listed The Black Sheep of the Family as On The Road from 6 November at the T.R., Woolwich, presumably with Arthur Hinton's touring company.

‘A particularly interesting new domestic drama, “The Black Sheep of the Family,” is being presented here [the Grand Theatre, Plymouth] by the popular stock company’ (The Era, 15 November 1916). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘“The Black Sheep of the Family,” a new and up-to-date drama, attracted crowded houses to the Bordesley Palace Theatre last night. The piece is well staged, and Messrs. A. Hinton’s company is a strong all-round one. While the work of Mr. Arthur Hinton in the title role was the outstanding feature, he was ably supported by Miss Ethel Morton [sic] and Mr. J. Knox Orde’. Birmingham Daily Gazette, 14 November 1916.

‘Arthur Hinton, Ltd., this week present “The Black Sheep of the Family” [at the Theatre Royal, Wolverhampton]. Cast includes Ethel Monton, J. Knox Orde, and Arthur Hinton’. The Era, 22 November 1916.

‘Mr. Arthur Hinton’s company presented an entirely new and original drama entitled “The Black Sheep of the Family” (by Gladys Hastings Walton), at the Rotunda last night. The authoress herself is in the cast as Mary Leigh, and the characters of the Black Sheep and Loyale Dare are portrayed by Mr. Arthur Hinton and Miss Ethel Monton, who earn well-merited praise’ (Liverpool Echo, 28 November 1916). ‘“The Black Sheep of the Family” is a domestic drama on a first visit to this city. It is sent by Arthur Hinton, Ltd., and on Monday evening earned considerable acceptance. The outstanding parts were Loyall Dare (Miss Ethel Monton), Lionel Sylvester (Mr. J. Knox-Orde), and Ralph Sylvester (Mr. Arthur Hinton). Included in the cast were Messrs. Chauncy Morris, Roland Willis, Mrs. Henry Gascoigne, Miss Nina Mallam, Miss Gladys Hastings Walton, and Miss Beatrice Annersley’ (The Era, 29 November 1916).

The South Yorkshire Times and Mexborough & Swinton Times, 25 November 1916, advertised ‘Arthur Hinton, Ltd., present the New and Up-to-date Drama:- The Black Sheep of the Family’ from Monday 4 December at the Grand Theatre, Doncaster.

The Era, 6 and 13 December 1916, listed The Black Sheep of the Family as On The Road from 11 December at the PO.W., Grimsby, presumably with Arthur Hinton's touring company.

The Era, 20 December 1916, listed The Black Sheep of the Family as On The Road from 18 December at the Hippo., Bedford, Leigh, presumably with Arthur Hinton's touring company.

‘At the Opera House business is resumed after being closed for a week’s cleaning, with Mr Arthur Hinton and Company in an entirely new and original play, “The black sheep of the family.” Mr Hinton ... has the happy gift of hitting the popular taste with his works and writing just the play which appeals quite distinct from the stereotyped forms of art. His latest production [sic!] is also one of his best, and played as it is by a capital company, including the author himself, has made a success with the play-loving patrons of the Opera House, which must be gratifying both to the management and all concerned’. Wakefield Advertiser & Gazette, 28 December 1916.

The Era, 27 December 1916 and 3 January 1917, listed The Black Sheep of the Family as On The Road from 1 January at the T.R., Chorley, presumably with Arthur Hinton's touring company.

The Era, 3 and 10 January 1917, listed The Black Sheep of the Family as On The Road from 8 January at the Hippodrome, Bolton, presumably with Arthur Hinton's touring company.

‘Gladys Walton’s domestic drama, “The Black Sheep of the Family,” which held the boards at the Eden Theatre last night for the time in Auckland, was accorded a hearty reception. Mr Arthur Hinton, in the title role, portrayed the character of the “Hon. Ralph Sylvester,’ eldest son of “Lord Arlingham,” with realism. He was supported in the four acts by a competent company, and special mention must made of Miss Ethel Morton [sic], as “Loyale Dare”; Mr Roland Willis, as “Ralph’s” youngest brother; Chauney Morns [sic], as “Lord Arlingham”; and Miss Alice Jordan, as the latter’s wife. The action of the play took place in England (at Arlingham Hall) and in New York, a period of four years being covered’. Daily Gazette for Middlesbrough, 16 January 1917.

‘“The Black Sheep of the Family” is the title of the drama presented at the Palace Theatre by Mr Arthur Hinton’s company. The play is of an interesting, and at times exciting, character, and was received by well filled houses. Mr Arthur Hinton, who plays the part of Ralph Sylvester, the black sheep, is a capable actor, and fulfils the character with distinction, while Miss Ethel Morton [sic], as Loyale Dare, the heroine, is also worthy of special mention. J. Knox-Orde, as Lionel Sylvester, is also effective in. his part’ (Newcastle Journal, 23 January 1917). ‘Arthur Hinton, Ltd. presented a new and up-to-date drama “The Black Sheep of the Family” at the Palace Theatre, Newcastle, last night, and its reception was of the heartiest. In the name part Mr. Hinton himself appears and proves a sterling actor, filling the trying role with distinction and earning the genuine applause of the audience. Although he was the “black sheep” there was that in his nature that one could not but admire, especially as he was supplanted in the eyes of the lord to whom he was heir and successor, by a rank bad ‘un whose behaviour to the girl he had wronged and in other ways marked him as a thoroughly-pated scoundrel. The leading parts are admirably sustained by Mr. Roland Willis, Mr. Chauncy Morris, Mr. Louis Weston, Miss Nina Mallam, Miss Peggy Courtney, and Miss Ethel Monton’ (Newcastle Daily Chronicle, 23 January 1917).

‘A new drama, “The Black Sheep of the Family,” proved a big attraction at the Metropole. It is from the pen of Miss Gladys Hastings Walton, and abounds in interest. Mr. Arthur Hinton, the organiser of the company, takes the part of Ralph Sylvester, and Miss Ethel Monton is the leading lady, Loyale Dare’ (Daily Record, 30 January 1917). ‘“The Black Sheep of the Family” is played here by Arthur Hinton and company. Mr. Hinton, as Ralph, gives a capital performance. As Loyale Dare, Ethel Monton deserves high praise. The other members of the company give excellent support’ (The Stage, 1 February 1917). The Metropole, Glasgow, inserted an advertisement in The Era, 7 February 1917, which stated, ‘“The Black Sheep of the Family” (Arthur Hinton) closed an excellent week’s business to £106 (Sat. night). Rebooked for next year and various other dates for all the Arthur Hinton, Ltd, plays’.

The Era, 31 January 1917, listed The Black Sheep of the Family as On The Road from 5 February at the Metropole, Gateshead. When Ethel Monton inserted a theatrical card in The Stage, 8 February 1917, thanking ‘an unknown admirer for beautiful bouquet last week at Glasgow. Black Sheep also sends thanks for pipe’, her address was the Metropole, Gateshead.

When Arthur Hinton advertised in The Era, 14 February 1917, for a ‘First-class Heavy Man’ for The Black Sheep of the Family, his address was the Hip., Keighley. When Miss Peggy Courtney, a member of Arthur Hinton's 'Black Sheep' company, inserted a theatrical card in The Stage, 15 February 1917, her address was the Hippo., Keighley.

The Stage, 22 February 1917, listed The Black Sheep of the Family as On Tour from 19 February at the Grand, Stockton, presumably with Arthur Hinton's touring company.

‘This week Mr. Arthur Hinton, Ltd., has been presenting a new and up-to-date drama, “The Black Sheep of the Family,” in which Mr. Arthur Hinton appears in the title role. The gentleman’s rendition of the part is splendid. In the various phases of a chequered career he appears with a naturalness that leaves nothing to be desired. The part could not be in better hands. Miss Ethel Monton as Loyale Dare makes a charming heroine and adds greatly to the success of the piece. She proves the guiding star that points out the way for the Black Sheep to go to retrieve his good name and redeem himself in the eyes of his fellow men. The lady’s rendition of the part is exceptionally well given and brings well won applause. The heavy part is in the capable hands of Mr. Terry Davies as Lionel Sylvester, the Black Sheep’s younger brother. He is supposed to be an exceedingly good young man and spares no effort to ruin the chances of his brother. He succeeds very well until Miss Dare comes on the scene, when she sets herself the task of thwarting his schemes and exposing him in his true colours. Miss Nina Mallam takes the part of Blanche Maitland with success. She is a mercenary woman who cares nothing for anyone except they can supply her with money. She is engaged to the Black Sheep but all the time carrying on an intrigue with his brother. They are caught embracing each other and a quarrel ensues. She marries the younger one but leaves him at the last when the game is up. Mr. Roland Willis takes the part of Tough McCoy, a New York rough, in a very able manner, as also does Mr. Geo. Willing as Bud Rawson, his confederate. Mr. J. C. Ward makes a capital Lord Arlingham, the stern old aristocrat, whose family pride is wounded because of his elder son’s follies. He lives long enough to learn the truth and be reconciled to his eldest son. Miss Peggie Courtney takes the part of Mary Leigh, a maid at the hall, who is victimised by Lionel, who kills the girl and sets the blame upon his brother. The lighter side of the piece is in the able hands of Mr. Louis Weston as Jobson, the butler, and Miss Beatrice Annersley as Mammy Dinkie. All the parts are well taken and the play is excellently well staged’. Jarrow Express, 2 March 1917.

‘An interesting drama, “The Black Sheep of the Family,” is presented here [the Opera House, St Helens], the company including Arthur Hinton as Ralph Sylvester, the “Black Sheep,” and Ethel Monton as Loyale Dare. To-day (Thursday) the Harrison Frewin Opera company are paying a flying matinée visit in scenes from “Faust” and “Rigoletto”‘. The Stage, 8 March 1917.

When Arthur Hinton inserted an advertisement in The Era, 14 March 1917, seeking theatres for The Black Sheep of the Family, his address was 90 Highcross Road, Leicester. The Stage, 15 March 1917, listed The Black Sheep of the Family as On Tour from 12 March at the Royal, Leicester, presumably with Arthur Hinton's touring company.

When Arthur Hinton inserted an advertisement in The Era, 14 March 1917, seeking theatres for The Black Sheep of the Family, his address for the following week was the Court Theatre, Warrington. Advertised in the Nantwich Guardian, 20 March 1917 (title only).

The Stage, 22 and 29 March 1917, listed The Black Sheep of the Family as On Tour from 26 March at the Grand, Swansea, presumably with Arthur Hinton's touring company.

The Stage, 29 March and 5 April 1917, listed The Black Sheep of the Family as On Tour from 2 April at Haggar’s, Llanelly, presumably with Arthur Hinton's touring company.

When Arthur Hinton advertised in The Stage, 12 April 1917, for a ‘Star Heavy Man [and a] Star Juvenile Comedy Character Actor’ for The Black Sheep of the Family, his address was the New Hall, Bargoed.

‘Arthur Hinton, Limited, present the drama, “The Black Sheep of the Family” with success [at the Royal, Aldershot]. Arthur Hinton and Ethel Monton undertake the leading parts cleverly, and are supported by a strong company’. The Stage, 19 April 1917.

