Great War Theatre

Licensed On: 2 Jun 1915

License Number: 3475

Author(s):

British Library Reference: LCP1915/15

British Library Classmark: Add MS 66101 A

Performances

Date Theatre Type
7 Jun 1915 Empire Theatre, Ushaw Moor, Co. Durham Unknown Licensed Performance
28 Jun 1915 Hippodrome, Colne Professional
30 Aug 1915 Empire, Rotherham Professional
6 Sep 1915 Kelly's Theatre, Liverpool Professional
Read Narrative
The play is rich in dramatic and humorous situations, and a large audience was not slow to show its appreciation of the production. ('Liverpool Echo', 7 September 1915, p. 4)
20 Sep 1915 Royal Osborne Theatre, Manchester Professional
25 Oct 1915 Her Majesty's Theatre, Walsall Professional
Read Narrative
The true to life play.... ('Walsall Advertiser', 30 October 1915, p. 4)
15 Nov 1915 Grand Theatre, Plymouth Professional
Read Narrative
An interesting drama......The woman who is the heroine of the piece does not, as it turns out, pay back in the ordinary sense, but returns evil for good, whereat "The gods" are greatly pleased. ('Western Morning News', 16 November 1915, p. 4)
13 Dec 1915 Palace Theatre, Rochdale Professional
Read Narrative
Twice nightly
27 Dec 1915 ?, Tyldesley Professional
3 Jan 1916 New Theatre, Crewe Professional
10 Jan 1916 ?, Newbridge Professional
17 Jan 1916 Theatre Royal, Oldham Professional
24 Jan 1916 Theatre Royal, Lincoln Professional
Read Narrative
Twice nightly for 3 nights
31 Jan 1916 Arcadia Theatre, Spennymoor Professional
Read Narrative
Mary Austin and Co. Twice nightly.
7 Feb 1916 Theatre Royal, Jarrow Professional
Read Narrative
Twice nightly.
14 Feb 1916 Theatre Royal, South Shields Professional
21 Feb 1916 Theatre Royal, Seaham Harbour Professional
27 Feb 1916 Theatre Royal, Macclesfield Professional
6 Mar 1916 Empire Theatre, Longton Professional
13 Mar 1916 Theatre Royal, Barnsley Professional
20 Mar 1916 Picturedrome, Ilkeston Professional
3 Apr 1916 Theatre Royal, Liverpool Professional
10 Apr 1916 Prince's Theatre, Bradford Professional
24 Apr 1916 Theatre Royal, Middlesbrough Professional
24 Apr 1916 Opera House, St Helen's Professional
1 May 1916 Hippodrome, Bolton Professional
8 May 1916 Alhambra, Stourbridge Professional
15 May 1916 Grand Theatre, Doncaster Professional
22 May 1916 Metropole Theatre, Gateshead Professional
29 May 1916 Theatre Royal, Leeds Professional
Read Narrative
Twice nightly. Matinee on Tuesday. A heroine who scarcely attains the customary exalted pinnacle of virtue, and who has a good deal of the spitfire in her nature, is a novelty in melodrama, and this and other touches of originality make the play, "The Woman Pays - Back," quite an acceptable piece. ... The authoress, however, does not get completely away from the commonplace lines of a certain type of melodrama, and she relies upon such old material as the theft of jewels, blackmail, fraud, and other treachery as a setting for the story.... How [the young girl] pays back her betrayer, is quite an exciting chapter. ('Yorkshire Evening Post', 30 May 1916, p. 3)
5 Jun 1916 Empire, Garston Professional
7 Aug 1916 Hippodrome, Huddersfield Professional
Read Narrative
'The play is smartly written, the villainy is human and credible instead of the usual stupidly motiveless crime, there is genuine humour, and the situations do not overtax the audience's credulity.' ('Huddersfield Daily Examiner', 8 August 1916, p. 2)
4 Sep 1916 ?, Lancaster Professional
11 Sep 1916 Theatre Royal, North Shields Professional
Read Narrative
Twice nightly on Monday, Tuesday, Wednesday and Saturday. Thursday and Friday "The Cotton Spinner". ('Shields Daily News', 13 September 1916, p. 1)
18 Sep 1916 Palace, Newcastle Professional
25 Sep 1916 Grand, West Hartlepool Professional
2 Oct 1916 Grand Theatre, Stockton Professional
9 Oct 1916 Alexandra Theatre, Birmingham Professional
Read Narrative
The wrong done to women by members of the opposite sex has been the theme of innumerable dramas. In "The Women Pays - Back", presented at the Alexandra Theatre this week, there is a reversal of the usual position, as the title of the play suggests. A deeply-wronged typist sets out to avenge herself for the harsh treatment meted out to her by her former employer, and demonstrates that men cannot always get their own way. ('Birmingham Daily Post, Tuesday 10 October 1916, p. 7)
23 Oct 1916 Grand Theatre, Nelson Professional
30 Oct 1916 Opera House, Wakefield Professional
20 Nov 1916 Palace Theatre, Redditch Professional
27 Nov 1916 Theatre Royal, Sheffield Professional
29 Jan 1917 Victoria Opera House, Burnley Professional
19 Mar 1917 Theatre Royal, Jarrow Professional
21 Dec 1920 Theatre Royal, Leicester Professional