Great War Theatre

Examiner of Plays' Summary:

This ‘song comedy’ as it is described, is in effect a comic opera, with prose dialogue as in Gilbert and Sullivan’s. It is well written, with dialogue of an uncommonly good quality, and some taking songs. The place and time are the peninsula campaign. The heroine is wooed against her will by Don Pombal, who is secretly on Napoleon’s side, and falls in love with a dashing Irish soldier, O’Connor, who rescues her in the first act from hirelings of the Don O’Connor pretends to teach her and her maiden aunt music, outwits Don Pombal by distinguishing himself as a French soldier and finally is accepted by her father on the victory of the British arms and the discovery that he is really a nobleman. The historical business is of course purely conventional and unimportant. The love-making is pretty if conventional too. Those songs not given are taken from well-known operas. Recommended for license. G. S. Street

Researcher's Summary:

"Never Give In' was renamed "Arms and the Lady" from its performance at the Theatre Royal Edinburgh in October 1917.

Licensed On: 31 May 1917

License Number: 984

Author(s):

Genre(s):

British Library Reference: LCP1917/11

British Library Classmark: Add MS 66166 Y

Performances

Date Theatre Type
N/A Theatre Royal, Glasgow Unknown Licensed Performance
30 Jul 1917 Opera House, Leicester Professional
Read Narrative
After having been thoroughly re-decorated, the Leicester Opera House will re-open next week, and the attraction will be a new romantic play of the Napoleonic period, entitled "Never Give In," by William Boyle and Gil Byan, and operatic musical numbers by Riddell Hunter. The cast is headed by Mr. E. C. Hedmont, whose acting ability, combined with his magnificent singing, is well known to Leicester playgoer. The play is beautifully staged" (Leicester Chronicle, 28 July 1917)
13 Aug 1917 Royal Court, Liverpool Professional
Read Narrative
"Comedy, song and romance are embraced in "Never Give In," which forms the attraction this week at the Royal Court Theatre, Liverpool. It is the work of Messrs. William Boyle and Gil Byan, with special musical numbers by Mr. Riddell Hunter. It is not grand opera, but the company producing Never Give In" has at its head, in the person of Mr. E. C. Hedmont, an actor-vocalist whom the public delighted to honour when he trod the stage in the old Carl Rosa days. He is still bright, buoyant and beaming in a character that admirably suite him; that of Lucius Brutus O'Conor, a captain in Wellington's Army in Portugal, for it is in the latter country, in the days of the Napoleonic wars, that the plot of "Never Give In" is worked out. Perhaps there is not much plot, but it serves to provide opportunities for excellent acting and singing, and there is some charming music. The company is only ten strong, but if it be not numerous it is decidedly. efficient. There are some capital musical numbers, for instance "Jack Briton" and "I come from the land," two of the songs which fall to the share of Mr. Hedmont, who also participated in a delightful septet "Strangers," cue of the genie of this romantic comedy. Miss Elsie Norris as Francisca, the daughter of Dom Jeronymo, and the heroine of the comedy, does some admirable work, and has several tuneful numbers allotted her; one of the beat is "I loved a hero," whilst most effective is her singing in the duet with Mr. Hedmont, "When you've gone from me." Mr. Wensley Russell as Don Jeronymo, the Portuguese noble, afflicted with gout consequent, perchance. on his liking for port wine—and a maiden sister who fain would wed, does capitally; he is a versatile artiste. Mr. Reginald Gordon portrays Dom Pombal effectively, and Miss Nellie S. James must be accorded a meed of praise for her impersonation of Isabella, tho aunt of Francisca. The minor roles are capably filled, and a visit to the Royal Court during the week may be cordially recommended." (Birkenhead News, 15 August 1917)
10 Sep 1917 His Majesty's Theatre, Aberdeen Professional
Read Narrative
"It is axiomatic that the mime seldom possesses the gift of song, and that the singer is rarely an actor. The really notable exceptions could almost be counted upon the fingers. Mr E. C. Hedmont, the famous Irish- American tenor, who for many years has been ornament British operatic stage. Next week this talented vocalist will appear at His Majesty's Theatre in two plays of widely different calibre. Monday, Wednesday, and Saturday’s matinee, is a musical romance the Napoleonic wars, entitled "Arms and the Lady," will given. This play is William Boyle and Gil with musical numbers Mozart, W. H. Squire, and Riddell Hunter. (Aberdeen Press and Journal 14/9/17)
1 Oct 1917 Theatre Royal, Edinburgh Professional
8 Oct 1917 Theatre Royal, Edinburgh Professional