‘Next week at the Dalston Theatre the exploits of “The Black Sheep of the Family” is to be presented, an extraordinary successful drama now packing every theatre it visits. The play should be really welcome to all true lovers of drama, and a capable company will doubt provide a fine evening’s entertainment at this popular theatre' (East London Observer, 28 April 1917). ‘Mr. Arthur Hinton presents, at the Dalston this week, the drama, by Gladys Hastings Walton, entitled “The Black Sheep of the Family.” The name-rôle is represented by Mr. Hubert Barwell, who as the Hon. Ralph Sylvester, the eldest son of Lord Arlingham. keeps the audience thoroughly engrossed by his delineation of an interesting character. Mr. J. C. Ward efficiently represents Lord Arlingham. Mr. Harry T. Wood is also well cast for Lionel Sylvester, Ralph’s younger brother. Miss Ethel Monton is popular as Loyale Dale, a part which she plays with considerable effect. Miss Alice Jordan is a satisfactory Lady Arlingham; Miss Miriam Pritchett as Blanche Maitland, Miss Peggy Courtney as Mary Leigh, and Miss Beatrice Annersley as Mammy Dinkie all do well; as do Mr. Oscar Lynne as Barrister Lumley, Mr. Arthur Acton as Judge Smythe, and Mr. Roland Willis as Tough MacCoy. The cast also includes Mr. Louis Weston, Mr. Harry Deane, Mr. Sam Morrall, and Mr. Fred Sharpe’ (The Era, 2 May 1917).

‘“The Black Sheep of the Family” is being played at the Grand [Brighton] by Arthur Hinton’s company, with Hubert Barwell in the name part, and Ethel Morton [sic] as Loyale Dare’. The Stage, 17 May 1917.

Advertised in the East Kent Gazette, 19 May 1917: ‘Arthur Hinton presents a new and up-to-date Drama, entitled The Black Sheep of the Family’.

‘The domestic interest is well sustained in “The Black Sheep of the Family,” which comes to the Prince’s Theatre next week … There are some particularly dramatic situations in this new play, for the presentation of which Mr. Arthur Hilton’s company will be responsible’ (Hampshire Telegraph, 25 May 1917). ‘“The Black Sheep of the Family,” a drama of strong domestic interest, was played to a crowded house [at the Prince’s, Portsmouth] on Monday by Arthur Hinton’s excellent company, with Harry T. Wood playing the principal part’ (The Stage, 31 May 1917).

‘Staged at the Royal Hippodrome on Monday before large and enthusiastic audiences, Gladys Hastings Walton’s “The Black Sheep of the Family” (presented by Arthur Hinton) was highly appreciated. The story of how the Hon. Ralph Sylvester, heir to an earldom and fortune, is ousted from his position by an usurping brother and made an outcast is an old-time theme; but the acting made the old story seem as fresh as ever - a thrilling, life-like narrative. As the Black Sheep, Harry Wood is at first the drunken baronet, then among the slums of New York with a perilous gang; and lastly a soldier returned from the battlefield with the D.C.M. Throughout he is the favourite. A murder scene is included, and Mary Leigh, the gypsy, delights the audience to a pitch of much excitement, although much is to be said for the American lady, Loyale Dare. The light hearted views expressed by Mammy Dingle [sic] and the Tough provide much amusement, whilst Jobson the butler are [sic] especially liked. The trial of the innocent man is very well presented in the form of a dream, whilst the suicide is equally dramatic. It is at the point when the murderer sees the ghost supposed to haunt the house in the form of a monk that the excitement of the house reaches its climax. The scenes towards the conclusion are touching. There are six scenes, well varied in the play, which is being shown twice nightly at the Royal Hippodrome at 7 and 9’ (Eastbourne Gazette, 6 June 1917). ‘Arthur Hinton presents “The Black Sheep of the Family” twice nightly for the first time locally [at the Royal Hippodrome, Eastbourne]. The name part of the Hon. Ralph Sylvester is filled to effect by Harry T. Wood, who is also for the acting management; while it is certain that no better representative of Loyale Dare than Ethel Mouton [sic] could be desired. These two clever artists are well supported by J. Wilton Richards (Lionel Sylvester), J. C. Ward (Lord Arlingham), Louis Weston (stage manager) as Jobson, Leslie Steward (Tough McCoy) Peggy Courtney (Mary Leigh), Beatrice Annersley (Mammy Dinkey), and Lilian Lawrence (Blanche Maitland)’ (The Stage, 7 June 1917). ‘The new and up-to-date drama by Gladys Hastings Walton, entitled The Black Sheep of the Family, has been very cordially received by Hippodrome audiences during the week. The piece is one which contains many incidents of a strikingly dramatic character, the plot being skilfully constructed, and without introducing any undue or far-fetched sensationalism’. The cast members named are Harry T. Wood, J. Wilton Richards, Ethel Monton, Leslie Steward, J. C. Ward, Peggy Courtney, Beatrice Annersley and Lillian Lawrence (Eastbourne Chronicle, 9 June 1917).

The Manchester Evening News, 11 June 1917, advertised at the Metropole, ‘Arthur Hinton presents the new up-to-date Drama, The Black Sheep of the Family’. Also, ‘There is a return to drama at the Metropole, where “The Black Sheep of the ‘Family” provides a satisfactory entertainment’ (Manchester Evening News, 12 June 1917).

‘Quite the best drama we have had for a long time is the universal verdict of Hippodrome patrons his week, and big crowds of playgoers have rallied round Mr. Arthur Hinton and his clever company, whose production of “The Black Sheep of the Family” has afforded intense pleasure. It is a play of an uncommon kind, and of a type calculated to bring the drama once more into its own. “The Black Sheep of the Family” (the Hon. Ralph Sylvester) is not really a “black sheep,” but more of a lovable character whose exuberance and generous disposition, rebelling against the even monotony of his existence, find an outlet in ways that do not meet with the approval of his father, Lord Arlingham. The term, “black sheep,” might indeed more fittingly be applied to his sneaking, treacherous brother, Lionel, the “model son,” whose cunning is designed to oust Ralph from the heirship. The play is replete with fine scenes, the full effect of which are brought out by clever acting. Mr. Arthur Hinton, as Ralph Sylvester, quickly “gets the house” in the opening scene, and scores a big hit all through, a novel scene being his unorthodox meeting with Loyale Dare; the despicable Lionel Sylvester is well played by Mr. Harry T. Wood; Lord Arlingham has a capable exponent in Mr. Henry Ward; and two delightful character studies are Tough McCoy (Mr. Leslie Steward) and Jobson, the butler (Mr. F. Chapman). Miss Ethel Monton is a charmingly frank and attractive Loyale Dare; Miss Josephine Richards gives a carefully studied rendition of Blanche Maitland. To-night (Friday) a splendid version of Marie Corelli’s “Sorrows of Satan” will be staged, with the same first-class cast; and on Saturday night “The Black Sheep the Family” will be repeated’. South Yorkshire Times and Mexborough & Swinton Times, 4 August 1917.

‘A typical Bank-Holiday drama was played to three typical Bank Holiday crowds at the Alexandra Theatre, George-street, Hull, yesterday, and it must have been a strain on the players, who, however, put a great deal of merit and vigour into “The Black Sheep of the Family.” Few families escape having a “black sheep,” and this fact is made into the motive of a presentable popular play, in which a young man is saddled with another’s crime of betrayal, but “makes good.” Mr Arthur Hinton acts very tactfully and naturally as the” Black Sheep,” and he is powerfully supported by Miss Ethel Mouton [sic] as Loyale Dare. Miss Winifred Savile, Mr Leslie Steward and Harry T. Wood were admirable coadjutors. The company is Arthur Hinton’s’ (Hull Daily Mail, 7 August 1917). ‘“The Black Sheep of the Family” is proving a strong play to the liking of patrons’ [at the Alexandra, Hull]’ (The Era, 8 August 1917).

The Stage, 9 August 1917, listed The Black Sheep of the Family as On Tour from 13 August at the Prince’s, Blackburn, presumably with Arthur Hinton's touring company.

‘“The Black Sheep of the Family,” by Gladys Hastings Walton, described as a new and up-to-date drama, is this week being presented at the Hanley Theatre Royal by Mr. Arthur Hinton’s Company [there follows a long account of the plot and the actors]'. Staffordshire Sentinel, 21 August 1917.

The Stage, 23 and 30 August 1917, listed The Black Sheep of the Family as On Tour from 27 August at Worcester, presumably with Arthur Hinton's touring company.

The Stage, 30 August and 6 September 1917, listed The Black Sheep of the Family as On Tour from 3 September at the Emp., Tonypandy, presumably with Arthur Hinton's touring company.

The Stage, 6 and 13 September 1917, listed The Black Sheep of the Family as On Tour from 10 September at Pentre, presumably with Arthur Hinton's touring company. When Peggy Courtney of The Black Sheep of the Family company inserted a theatrical card in The Stage, 13 September 1917. Her address was the T.R., Pentre. Similarly Ethel Monton.

The Merthyr Express, 15 September 1917, advertised Arthur Hinton & Co. at the Theatre Royal and Empire Palace, Merthyr, in the week commencing Monday 17 September, with The Black Sheep of the Family on Monday-Wednesday and Saturday, and The Sorrows of Satan by special request on Thursday and Friday.

The Stage, 20 and 27 September 1917, listed The Black Sheep of the Family as On Tour from 24 September at the New, Bargoed, presumably with Arthur Hinton's touring company.

The Stage, 27 and 4 October 1917, twice listed The Black Sheep of the Family as On Tour from 1 October, once at simply Dewsbury and once at the Royal, Dewsbury, presumably with Arthur Hinton's touring company. When Arthur Hinton advertised in The Stage, 4 October 1917, for theatres for The Black Sheep of the Family, his address was the T.R., Dewsbury.

The Halifax Evening Courier, 8 October 1917, advertised The Black Sheep of the Family that week at the Grand Theatre and Opera House, with Sorrows of Satan on Friday night only. Also, ‘“The Black Sheep of the Family” is a powerful drama written around the ethics of degeneration, and is crammed with those exciting situations so beloved by the patrons of this house, which week in, week out, keeps up its traditions as being the home of melodrama in the district. There should be a full house here on Friday, when the stage version of Marie Corelli’s favourite novel, “The Sorrows of Satan,” is to be presented’ (Halifax Evening Courier, 9 October 1917).

‘Melodrama clad in attractive garb is to be seen at the Hippodrome this week, where “The Black Sheep of the Family,” by Gladys Hastings Walton, is being performed by Mr. Arthur Hinton’s particularly capable company … The play is well mounted and played. Miss Ethel Monton gives a particularly attractive portrayal of a sweet American girl, and with Mr. Arthur Hinton, an excellent exponent of the hero’s part, contributes greatly to the success of the representation. Mr. H. T. Wood does well as the wicked brother, and amongst others who distinguish themselves are Misses L. Harrold, P. Courtney, and L. Wright, and Messrs. H. C. Ward, L. Steward, and J. Hignett. For Friday night only “The Sorrows of Satan” will be substituted’. Huddersfield Daily Examiner, 16 October 1917.

The Stage, 18 and 25 October 1917, listed The Black Sheep of the Family as On Tour from 22 October at Smethwick, presumably with Arthur Hinton's touring company. Advertised in the Birmingham Daily Gazette, 22 October 1917 (title only). When Arthur Hinton advertised in The Stage, 25 October 1917, for theatres for The Black Sheep of the Family, his address was the T.R., Smethwick.

‘“The Black Sheep of the Family,” a new and up-to-date drama by Miss Gladys Hastings Walton, occupies the stage at the Aston Royal this week, and last night it was witnessed by large audiences. The cast is a strong one, including Miss Peggy Courtney, who gave a successful representation of Loyale Dare. Mr. Arthur Hinton, who presents the play, appeared in the title role, and was cordially received for a very fine performance of this part. The staging of the piece was a feature of the production’ (Birmingham Mail, 30 October 1917). ‘An up-to-date drama, entitled “The Black Sheep of the Family,” by Miss Gladys Hastings Walton, received a cordial welcome at the Aston Theatre Royal last night. It was admirably presented by Mr. Arthur Hinton’s company’ (The Birmingham Daily Gazette and the Evening Despatch, 30 October 1917). ‘“The Black Sheep of the Family” is the attraction here [the Royal Aston], and large audiences are appreciating very thoroughly the efforts of Arthur Hinton’s well-balanced company’ (The Stage, 1 November 1917).

Advertised in The People, 4 November 1917 (title only). When Arthur Hinton advertised in The Stage, 8 November 1917, for theatres for The Black Sheep of the Family, his address was the Elephant and Castle, S.E.

When Arthur Hinton advertised in The Stage, 8 November 1917, for theatres for The Black Sheep of the Family, his address for the following week was the T.R., Woolwich. Also listed in The Stage, 15 November 1917.

‘“The Black Sheep of the Family, an up-to-date drama, by Gladys Hastings Walton, is being produced this week at the Royal Hippodrome by Mr. Arthur Hinton’s company. The heroine is “ Loyal Dave,” [sic] which part is in the hands of a most capable actress, Miss Ethel Monton. “Ralph Silvester” [sic] (otherwise “The Black Sheep”) is a character splendidly acted by Mr. Arthur Hinton. The following well known artistes take the other roles:- Mr. Harry T. Wood, Mr. Henry Ward, Mr. Leslie Steward, Mr. John Hignett, Mr. R. Powell James, Mr. Harry Deane, Mr. Geo. Willing, Mr. Arthur Acton, Mr. Oscar Lynee [sic], Miss A. Bland, Miss Lily Harold [sic], Miss Peggy Courtney and Miss Laura Weight [sic]’. Dover Express, 23 November 1917.

The Deal, Walmer & Sandwich Mercury, 24 November 1917, advertised at the Globe Theatre Deal, on Thursday-Saturday, 29 and 30 November and 1 December, ‘Arthur Hinton Presents a New and Up-to-Date Drama entitled “The Black Sheep of the Family.” By Gladys Hastings Walton. Harry T. Wood as “Ralph Sylvester.” Peggy Courtney as “Mary Leigh,” “Loyal Dare”’.

When Peggy Courtney, R. Powell James and Ethel Monton of the Black Sheep company inserted theatrical cards in The Stage, 29 November 1917, their address for the following week was the T.R., Wolverhampton. When Arthur Hinton advertised in The Stage, 6 December 1917, for theatres for The Black Sheep of the Family his address was the T.R., Wolverhampton.

‘An up-to-date drama, “The Black Sheep of the Family,” is billed for presentation at the Bordesley Palace’ (Birmingham Mail, 7 December 1917). ‘“The Black Sheep of the Family,” by Gladys Hastings Walton, which Arthur Hinton is to give at Bordesley Palace Theatre is a stirring drama which deals with a familiar domestic problem’ (Evening Despatch, 8 December 1917). ‘“ The Black Sheep of the Family” is presented at the Bordesley Palace by Mr. Arthur Hinton’s company, and last night Mr. Hinton’s acting in the title role and that of Miss Ethel Monton were the outstanding features’ (Birmingham Daily Gazette, 11 December 1917). ‘Arthur Hinton and company present “The Black Sheep of the Family” this week [at the Bordesley Palace], and are received very favourably by well-filled houses. The two leading parts are played by Mr. Hinton and Ethel Mouton [sic], and their performances call for high praise’ (The Stage, 13 December 1917).

The Era, 12 and 19 December 1917, listed The Black Sheep of the Family as On The Road from 17 December at the Queen’s, Farnworth, presumably with Arthur Hinton's touring company.

The Era, 19 December 1917, listed The Black Sheep of the Family as On The Road from 24 December at the T.R., Barnsley; and The Stage, 3 January 1918, listed The Black Sheep of the Family as On Tour from 31 December at the Royal, Barnsley; presumably in each case with Arthur Hinton's touring company. When Arthur Hinton advertised in The Stage, 3 January 1918, for theatres for The Black Sheep of the Family his address was the T.R., Barnsley.

When Arthur Hinton advertised in The Stage, 3 January 1918, for theatres for The Black Sheep of the Family his address for the following week was the T.R., Scarborough.

The Era, 16 January 1918, listed The Black Sheep of the Family as On The Road from 14 January at the Hippodrome, Langley Moor. When Arthur Hinton advertised in The Stage, 17 January 1918, for theatres for The Black Sheep of the Family his address was the Hippo., Langley Moor.

When Arthur Hinton advertised in The Stage, 17 January 1918, for theatres for The Black Sheep of the Family his address for the following week was the Cambridge T., Spennymoor. At this stage Arthur Hinton’s company seems consistently to have been performing Gladys Hastings Walton’s The Black Sheep of the Family.

The Stage, 31 January 1918, listed The Black Sheep of the Family as On Tour from 28 January 1918 at Seaham Harbour, presumably with Arthur Hinton's touring company.

The Daily Gazette for Middlesbrough, 4 February 1918, advertised ‘Mr Arthur Hinton Presents His Company in the Thrilling Drama, The Black Sheep of the Family’ twice nightly during the week at the Theatre Royal. An advertisement for the play inserted by Arthur Hinton in The Stage, 21 February 1918, noted, ‘Enormous success at Middlesbrough. Played to holding capacity twice nightly’.

The Era, 6 and 13 February 1918, listed The Black Sheep of the Family as On The Road from 11 February at the P., Consett, presumably with Arthur Hinton's touring company. Also see The Stage, 7 February 1918, calling the theatre the Globe, Consett.

An advertisement in the Daily Record, 18 February 1918, called the play ‘A Great Human Play … A Strong Drama, with a charming story, and plenty of interesting characters and incident’, naming cast members Ethel Monton as Loyale Dare and Arthur Hinton as Ralph Sylvester, (the Black Sheep). ‘There are many scenes and incidents of intense human appeal in the Metropole production, “The Black Sheep of the Family,” and the story holds the attention throughout’ (Daily Record, 19 February 1918). An advertisement for the play inserted by Arthur Hinton in The Stage, 7 March 1918, noted, ‘Overwhelming success at Metropole Theatre, Glasgow. Money turned away nightly’. The Daily Record, 23 February 1918, advertised for that night the ‘last night of Arthur Hinton’s up-to-date success, “The Black Sheep of the Family”‘. The following week, beginning 25 February, ‘Arthur Hinton’s new and original drama, entitled – “A Broken Doll”‘ would be played. Arthur Hinton’s company continued at the Metropole, Glasgow, until 16 March, presumably performing other plays.

‘A new and up-to-date drama, “The Black Sheep of the Family,” was staged in the Theatre Royal on Monday evening before a large and appreciative audience. The story concerns the two sons of Lord Arlingham. the elder of whom is accused of the wrongdoings of his younger brother against whom the father will hear no wrong. The elder son is turned from the home in disgrace, drifts to America, and after a series of adventures falls in with an American heiress, “Loyale Dare,” who puts him on the right road. He eventually goes to France. makes good, and returns home only to be accused of another crime committed by his brother. The company comes to Coatbridge direct from a four-weeks’ successful repertoire at the Metropole, Glasgow. The characters are well selected and the piece is cleverly presented. Mr. Harry T. Wood makes a good lead and the heavy part is capitably [sic] presented by Mr. R. Powell James. Mr. Henry Ward is an ideal aristocratic old gent. The very difficult character of Tough McCoy finds a masterly exponent in Mr. Leslie Stewart. Mr. Arthur Trail is specially good as the Butler. Miss Ethel Monton, a distinguished actress as Loyale Dare, is a brilliant lead, while Miss Peggy Courtenay plays the part of Mary Leigh to perfection. The part of the heavy lady receives every justice from Miss Lily Harrold. Miss Laura Wright as Mammy Dinkin, plays the comedy part in a manner that keeps the house in the best of humour. The piece is well worth seeing’ (Coatbridge Express, 20 March 1918). When Arthur Hinton advertised in The Stage, 21 March 1918 for theatres for The Black Sheep of the Family, he wrote that the play was ‘now in its third year of continuous tour, and proving a bigger success, if possible, than ever’.

‘A thrilling and interesting drama is “The Black Sheep of the Family,” which makes its appearance at the Theatre Royal, North Shields, this week. The “black sheep” is the Hon Ralph Sylvester, eldest son of Lord Arlingham, who takes upon himself the responsibility for a sin by his brother Lionel, who has an undeserved reputation for virtue. The Hon. Ralph enlists, receives his commission for valour on the field, and altogether redeems his sinful past. It is quite an interesting plot, and the play is very well acted. Mr Henry T. Wood does admirable work in the leading male role, and Mr R. Powell James is very effective as the Hon. Lionel. Miss Ethel Minton [sic], as Loyale Dare, is a charming heroine, and Blanche Maitland, a “heavy” part, is skilfully played by Miss Lily Harrold’. Shields Daily News, 26 March 1918.

‘The Palace programme will be filled by “The Black Sheep of the Family,” a domestic melodrama which has found favour on previous occasions’ (Newcastle Daily Chronicle, 30 March 1918). Advertised in the Newcastle Journal, 1 April 1918, as ‘A Hinton’s Selected London Company [in] The Most Successful Drama of the Present Day’. ‘At this house of entertainment [the Palace Theatre], crowded holiday audiences were in attendance to witness the new and up-to-date version of Gladys Hastings Walton’s “Black Sheep of the Family.” As has just been hinted, it has been here previously and that it left favourable impressions might have been gathered from the cordiality of its reception on the present occasion. It is presented by Mr. Arthur Hinton’s company. After all, the “Black Sheep” was not without its good points, especially when trying to teach a lady how to aim and fire a revolver with himself as target, not discovering till afterwards that the weapon happened to be unloaded. The part is capitally taken by Harry T. Wood. Others are well done by R. P. James, Henry C. Ward, Leslie Steward, Laura Wright, and Ethel Morton [sic]’ (Newcastle Daily Chronicle, 2 April 1918). ‘“The Black Sheep of the Family” is the title of a drama which is being produced twice nightly at the Palace Theatre. The cleverly written play has the advantage of being in capable hands, each of the various characters having a well qualified representative. The story itself is full of incident and startling developments, and, withal, we have a considerable measure of fun’ (Newcastle Journal, 2 April 1918).

The Edinburgh Evening News, 6 April 1918, advertised at the Garrick Theatre twice nightly on Monday 8 April and during the week, ‘Arthur Hinton Presents the New and Up-to-Date Drama that has created Records wherever played, “The Black Sheep of the Family,” in six scenes’. ‘Melodrama occupies the boards of the Garrick Theatre. “The Black Sheep of the Family” has a plot of a well-worn type, where the heir of a lord is entangled in forgeries and various compromising situations by his sanctimonious, scheming brother. The machinations of Lionel Sylvester compel the Hon. Ralph to seek refuge in America , where he sees something of the under world, and also finds a friend in a big-hearted American lady, Loyale Dare. The villain eventually makes his exit by shooting himself, and the American lady secures Ralph and a title at the same time. Miss Ethel Monton gives a talented representation of the part of Loyale Dare, and other artistes who present capable characterisations are Mr H. T. Wood, M. [sic] Powell James, and Miss Lily Harrold’ (The Scotsman, 9 April 1918).

The Era, 10 April 1918 listed The Black Sheep of the Family as On The Road from 15 April at the R., West Stanley, presumably with Arthur Hinton's touring company. Also The Stage, 18 April 1918. When Peggy Courteney and Harry T. Wood, members of the Black Sheep company, inserted theatrical cards in The Stage, 18 April 1918, their addresses was West Stanley.

When Peggy Courteney and Harry T. Wood, members of the Black Sheep company, inserted theatrical cards in The Stage, 18 April 1918, their address for the following week was Houghton-le-Spring. The Stage, 18 and 25 April 1918, listed The Black Sheep of the Family as On Tour from 22 April at G., Houghton, presumably with Arthur Hinton's touring company.

The Stage, 25 April and 2 May 1918, listed The Black Sheep of the Family as On Tour from 29 April at Meadowfield, presumably with Arthur Hinton's touring company.

The Staffordshire Sentinel, 7 May 1918, advertised at the Theatre Royal, Hanley, twice nightly from Monday 13 May, ‘Arthur Hinton Presents a New and Up-to-Date Drama – “The Black Sheep of the Family”‘, naming cast members Arthur Hinton as Ralph Sylvester and Alice Greenwood as Lady Blanche Maitland. ‘“The Black Sheep of the Family,” the play which is being presented at the Hanley Theatre Royal this week by Mr. Arthur Hinton’s Company, has met with favour on the occasion of at least one former visit. The story shows that the Black Sheep of the family is not only not as black as he is painted, but is in reality a generous minded young fellow, who takes upon his own shoulders the lash of malice, in order to befriend weaker beings. He allows himself to be robbed of his inheritance and driven into the world penniless. He has, however, given his promise to befriend others, and so is driven from the parental roof with the false accusation against him of being a forger and other things scarcely less humiliating. Drifting to New York, he joins a gang of desperadoes. For purposes of blackmail, one of New York’s rich heiresses is imprisoned in a den and placed under the charge of the Black Sheep. The heiress wins him to a sense of the unreality of his position; and induces him to join the forces of his country, which he does after securing the girl’s freedom. Impressed by the personality of this young man, and while he is away fighting for his country, the heiress crosses the Atlantic, in order to learn something of his history and family. The Black Sheep at length returns to the old home, with the honourable scars of war upon him, and the past is straightened out and the future made bright. The company is very capable. Mr. Hinton plays the title role himself, and in the course of his interpretation exhibits powers which clearly demonstrate his right to be considered an actor of exceptional capacity. Miss Alice Greenwood, as Lady Blanche Maitland, plays in a manner which entitles her to most laudatory remarks; and the same observation applies to the Lionel Sylvester of Mr. Harry T. Wood, the Lord Arlingham of Mr. Henry C. Ward, the Tough McCoy of Leslie Steward, the Jebson [sic] of Mr. Arthur Trail, the Bud Rawson of Mr. R. Powell James, the Mary Leigh of Miss Lily Harold [sic], and the Loyale Dare of Miss Peggy Courtenay'(Staffordshire Sentinel, 14 May 1918). Arthur Hinton’s company continued at the Theatre Royal, Hanley, until 8 June performing other plays, as mentioned in the Staffordshire Sentinel, 14 and 18 May.

The Era, 5 and 12 June 1918, listed The Black Sheep of the Family as On The Road from 10 June at the G., Mansfield, presumably with Arthur Hinton's touring company. The Mansfield Reporter, 7 June 1918, advertised ‘three splendid plays’ at the Grand Theatre for the week commencing 10 June: The Black Sheep of the Family on Monday, Tuesday and Saturday; The Broken Doll on Wednesday and Thursday; and The Sorrows of Satan on Friday night only. All are plays that feature in Arthur Hinton's repertoire. When Arthur Hinton advertised in The Stage, 13 June 1918 for theatres for The Black Sheep of the Family, he noted, 'Third year of continuous tour. Nuff said’.

The Era, 12 and 19 June 1918, listed The Black Sheep of the Family as On The Road from 17 June at the M., Bootle, presumably with Arthur Hinton's touring company. Also The Stage, 20 June 1918. When Arthur Hinton advertised in The Stage, 20 June 1918 for theatres for The Black Sheep of the Family his address was the Metropole, Bootle.

‘For next week Mr. Arthur Hinton’s Company are announced in “The Black Sheep of the Family”’. Jarrow Express, 21 June 1918. The Jarrow Express, 21 June 1918, advertised Arthur Hinton’s company at the Theatre Royal, Jarrow from Monday 24 June for six nights in ‘a New and Up-to-Date Drama, entitled – The Black Sheep of the Family’. ‘This week Mr. Arthur Hinton’s Company have been appearing in “The Black Sheep of the Family,” Mr. Harry T. Wood appearing in the title role as the Hon. Ralph Sylvester, the eldest son of a peer who is in the habit of imbibing not wisely but too well, and also indulges in betting on the racecourse. Despite his faults the man has his good qualities and in all his dealings acts honourably. His brother is held up, as a model, but in reality is the very opposite. He proves. himself a blackguard and a scoundrel. The part of the “black sheep” is presented in a way that nothing to be desired. The heavy part is in the hands of Mr. R. Powell James, as Lionel Sylvester, the younger brother; and Miss Alice Greenwood, as Blanche Maitland. They scheme to get Ralph turned out of the house so that they may secure the money for themselves. They succeed in getting Ralph turned out of his home, but he comes into his own at the end. Miss Peggy Courtenay makes a charming Loyale Dare. She takes an interest in Ralph and guided by her he begins a new life. She proves a powerful friend and helps to dispel the cloud which has, overshadowed Ralph’s life. The lighter side of the piece is in the capable hands of Mr. A. Trail, as Jebson [sic], the butler, and Miss Laura Wright, as Mammy Dinkin. Mr. H. Ward takes the part Lord Arlingham with success. Mr. Leslie Steward gives a capable representation of a New York criminal as Tough McCoy. Miss Madge Turner takes the part of Mary Leigh with success. The play has been much appreciated' (Jarrow Express, 28 June 1918). Arthur Hinton's company remained at the Theatre Royal, Jarrow, for another week performing A Man's Best Pal (Jarrow Express, 28 June 1918).

Advertised in the Shields Daily News, 8 July 1918: ‘Mr Arthur Hinton & Coy., in the Up-to-Date Drama, “The Black Sheep of the Family”‘.

‘“The Black Sheep of the Family,” a drama presented at the Grand Theatre last night, proved most acceptable to two large audiences. The plot is excellently thought out and the cast good. Admirable scenic effects combine with good acting and lively comedy to ensure success. In the role of the hero, Mr. Arthur Hinton is particularly fine and he is ably supported by Miss Peggy Courtenay. In the heavy work Mr. R. Powell James and Miss Alice Greenwood prove themselves accomplished artistes. Others responsible for clever work are the Misses Laura Wright and Madge Turner, and Messrs Leslie Steward, Arthur Trail, and H. C. Ward’. Hartlepool Northern Daily Mail, 16 July 1918.

When Arthur Hinton advertised in The Stage, 25 July 1918 for theatres for The Black Sheep of the Family his address was the Palace, Durham. At this stage Arthur Hinton’s company seems to have been performing Gladys Hastings Walton’s The Black Sheep of the Family for at least part of the week.

The Liverpool Echo, 2 August 1918, mentioned among Coming Events that ‘“The Black Sheep of the Family,” which has a strong military flavour, will find a home at the Birkenhead Royal’. ‘The Stock Company assembled by the Kelly-Denville combination presents this week the romantic and exciting play “The Black Sheep of the Family.” The details are full of thrills, and have a nice moral effect in the climax. Both houses were packed last night’ (Liverpool Daily Post, 6 August 1918). ‘The Kelly-Denville Stock Company presented an exciting drama, entitled “The Black Sheep of the Family,” which was well received at the Theatre Royal, Birkenhead’ (Liverpool Echo, 6 August 1918). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘Mr. Arthur Hinton and Company will appear at the Theatre Royal in five performances of “The Black Sheep of the Family,” and one (on Friday night) of “The Sorrows of Satan”‘ (Sheffield Evening Telegraph, 2 August 1918; also the Sheffield Independent and the Sheffield Daily Telegraph on the same date). 'The Theatre Royal had the usual holiday audience when the “Black Sheep of the Family” was the attraction and had a good reception’ (Sheffield Daily Telegraph, 6 August 1918).

‘Once more Mr Arthur Hinton brings his Repertoire Company to the Theatre Royal, and announces the production of some old favourites. On Tuesday and Saturday “A Man’s Best Pal” will be presented, while “The Black Sheep of the Family” should draw full houses on Wednesday and Thursday, and “The Sorrows of Satan” is assured of a hearty reception on Friday. In these plays Mr Hinton himself takes the leading roles and he will be ably supported by the members of his talented company’. Daily Gazette for Middlesbrough, Tuesday 26 November 1918.

The Yorkshire Post and Leeds Intelligencer, 2 December 1915, included The Black Sheep of the Family at the Prince’s Theatre, Bradford in a list of events that day. When Arthur Hinton advertised in The Stage, 5 December 1918 for theatres for The Black Sheep of the Family his address was the Prince’s, Bradford.

‘At the Theatre Royal the attraction is “The Black Sheep of the Family,” which is a variant of the old story of the prodigal son with new and original features. Briefly, the plot concerns the attempt of the younger son of a peer to get the title. The “black sheep” is the elder son, a part played with distinction by Mr. Arthur Hinton, who is supported by a strong company’ (Yorkshire Evening Post, 10 December 1918). ‘The autumn season at the Theatre Royal is wound up well by Mr. Arthur Hinton’s company in “The Black Sheep of the Family.” The mediocre title covers a good play, presented by a capable company, which includes Mr. Hinton as the black sheep, who is not so black as he is painted by various interested persons. On the battlefield he makes atonement for an early lapse, and all ends happily. The scoundrels of the piece are well presented by Mr. Joe Worth and Mr. Leslie Steward and Misses Peggy Courtenay, Kitty Bailey, Ethel Monton, and Laura Wright play with sympathy. On Friday evening the company will present “The Sorrows of Satan”‘ (Leeds Mercury, 10 December 1918).

The Derbyshire Courier, 14 December 1918, advertised at the Hippodrome, Chesterfield, on Monday 16 December and during the week, ‘Arthur Hinton presents “The Black Sheep of the Family”, naming cast members Arthur Hinton as Ralph Sylvester and Ethel Monton as Lady Blanche [Maitland]. On Friday night only A Man’s Best Pal would be played.

The Barnsley Independent, 28 December 1918, advertised at the Theatre Royal, Barnsley, for the week beginning 30 December the ‘special engagement of Arthur Hinton and Company’ in A Broken Doll on Monday-Wednesday, The Black Sheep of the Family on Thursday and Saturday, and The Sorrows of Satan on Friday night only. ‘Drama lovers are excellently catered for at the Theatre Royal this week and the productions of Mr. Arthur Hinton and his company are attracting very satisfactory houses. Last night (Thursday), The Black Sheep of the Family was greatly to the liking of patrons. To-night (Friday), by special request, The Sorrows of Satan will be presented, whilst the week closes with The Black Sheep of the Family. Mr. Hinton is a warm favourite with local theatre-goers and he is supported by Miss Ethel Monton and a capable company’ (Barnsley Independent, 4 January 1919).

‘The well-known actor, Arthur Hinton visits the Grand Theatre next week, when he will produce two of his plays. For the first three nights he will stage a beautiful play, entitled “The Broken Doll,” and the last three nights, “The Black Sheep of the Family.” Since the advent of revue and musical comedy, real good actors are few and far between. Arthur Hinton is one of the leading actors of the day, and those playgoers who want to see some real good acting in some real good plays should visit the “Grand” next week’ (Mansfield Reporter, Friday 3 January 1919). ‘A very fine dramatic company holds the boards at the Grand Theatre this week. It is Mr. Arthur Hinton’s company, and such an attraction is it proving that Capt. Clayton has booked it for another week. We looked in on Monday evening when “A Broken Doll” was performed to a crowded house. The caste is a strong one, with Mr. Hinton playing the lead. and big houses are assured. To-night Marie Corelli’s remarkable play “The Sorrows of Satan” will be put on, and on Saturday “The Black Sheep of the Family,” will be produced. There is an entire change of programme next week’ (Mansfield Reporter, Friday 10 January 1919). Arthur Hinton's company remained at the Grand, Mansfield, for another week but did not perform The Black Sheep of the Family (Mansfield Reporter, Friday 10 January 1919).

The Sheffield Evening Telegraph, 3 February 1919, advertised The Black Sheep of the Family twice nightly at the Empire, Rotherham. Also, ‘The Rotherham Empire Theatre management presented the drama “The Black Sheep of the Family.” Messrs. A. Hinton, Ltd., were responsible for the presentation, which was of the best order’ (Sheffield Daily Telegraph, 4 February 1919).

‘During the week A Broken Doll and The Black Sheep of the Family are played to crowded houses [at the Metropole, Glasgow]. Arthur Hinton and Ethel Martin [sic] take the leading rôles’. The Stage, 13 March 1919. Arthur Hinton's company remained at the Metropole, Glasgow, until 29 March. In the week beginning 24 March it performed Betrayed.

‘“The Broken Idol [sic - Doll],” by Gladys Hastings Walton a drama in five scenes, is one of the attractions at the Palace [next week], where it will be played on Monday, Tuesday and Wednesday. Arthur Hinton is in the principal role and will be supported by Mrs. Ethel Monton. For the remainder of the week another play from the same pen is announced, namely, “The Black Sheep of the Family,” in which the same company is to appear. The play is produced in six acts’ (Newcastle Daily Chronicle, Saturday 5 April 1919; an advertisement in the same issue of the newspaper confirms the split of the week). Arthur Hinton’s company remained at the Palace, Newcastle, for another week, performing Betrayed.

The Era, 30 July 1919, noted that Arthur Hinton’s repertoire company had opened at the Royal, Hanley, for a season in A Man’s Best Pal (also The Stage, 31 July 1919). The Staffordshire Sentinel, Thursday 31 July 1919, reported that the following week [that is, beginning Monday 4 August] – the second week of Arthur Hinton’s repertory season at the Theatre Royal, Hanley – the company would present Let No Man Put Asunder, with The Black Sheep of the Family by special request on the Friday night [that is, on 8 August]. An advertisement in the same issue of the newspaper conforms the split of the week, naming cast member Arthur Hinton as Ralph Sylvester. Arthur Hinton's company remained at the Royal, Hanley, until 30 August, performing other plays (Staffordshire Sentinel, 8, 12, 15 and 26 August 1919).

The Mansfield Reporter, Friday 17 October 1919, reported that in the following week [that is, beginning Monday 20 October] Arthur Hinton and Ethel Monton ‘with their capable company’ would be performing A Broken Doll on Monday and Tuesday, Moths on Wednesday and Thursday and The Black Sheep of the Family, ‘in which Mr. Hinton scored a big success on the occasion of his last visit’, on Friday and Saturday. Arthur Hinton's company' s season at the Grand, Mansfield, ran from 6 to 29 October. Different plays were presented in the other weeks (The Mansfield Reporter, 3, 10 and 24 24 October 1919).

‘Arthur Hinton’s company opened on Monday with “The Black Sheep of the Family,” playing to a large and appreciative audience. Arthur Hinton filled the part of the Black Sheep with success, and Edward Brooke did well as Tough McCoy. Of the ladies Ethel Monton took chief honours with her able impersonation of Loyale Dare. Peggy Courteney did well as Mary Leigh. To-night (Thursday) “A Broken Doll” will be played by the same company’. The Stage, 20 November 1919.

The Barnsley Independent, Saturday 27 December 1919, advertised that at the Theatre Royal in the week beginning 29 December Arthur Hinton would present The Black Sheep of the Family on Monday and Tuesday, Betrayed on Wednesday and Thursday and A Broken Doll on Friday and Saturday. A news item in the same issue of the newspaper conformed the split of the week and reported that in the week just finishing the company had staged His Indian Wife.

The Nottingham Evening Post, 10 January 1920, advertised ‘Mr. Arthur Hinton Presents a New Up-to-date Drama’ The Black Sheep of the Family at the Olympia, Bulwell, on Monday-Wednesday and Saturday in the week beginning Monday 12 January, with Moths on Thursday and Friday. ‘The story of a man’s triumph against odds is unfolded in “The Black Sheep of the Family” which is being staged at the Bulwell Olympia by Arthur Hinton and Company. The title rôle is taken by the producer with success. The onerous part of the villain (the hero’s younger brother) is well interpreted by Fred Edouin, and Miss Ethel Monton makes a pretty heroine. Others in the cast are Laura Wright (Mammy Dinkie), Florrie Lorre (Mary Leigh), Irene Atchison (Blanche Maitland), Edward Brooke (Tough M’Coy) and Val C. Merlin (Lord Arlingham)’ (Nottingham Evening Post, 13 January 1920). Noted in The Stage, 15 January 1920: ‘An excellent company accord eloquent expression to the plays’.

The Stage, 6 May 1920, noted that Arthur Hinton and company were at the Royal, Middlesbrough with The Black Sheep of the Family and Camille.

The Shields Daily News, Wednesday 11 August 1920, advertised ‘Mr. Arthur Hinton presents’ at the Theatre Royal, South Shields, The Black Sheep of the Family on Monday, Tuesday and Saturday; Let No Man Put Asunder on Wednesday; East Lynne on Thursday; and Caste on Friday.

‘A varied list of attractions is announced for the Grand Theatre next week, when the Arthur Hinton Repertoire Company will occupy the stage. On Monday, Tuesday and Saturday a play entitled “A Broken Doll” will be presented; on Wednesday and Thursday “The Black Sheep of the Family” and on Friday Night “Sorrows of Satan.” Mr. Hinton will be supported by a strong cast’. Hartlepool Northern Daily Mail, Saturday 28 August 1920. Also the Hartlepool Northern Daily Mail, 31 August 1920, and The Era, 1 September 1920.

The Shields Daily News, Monday 6 September 1920, advertised ‘the celebrated Arthur Hinton Repertoire Co.’ in A Broken Doll on Monday and Saturday; Temptation on Tuesday and Wednesday; The Black Sheep of the Family on Thursday; and The Sorrows of Satan on Friday.

‘An interesting repertoire of plays to be presented by Mr. Arthur Hinton’s company at the Alexandra includes “Broken Doll,” “Temptation,” and “The Black Sheep of the Family”‘ (Birmingham Daily Gazette, Saturday 25 September 1920). ‘With a trio of well-known plays presented by Arthur Hinton’s company lovers of strong drama are being well catered for at [the Alexandra Theatre]. In last night’s presentation of “A Broken Doll,” the company did ample justice to its dramatic possibilities. This play will be repeated to-night [Tuesday] and Saturday, with “ Temptation “ and “The Black Sheep of the Family” filling the bill on other nights’ (Birmingham Daily Gazette, 28 September 1920).

‘Next week, [Arthur Hinton and his repertoire company] will enter upon the third week of its stay [at the Grand Theatre], and three favourite plays will be submitted - Monday, Tuesday and Wednesday, “A Broken Doll”; Thursday and Saturday, “The Black Sheep of the Family,” and Friday evening only, Marie Corelli’s “Sorrows of Satan”‘. Mansfield Reporter, Friday 12 November 1920.

‘Arthur Hinton’s repertoire company of much capability opened a short engagement at the Rotherham Empire Theatre last night with “Temptation,” a rather striking production, full of interesting situations ... “The Black Sheep of the Family” is announced for to-morrow and Thursday’ (Sheffield Daily Telegraph, Tuesday 7 December 1920). Noted in The Era, 8 December 1920: ‘“The Black Sheep of the Family” is billed for Tuesday [sic?] and Thursday’.

The South Yorkshire Times and Mexborough & Swinton Times, Saturday 11 December 1920, advertised at the Mexborough Hippodrome for the week beginning Monday 13 December Arthur Hinton’s repertoire company in Temptation on Monday, Tuesday and Saturday; The Black Sheep of the Family on Wednesday; Moths on Thursday; and Trilby on Friday.

‘Mr. Fred Granville, who has scored such signal success with the great propaganda play, “Ignorance,” at the Prince’s Theatre this week, will present another of his popular dramas, “The Black Sheep of the Family,” next week. The play is one of absorbing interest, and should prove a great attraction to lovers of drama’ (Hampshire Telegraph, 4 February 1921). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Yorkshire Post and Leeds Intelligencer, Friday 30 September 1921, reported that at the Pier Pavilion, Southport, the Denville Stock Company would present The Black Sheep of the Family next week. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.

‘The Arthur Hinton repertoire company produce three plays during this week. “Temptation” was the attraction for the first two nights. “The Scandalmongers” was chosen for Wednesday, and “The Black Sheep of the Family” will be performed on Friday’. The Stage, 20 October 1921.

The Shields Daily News, Tuesday 6 December 1921, reported that Arthur Hinton’s Repertoire Company would that week present at the Theatre Royal, North Shields, The Scandalmongers the previous night (and apparently that night), Temptation on Wednesday, A Broken Doll on Thursday, Sorrows of Satan on Friday and The Black Sheep of the Family on Saturday.

‘The Denville Stock Company will produce Gladys Hastings Walton’s play of the above name [The Black Sheep of the Family] at the Victoria Opera House next week. From the pen of the authoress of “Temptation,” the plot is totally different from this week’s production, inasmuch as the story is on stronger dramatic lines. The play is located in England and New York, and concerns two brothers. One, “the black sheep,” is really the more virtuous, but is under a cloud of suspicion. The other is virtuous, but this is only a veneer behind which lee [sic] vice and villainy. In the end, after a series of hairbreadth escapes, the hero’s good is name cleared, and, of course, everything ends as it should. There will be a full cast, with Mr. Jack McCaig and Mr. Royce Carlton as the brothers, and Miss Marjorie Denville as the leading lady’ (Burnley News, 13 May 1922). ‘Another Gladys Hastings Walton play is promised by the Denville Stock Company at the Victoria Opera House next week, the title being “The Black Sheep of the Family.” The play is in scenes, and though the title may suggest a play of only average merit, there are surprising incidents and the interest is maintained throughout. Miss Denville appear as Loyale Dane, an American orphan heiress, and Mr. Jack McCaig as the Hon. Ralph Sylvester. Three members of the company will play dual roles in Messrs. Wm. Calvert, Edwin Beverley and Sydney J. Andrews, and all the other artistes have good parts. As usual the staging and dressing will be paid special attention to’ (Burnley Express, 13 May 1922). ‘The Denville Stock Company are presenting “The black sheep of the family” at the Victoria Opera House this week. By Gladys Hastings Walton, the authoress of “Temptation,” which was handled by the company the other week with considerable success, this week’s production gives every promise of the same excellent result being achieved. It is of a very different order to “Temptation,” not only proving that the dramatist is not limited to any one theme but that the Denville Company are not restricted to any one set form of play to show their undoubted merits' (Burnley News, 17 May 1922). ‘Though there is nothing particularly brilliant about the plot of their play this week - it is titled “The Black Sheep of the Family” - the Denville Stock Company are making new friends and adding to their laurels by their treatment of it. Of course, the play in itself is good; the name of Gladys Hastings Walton attached ensures that, but there are in it passages which, in less capable hands than those of Mr. Denville’s artistes, appear dull and uninteresting. For instance, it is no new thing to find in a play two sons, one of whom always shoulders his scheming younger brother’s blame, and goes out, with a smile, to face the world alone. Neither is it to find him triumphing over his foes and returning home a hero. But the Denville Company make these characters real in “The Black Sheep the Family,” with the result that all sections of the audience are pleased with their work, and thus there cannot be thrust upon them the allegation of “playing to the gallery”' (Burnley Express, 17 May 1922).

‘Mr. Arthur Hinton, Miss Peggy Courteney, and company, are still scoring in their short dramatic season [at the Theatre, Paisley]. The fourth week’s bill of fare consists of “The Black Sheep of the Family,” “King of My Heart,” and “East Lynne”‘. The Era, 7 June 1922.

The Staffordshire Sentinel, Tuesday 20 June 1922, reported that the Denville Stock Company was enjoying a successful run at the Burslem Hippodrome and Theatre and would put on The Black Sheep of the Family the following week, except on Monday. ‘At the Burslem Hippodrome to-day (Tuesday) and during the rest of this week, the Denville Stock Company are presenting “The Black Sheep of the Family,” but, as a special Wakes attraction last night, Mr. Alfred Denville put on for the two houses only “The Shaugraun,” and played himself the part of the irrepressible Conn … “The Black Sheep of the Family,” which is on for the rest of the week, is by the author of “Temptation,” and it has been put on specially because of the appeal off the last named play' (Staffordshire Sentinel, Tuesday 27 June 1922).

The Liverpool Echo, Monday 10 July 1922, advertised The Black Sheep of the Family by Gladys Hastings Walton at the Wallasey Hippodrome, presented by the Denville Stock Company which was apparently Wallasey’s own Stock Company (the Staffordshire Sentinel, Tuesday 20 June 1922, had reported that Alfred Denville ‘had been busily engaged for some weeks in starting fresh companies in various towns’).

The Cannock Chase Courier, Saturday 11 November 1922, advertised at the Hippodrome, Cannock, for the week commencing 13 November ‘Alfred Beckett, Staffordshire’s Representative Author(?), Supported by his talented Company … In a Selected Repertoire of Plays, Comedies and Musical Comedies’, including The Black Sheep of the Family on Thursday and Friday [16 and 17 November]. Also, ‘The Alfred Becket Repertoire Coy. have had a successful stay in Cannock, and the Patrons of [the Hippodrome] have been delighted with the excellent presentation drama, comedy, etc. Undoubtedly they have catered for all classes and their plays have been changed five times weekly. To-night, (Friday) they present “The Black Sheep of the Family,” whilst on Saturday at 7. they give the successful drama “Charles Peace” and at 9 o’clock “ Sweeny Todd”' (Cannock Chase Courier, Saturday 18 November 1922). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Leven Advertiser & Wemyss Gazette, Thursday 21 December 1922, advertised at the Gaiety Theatre, Methil, for the following week [beginning 25 December] ‘Emily Florence’s Popular Dramatic Repertory Company [in a] Special Programme of New and Popular Plays and Old Favourites’, including The Black Sheep of his Family on Saturday. Also mentioned in the Leven Advertiser & Wemyss Gazette, Thursday 28 December 1922. See under the performance at the Empire Picture and Variety Theatre, Montrose, 7 July 1923, for uncertainty about the authorship of the play performed by this company.

The West Lothian Courier advertised Emily Florence’s Scottish Dramatic Repertory Company in The Black Sheep of the Family at the Armadale Pavilion on Monday 7 May (with different plays by the same company on other days of that week). See under the performance at the Empire Picture and Variety Theatre, Montrose, 7 July 1923, for uncertainty about the authorship of the play performed by this company.

The Biggleswade Chronicle, Friday 25 May 1923, advertised ‘Mr. Weight’s Star Coy.’ at the Playhouse for the week beginning Monday 28 May, with a different play each night, including The Black Sheep of the Family on Saturday, 2 June. Also, ‘Mr. Weight’s theatrical company have enhanced their reputation at the Playhouse this week, and the management have honoured them with yet another re-booking. To-night the Company will present “The Unmarried Mother” and to-morrow “The black sheep of the family,” while on Saturday afternoon at a special children’s matinee “Little Red Riding Hood” will be produced’ (Biggleswade Chronicle, Friday 1 June 1923). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Montrose, Arbroath and Brechin Review, and the Forfar and Kincardineshire Advertiser, both Friday 29 June 1923, reported that at the Empire Picture and Variety Theatre, Montrose, the following week Miss Emily Florence and her company would present a different play each night, including on Saturday [7 July] ‘the great London successful drama by Reginald March, “The Black Sheep of the Family”‘. Similarly, a news report in the Montrose Standard, 29 June 1923, referred to The Black Sheep of the Family as ‘the great successful London drama, by Reginald March’. However, an advertisement in the same issue of the latter newspaper referred to The Black Sheep of the Family as ‘The Latest London Success by Reginald Lynoch … Full of Sensation and Dramatic Interest’. Neither Reginald March nor Reginald Lynoch is listed in Allardyce Nicoll, British Drama 1900-1930. Whether the name(s) quoted were that of the author or of an actor who had starred in the play, news reports of their London success should be found via the British Newspaper Archive. But the BNA has no other references to a Reginald March or Lynoch in connection with the play. The authorship of the play performed by Emily Florence and her company is therefore uncertain, although no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘At the Royal [Oldham] the stock company present “The Black Sheep of the Family”‘ (The Era, 7 November 1923; also The Stage, 8 November 1923, which added, ‘Mr. John Millward is exceedingly well cast in the title-rôle’). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘At the Grand Theatre, Doncaster, “Mr. Tower of London” is presented, including Gracie Fields and Archie Pitt, in their original parts. The Denville Stock Company (twelfth week) present “The Black Sheep of the Family”‘ (The Era, 5 December 1923). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.

The Carluke and Lanark Gazette, Friday 7 March 1924, advertised ‘Miss Emily Florence’s popular Domestic Repertory Coy.’ at the Town Hall, Carluke, the following week, including, on Thursday 13 March, in a ‘splendid sensational domestic play The Black Sheep of the Family, Full of Rollicking Comedy and sensation’. See under the performance at the Empire Picture and Variety Theatre, Montrose, 7 July 1923, for uncertainty about the authorship of the play performed by this company.

The Picture House, West Calder, West Lothian, 3 May 1924 The Midlothian Advertiser, 25 April 1924, reported that ‘Miss Emily Florence’s Dramatic Repertory Company’ would stage a different play at the Picture House [in West Calder, the newspaper’s address?] each night in the following week, including ‘the popular stage success’ The Black Sheep of the Family on Saturday. An advertisement in the same issue of the newspaper describe the play as a ‘A splendid Up-to-date Play, full of Comedy and Sensational Interest’. And the Midlothian Advertiser, 2 May 1924, referred to the play as ‘well-known and ever-popular’. See under the performance at the Empire Picture and Variety Theatre, Montrose, 7 July 1923, for uncertainty about the authorship of the play performed by this company.

The Hartlepool Northern Daily Mail, 30 June 1924, advertised at the Grand Theatre, West Hartlepool, ‘The enormously successful Stock Co. present The Black Sheep of the Family, by Gladys Hastings Walton’. Also, ‘The Millane Stock Company return to drama this week, when they are presenting Gladys Hastings Walton’s popular play “The Black Sheep of the Family.” In it there is plenty of thrilling incident to claim the complete attention of the audience, and those to whom drama and intrigue appeal are well catered for. Unexpected turns in the plot keep interest fully sustained to the end, and, with the scenes laid both in England and America, there is plenty of movement in the play. The various characters are undertaken with that skill now expected from these artists, who, indeed, appear to gaining in popularity week by week. Miss Churchill, Miss Kitty Dillon, Mr. Millane, Mr. Bert Bannister, Mr. Edward Louis, and Mr. Edward Brooke are mainly responsible for the success of the play’ (Hartlepool Northern Daily Mail, 1 July 1924).

The Derbyshire Times and Chesterfield Herald, 27 September 1924, advertised ‘The famous Denville Stock Company’ in The Black Sheep of the Family at the Hippodrome, Chesterfield, in the week beginning 6 October. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.

‘The Broadhead dramatic company stage the drama “The Black Sheep of the Family” [at the Osborne, Manchester]. Lodge Percy has produced the melodrama’. The Stage, 13 November 1924. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘“The Black Sheep of the Family” is the title of the play to be staged next week at the Palace Theatre. Mr Arthur Hinton and his repertoire company continue their unbroken success, and several record audiences have been housed during their Aberdeen season. The piece next week is by Gladys Hastings Walton. It plays in six scenes, is a powerful piece of stagecraft, and is sure to provide instruction and enjoyment’ (Aberdeen Press and Journal, Saturday 14 November 1925). The Aberdeen Press and Journal, 16 November 1925, advertised the Arthur Hinton Repertoire Co. in ‘the record-breaking play “The Black Sheep of the Family” Thrilling! Tense’ at the Palace Theatre. ‘The success which has attended the efforts of Mr Arthur Hinton and his dramatic company since they opened at the Palace Theatre has clearly proved that there are many lovers of the drama in the city. This week a typical example of the real old melodrama - Gladys Hastings Walton's “The Black of the Family" – is presented, and last night it had a rousing welcome from large audiences ... Love, hate, and villainy - all that goes to make up a thrilling melodrama - are present, and the result is a thoroughly enjoyable entertainment. The acting is excellent. Arthur Hinton as the "black sheep," plays his part admirably, and Mr Joseph Bloor, in the difficult role of the villainous younger brother, is convincing. Miss Madge Hope personates the scheming woman with artistic skill, while the acting of Miss Peggy Courtenay, as the young and beautiful heiress, makes a strong appeal. Mr Travers Green made an ideal old nobleman, and Mr George Shreeve filled the part of an American "tough" as if to the manner born. Miss Margery Marsh cleverly filled the role of the wronged girl, as did Mr Arthur Trail the part of the butler. The humour was in the hands of Miss Laura Wright, who has established herself as a firm favourite. Mr Noel Howlett and Mr William Frazer filled the minor roles in a capable manner. The orchestra is under the conductorship of Mr Ernest Wolfe’ (Aberdeen Press and Journal, 17 November 1925). ‘This week the Hinton Company are performing a melodrama – “The Black Sheep of the Family” - that, from title to final curtain, is entirely true to type. It is a melodramatic version of the theme of "The School for Scandal” - Joseph and Charles Surface - the bad brother - and he is very, very bad - posing as good, and the hero, the nominal black sheep, with an alternately devil-may-care and intense temperament. The scene is at one time aristocratic, complete with peer and butler, at another sordid, complete with "toughs" and "dope.” There is the heir, disinherited for something of which is innocent; there is kidnapping; there is murder - as the play has an American tinge one may say "Some murder!” The victim is stabbed, if I remember rightly, five times. The villain is a fellow who mak's siccar [sic], and, true to type, a debonair fellow withal - until remorse begins to eat into his vitals and drives him to drink. The end is suicide, off, and, immediately following, there is a pleasant little scene of kittenish lovemaking between hero and heroine; curtain. There are no half-lights in such a play, even the change of lighting from day to evening occurs with tropic suddenness. Comedy allows tense melodrama with no shading off, sometimes the one breaks into the other with refreshing insouciance on the part of author - Gladys Hastings Walton - and actors ... the audience at the Palace Theatre does not care a hoot for stagecraft in the abstract. They feel, rather than know, technical expertness in the acting. For them the play and the acting are the things. The scenery even does not matter. There was probably to them no piquancy in the fact that, when it was announced that the scene was a street in New York, the curtain rose on a very recognisable representation of High Street, Edinburgh, and there was precipitated on to the foreground of John Knox's house a coal-black mammy and a Bowery “tough” ... After the actors, the audience at the Palace Theatre is the important factor, and the auditorium is as well worth the watching as the stage. Women predominate. They lean forward tensely at the crucial moments, and the triumph of hero and heroine or the utterance of a moral platitude is followed by a great wave of applause. On the other hand, the sometimes broad comedy is received with shouts of laughter. The villain gets only stony silence during the play, but, when the play is over and the veil of illusion rent, the audience realises that he was only acting, and the villain receives his honours with the hero. It is quite evidently a faithful audience, and, being so, they best realise the capabilities of the Hinton company ... Here then is simple, elemental theatrical fare, and if anyone wishes an invigorating tonic in the way of entertainment I advise them to visit the Palace Theatre. I had almost intended to say that highbrows should take off the top storey before they go, but there is no need. Even they will soon succumb to the ability of the Hinton Company to play melodrama in the only way it can be played - for all it is worth. The enjoyment of the highbrow may be set at a different angle from the majority of the audience, but it will be none the less acute. Fashionable London flocks to the stalls of the Lyceum Theatre when the melodramas of the Melville Brothers are being played. The elite of Aberdeen may therefore fill the stalls of the Palace Theatre without qualm, and in comfort and enjoyment’ (Aberdeen Press and Journal, 18 November 1925). ‘“The Black Sheep of the Family” has a vivid interpretation at the hands of Arthur Hinton and his repertory company [at the Palace, Aberdeen]. Arthur Hinton is an effective black sheep, and Joseph Bloor a convincing villain. Peggy Courteney, Madge Hope, Margery Marsh, Travers Green, George Shreeve, and Laura Wright all fill their parts successfully’ (The Stage, 19 November 1925).

The Thanet Advertiser, 6 February 1926, advertised ‘the famous Denville Stock Company’ in The Black Sheep of the Family by Gladys Hastings Walton at the Hippodrome, Margate in the week commencing 8 February. ‘For the seventeenth week of their second season here [the Hippodrome, Margate] the Denville Players are attracting good audiences with “The Black Sheep of the Family.” John Millward, as Ralph Sylvester, gives a finished performance of the black sheep’s varying moods. Bessie Osborne is vivacious and convincing as Loyal Dare. As the sneaking younger brother, Chas. Dickens shows much skill. Edwin Beverley is a typical New York tough, investing the character with many touches of humour. Grace Emery, seen in the rôle of an old negress, causes much merriment. Harold Osmond is highly successful as Jobson. Alice Buckland, as the long- suffering Mary Leigh, gives an excellent performance, making a good impression by her pathos in the death scene. Stanley Gordon, who undertakes the part of Lord Arlingham, is the dignified old aristocrat to the life. Quilla Valerie and Denis Alban contribute to the general excellency of the production’ (The Stage, 11 February 1926.

‘The Denville Players present “The Black Sheep of the Family” for this their thirty-fourth week of the season. Conrad Statford maintains his able standard of work in a well-drawn study of the Hon. Ralph Sylvester. George Walsh as Lord Arlington [sic] acts with dignity and character. Bertram Oates is excellent as the brother Lionel. Wilfred Launceston is seen to advantage as Tough McCoy, an American crook. The Bud Rawson of Carter Livesey is a clever piece of acting. Conrad Clerke is suitably cast in the dual rôle of Dr. Markham and the Judge. The part of Blanche Maitland is ably played by Lily Harrold. Olga Murgatroyd is successful in the rôle of Loyale Dare. Emma Litchfield, who produces, Rose Marie, and Syd Claydon complete the cast. On Friday evening a presentation of “The Lion and the Mouse” will be given by special request of local playgoers’. The Stage, 25 March 1926.

The Larne Times, 7 April 1928, advertised Dorothy Grafton’s Repertory Company for three nights only from Monday 9 April at the Town Hall, Larne; the ‘splendid play’ The Black Sheep of the Family would be played on Wednesday. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘“The Black Sheep of the Family” and “The Devil of the Underworld” are the plays being performed here [the Opera House, Dudley] by the Fortescue Repertory company, the casts including Norman Worcester, Lewis Nanton, May Payne, Charlotte Ballinger, May Day, Dallas York, Geo. Arnett, John Le Moran, Elwyn G. Walters, and Bert Cowley’ (The Stage, 24 May 1928). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘The Morton-Powell Repertory Players are now in their thirteenth week at the Theatre Royal [Bristol] and still going strong. For next week two star artistes are engaged to appear in leading parts - Mr Hamilton Langham (an idea hero) and Miss Sibyl Ward. In “The Black Sheep of the Family” both Mr Langham and Miss Ward will appear, supported by the other members of the Morton-Powell Repertory Players. The “Black Sheep” is really good entertainment, and has a strong comedy element’ (Western Daily Press, 28 September 1928). ‘The adventures of a peer’s heir form the plot of “The Black Sheep of the Family,” which is being presented this week at the Theatre Royal by the Morton Powell Repertory Company. The Hon. Ralph Sylvester, played by Hamilton Langham, gallantly takes the blame for his brother, Lionel’s, moral crime, and as he keeps a vow of silence he is cast out of his house. He goes to America and meets a girl whom he rescues from a gang of scoundrels. Later, in England., he again meets the girl, but is immediately accused of a murder committed by his brother. How the guilt is brought home to the murderer is revealed in a series of dramatic incidents - Eric Norman plays Lionel Sylvester with emotional intensity, acting cleverly in the last scene. Loyal Dare, the girl whom the “Black sheep" loved, was a part well taken by Miss Sybil Ward, and Miss Lena Brand was a tragic figure as Mary Leigh. Miss Marian Ryder endowed the rôle of Mammy Dinkie with plenty of humour, and Harry Harrop acted with her as Jobson, the loyal butler. James Hart doubled the parts of Lord Arlington [sic] and the Judge, and Robert Faulkner and George Dare played as American gangsters, the last-named also appearing as counsel for the defence in the trial scene. The selfish cruelty of Blanche Maitland was well conveyed over the footlights by Miss Dorothea Vivian. “The Black Sheep of the Family” is a thrilling drama and should be enjoyed by Theatre Royal patrons’ (Western Daily Press, 2 October 1928). ‘“The Black Sheep of the Family” provides acceptable dramatic fare here [the Royal, Bristol]. Eric Norman gives a clever study of Lionel Sylvester. Sybil Ward acts well as Loyal Dare. Lena Brand is excellent as Mary Leigh. Hamilton Langham ably sustains the rôle of the Hon. Ralph Sylvester. Comic relief by Marion Ryder and Harry Harrop is well received’ (The Stage, 4 October 1928).

‘The Kimberley Fortescue repertory company are now in their fifth week’s stay here [the Royal, Wolverhampton], and continue to be successful. “The Black Sheep of the Family” was presented on Monday, and for to-night (Thursday) “Neither Wife Nor Maid” is billed’ (The Stage, 18 October 1928). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘“The Black Sheep of the Family” occupied the stage here [the Bordesley Palace] for the first half of this week, and from to-day until Saturday “Ignorance” will be presented. The Kimberley Fortescue Players combine admirably. Prominent are Norman Worcester, Louis Nanton, May Day, May Payne, Dallas Yorke, and Charlotte Ballinger’ (The Stage, Thursday 8 November 1928). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Era, 6 February 1929, listed The Black Sheep of the Family as On The Road from 11 February at the Hippo., Bury. The Stage, 7 February 1929, listed ‘James Hart’s Co. in “Black Sheep of the Family”‘ in Calls For Next Week at the Bury Hippodrome. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘For the holiday attraction Frank H. Fortescue’s Players are presenting “The Black Sheep of the Family”‘ at the Royal, Bilston (The Stage, 23 May 1929). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Midlothian Advertiser, Friday 31 May 1929, reported that next week the Nance Holland Dramatic Comedy [sic – Company?] was engaged to present a different play each night at the Picture House. On Friday The Black Sheep of the Family would be produced. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Grantham Journal, Saturday 13 July 1929, advertised the Theatre Royal’s stock company in ‘another sure winner’ The Black Sheep of the Family on Monday, Tuesday and Wednesday next, with Harry Lionel in the title role. ‘To see Mr. Harry Lionel in a role other than the hero will be an opportunity afforded Theatre-goers in the opening half of next week, when, in “The Black Sheep of the Family,” the name part - a long and arduous one - will fall to the lot of Mr. Lionel, whose many qualifications will ensure success. Mr. John Haddleton is cast as the saintly and prosperous member of the family - a character study which is the opposite to that usually undertaken by this popular artist. Miss Ruby Ray, Miss Mysie Monte, Mr. Charlie Parker and partner have important roles. The play should rank as most enjoyable’ (Grantham Journal, Saturday 13 July 1929). ‘Despite the heat wave local lovers of drama are well rallying round the stock company. On Monday at both houses they showed their appreciation of the clever production of “The Black Sheep of the Family.” Harry Lionel and John Haddleton as the black sheep and the “good” son give effective interpretations of the characters. Ruby Ray scores as the American heiress, and Mysie Moule [sic - Monte] is successful in the heavy rôle of Blanch Maitland’ (The Stage, 18 July 1929).

‘Next week [at the Hippodrome, Burslem] the Fortescue Players present “The Black Sheep of the Family,” and on Friday “Her Bridal Night.” Mr. Geoffrey Sutherland joins the company next week’ (Staffordshire Sentinel, 25 July 1929). ‘The Fortescue Players this week are presenting at the Hippodrome, Burslem, an interesting play entitled, “The Black Sheep of the Family.” It is a story of humour and sentiment and is produced in a clever manner by this talented company, who, during the six weeks they have been appearing at the Hippodrome, have become very popular. The humour of the play is well brought out. while the romance of it is played with understanding. It is well worth seeing. On Friday night the company are producing an old time favourite’ (Staffordshire Sentinel, 31 July 1929). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘A thoroughly good show is provided at the Victoria Theatre this week, where Arthur Hinton’s repertory company continues their successful run by presenting “The Closed Door,” by Eric Langley … On Thursday and Saturday the same company will present “The Black Sheep of the Family,” by Gladys Hastings Walton, and on Friday “Moths,” adapted from Ouida’s famous novel’. Dundee Evening Telegraph, Tuesday 17 September 1929. This is the last performance of The Black Sheep of the Family by Arthur Hinton's company that has been identified.

The Walsall Observer, and South Staffordshire Chronicle, Saturday 7 December 1929, advertised the Fortescue Players in The Black Sheep of the Family at the Grand Theatre in the week beginning Monday 9 December, except that The Knife of Death would be played on Friday night only. ‘Cast includes:- Norman Worcester, Digby Hayes, John Watty, Howell Webb, Lewis Nanton, Frank Stoner, Kitty Maude, Louis Nanton, Mona Grey, Genna Lyndon, and Dallas Yorke’. In a news report in the same issue of the newspaper The Black Sheep of the Family was described as ‘an intensely human drama’ that would be performed for five nights. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Leicester Chronicle, Saturday 17 May 1930, advertised ‘the famous domestic drama’ The Black Sheep of the Family at the Pavilion Theatre on Monday-Wednesday, and a Thursday matinee, in the following week. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Shields Daily News, Thursday 16 July 1931, advertised ‘The Vickers “Super” Stock Company’ in The Black Sheep of the Family on Thursday-Saturday of next week at the Theatre Royal, North Shields. ‘For the third week of the present season, the Vickers Super Stock Co. will present … on Thursday, Friday and Saturday the fast and exciting melo-drama, “The Black Sheep of the Family,” by Gladys Hastings Walton … “Loyall Dare” will be played by Miss Gertrude Vickers, and “The Black Sheep” by Mr Rhys Meredith, supported by the full strength of the company. This is considered one of the best dramas ever written’ (Shields Daily News, Saturday 18 July 1931).

The Sunderland Daily Echo and Shipping Gazette, 24 August 1931, advertised ‘The Royal Stock Company Present The Black Sheep of the Family’ at the Theatre Royal. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Smethwick Telephone, Saturday 12 September 1931, advertised ‘The Royal Players Present The Black Sheep of the Family by Gladys Hastings Walton’ at the Theatre Royal commencing Monday next. The cast would include G. Hamilton Langham, Sydney Andrews, Arthur Turnbull, R. Geoffrey Wood, Dorinea Shirley and Dorothy Frere. On Friday night only David Garrick would be played. ‘“The Black Sheep of the Family” - the production to be staged next week [at the Theatre Royal] - possesses an intensely dramatic story and has always proved a huge success wherever performed. All the characters have been admirably cast and Royal patrons could not have a finer opportunity of seeing their favourites at their best’ (Smethwick Telephone, Saturday 12 September 1931).

The Bellshill Speaker, 11 November 1932, advertised the ‘welcome return visit of Walter A. Chapman’s Famous Northern Repertory Players’ to the New Century Theatre, where they would present ‘a Strong Domestic Drama, “The Black Sheep of the Family,” Pathos, Romance, Comedy’ on Wednesday and Thursday, 16 and 17 November. The same issue of the newspaper described The Black Sheep of the Family as ‘a strong domestic drama of the type of which our patrons never seem to tire, and should prove a big draw. Pathos, romance and comedy are mixed together in pleasing quantities’. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Portsmouth Evening News, Saturday 3 June 1933, advertised at the Coliseum ‘Great holiday attraction. Last week of the Barney Lando Repertory Company in The Black Sheep of the Family. A Comedy in 9 Scenes. Laughter, Excitement, Thrills’). ‘Once again the Barney Lando Repertory Company have staged a successful production for this week. They are to be seen at the Coliseum in “The Black Sheep of the Family.” This is a comedy drama in eight scenes. Guy Dennis plays the leading part of the “black sheep,” an apparently useless son and heir who finally proves that he is more than worthy to be his father’s successor. Other members of the cast live up to the reputation which this company has secured’ (Portsmouth Evening News, 6 June 1933). ‘This is the last week of the Barney Lando Repertory company season here [the Coliseum, Portsmouth], and as a special holiday attraction they are putting on the amusing comedy, “The Black Sheep of the Family,” in nine scenes. The production is one of laughter and thrills, and the part of the “black sheep” who finally proves that he is more than worthy to be his father’s successor is brilliantly played by Guy Dennis, ably backed up by other members of the company in supporting rôles. The company have had a very successful season here, und their acting has been greatly appreciated’ (The Stage, 8 June 1933).

‘The Denville Players present this week [at the Metropole, Glasgow] “The Black Sheep of the Family.” They achieve their usual success’. The Stage, 19 October 1933. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.

‘The Denville Players present this week [at the Metropole, Glasgow] “The Black Sheep of the Family.” They achieve their usual success’. The Stage, 19 October 1933. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.

The Airdrie & Coatbridge Advertiser, 7 April 1934, advertised the ‘last week of the popular Northern Repertory Players’ at the Airdrie Coliseum, during which they would play The Black Sheep of the Family on Monday-Wednesday, 9-11 April. Also, ‘Walter Chapman’s Repertory Players enter upon the last week of their season at the Coliseum with two seasoned melodramas – “The Black Sheep of the Family,” which will be staged from Monday till Wednesday, and “Uncle Tom’s Cabin,” which will replace it on Thursday’ (Airdrie & Coatbridge Advertiser, 7 April 1934). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘A departure is made from revue at the Electric Theatre next week, and a series of dramatic entertainments will be given in succeeding weeks. The Walter Chapman’s Northern Repertory Players have been booked, and for the first three days of the week they will present that well-known drama, “The Black Sheep of the Family,” while on Thursday night and until the end of the week, the play “Why Girls Go Wrong,” will be performed. The series of dramatic shows which will be given will be a greatly appreciated change which will be welcomed by the patrons, and the attendances during the summer months are bound to be up to the average’ (Falkirk Herald, 19 May 1934). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

The Sunday post, Sunday 25 August 1935, noted that the Denville Players would perform East Lynne on Monday-Wednesday, and The Black Sheep of the Family on Thursday-Saturday, at the Empress, Glasgow. ‘The Charles Denville Players conclude their season here [the Empress, Glasgow] this week after a most successful run. The plays chosen for the final week are “East Lynne” and “The Black Sheep of the Family.” In Monday’s performance of “East Lynne” the whole company played most effectively’ (The Stage, 29 August 1935). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.

The Era, 29 April 1916, and The Stage, 30 April 1916, listed ‘The Charles Denville Famous Players in “The Black Sheep of the Family”‘ at the Byker Grand in Calls For Next Week. Advertised in the Newcastle Sunday Sun, 3 May 1936, as ‘[a] powerful drama … adapted from the well-known song of the same name’. The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.

The Derbyshire Times and Chesterfield Herald, 5 June 1936, advertised ‘Fortescue’s Famous Players’ in The Black Sheep of the Family (‘A show you will remember’) on Monday-Wednesday of the following week at the Hippodrome, Chesterfield. ‘The two plays to be presented at Chesterfield Hippodrome by Fortescue’s Players next week are “The Black Sheep of the Family,” which is to be given on Monday, Tuesday and Wednesday, and “Tainted Lives,” which is be given from Thursday. This latter is not for children’ (Derbyshire Times and Chesterfield Herald, 5 June 1936). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘The Frank Fortesque [sic] Players, who have had a successful season at Rotherham, are giving a week of popular drama [at the Regent, Sheffield]. “The Black Sheep of the Family” was staged on Monday, and from to-day (Thursday), the company will appear in the thriller, “The Face at the Window”‘ (The Stage, 27 August 1936). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘The Fortescue Players are presenting two more popular plays [at the Playhouse, Swindon]. On Monday, Tuesday and Wednesday the attraction was “When the Poppies Bloom Again” … To-night (Thursday) and to-morrow “ The Black Sheep of the Family” will be presented’ (The Stage, 23 December 1937). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘For their second week at the Rotunda the Fortescue Players, a capable company, present on Monday, Tuesday and Wednesday, “The Rosary,” by John Glendenning … On Thursday and Saturday, “The Black Sheep of the Family” will be presented. It is full of dramatic situations, pathos, and wholesome comedy’ (Liverpool Echo, Friday 8 April 1938). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office.

‘The Charles Denville Players, who have given so much pleasure to Barnsley and district audiences throughout this summer open their thirteenth week of Repertory at the Theatre Royal with that brilliant stage and film success, “Blackmail” [which] will be presented on the first four days of the week, from Monday to Thursday inclusive. “The Black Sheep of the Family,” a hilarious comedy which has scored a splendid triumph in London and the Provinces, is due for production on Friday and Saturday’ (South Yorkshire Times and Mexborough & Swinton Times, Friday 5 August 1938). The author of the play is not named, so there is no certainty that it was Gladys Hastings Walton, but no other play with the same title was licensed by the Lord Chamberlain’s Office. However, the Denville Stock Company / Denville Players did perform Gladys Hastings Walton’s play at the Victoria Opera House, Burnley, 15-20 May 1922; the Hippodrome, Burslem, 26 June – 1 July 1922; the Hippodrome, Wallasey, 10-15 July 1922; the Hippodrome, Margate, 8-13 February 1926; and the Theatre Royal, Barry, 22-27 March 1926.