Great War Theatre

Examiner of Plays' Summary:

Another spy play, but with a less hackneyed plot than usual. It is unequally written; most of it is the ordinary fustian and silly comic relief and a good deal consists of speeches about the war, the services of our Navy and so forth, which seem to come straight from the ordinary leading articles, but the actual sea part and business of wireless telegraphy are done with some knowledge and a good effect. The play starts with some absurd false history in regard to the rupture between England and Turkey, the murder of a pro-English Turkish emissary at the instigation of the villain Von Luff, in the Turkish service. After this a merchant captain, Gerrard, who is also a landed proprietor in Asia Minor, proposes to go Eastwards in his yacht, with the hero, a naval commander Maine who has invented a dodge for detecting submarines. Von Luff arranges that the crew consists of Germans. Gerrard's daughter and her maid go disguised as wireless operators. There is an exciting row on the yacht: Maine is thrown overboard (of course rescued) and the others made prisoners. In Turkey, however, Luff's Turkish wife helps them and eventually after a good fight Luff is killed. We are spared offensive brutality, but I notice one or two objectionable features, rather by way of a thorough report, however, than as suggesting that the Lord Chamberlain can forbid them. 1) The false history at the beginning, pp.1-6. It is a pity that current events should be wrongly represented to the public, even though no intelligent person would take them for real. The same applies to an imaginary account of an action in the North Sea, p.36. 2) The manning of the yacht with spies, p.25. This is supposed to happen at Plymouth and the piece is to be produced there. Very annoying to our Secret Service in the place, on whose competence it is a poor reflection! 3) The trivial introduction of 'God Save the King' on p.12. It is not meant disrespectfully, but the National Anthem ought not to be used so lightly. That might be a point for consideration. In two other small matters there might be interferences: - 1) 'son of a dog's wife' on p.11, since 'bitch' in this connection is not allowed. 2) P.44. A remark about German officers smelling, a very unworthy jibe. Recommended for license. G. S. Street. P.S on p.53 there is an apparition of the Kaiser with a death's head over him, followed by one of Mephistopheles who claims him as his own. Since it has been permitted to introduce the Kaiser far worse attacks on him than this have been delivered, but I thought the incident worth mentioning.

Researcher's Summary:

When it was first performed A Sailor’s Love was called a ‘current events’ drama, presumably a reference to the Gallipoli Campaign that was still continuing. The play did not have an extended run at any theatre, nor was it taken up by a touring company. In the only three performance weeks that have been identified (at Plymouth, Walsall and Great Yarmouth) it was produced by the local stock or repertory company. Balmain and Mignon’s 1914 war play A British Soldier was likewise played at Plymouth and Walsall, as well as at Darlington.

Licensed On: 10 Sep 1915

License Number: 3715

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British Library Reference: LCP1915/24

British Library Classmark: Add MS 66110 L

Performances

Date Theatre Type
13 Sep 1915 Grand Theatre, Plymouth Unknown Licensed Performance
13 Sep 1915 Grand Theatre, Plymouth Professional
Read Narrative
‘To-night will see the first production on any stage of the new up-to-date “Current Events” drama, entitled, “A Sailor’s Love: A Story of the Dardanelles,” by Sara Mignon and Rollo Balmain. It is a strong naval play in two acts, nine scenes, and a realistic tableau depicting the rescue of a British steamer by a submarine in the Dardanelles. The scenes, which have been specially painted, embrace a view of Torbay, Dartmouth Castle, and the Barbican at Plymouth, and further afield, we have a Turkish harem and a ruined mosque. All the members of the popular stock company have good parts, and a particularly interesting production may be anticipated’ (Western Morning News, 13 September 1915). ‘The title, “A Sailor’s Love,” is, if anything, too unassuming to indicate the real scope of the play, an inkling of which, however, is afforded by the sub-description – “A Story of the Dardanelles.” One is prepared, therefore, for something topical and thrilling, and the authors (Rollo Balmain and Sara Mignon) have provided it in abundance’ (Western Morning News, 14 September 1915). ‘By a happy selection Plymouth – a great naval port – was chosen for the first performance of [A Sailor’s Love], which is topical and thrilling, while its appeal to patriotic sentiment is irresistible ... The play is effectively acted’ (The Era, 15 September 1915, which listed the cast as follows: Commander David Mayne, R.N. … Frank Beresford Tom Bateson … Leonard Aardale Capt. Gerrard … Augustine Bowerman Marmi … Little Elsie Reid Capt. Von Luff … Clifton Earle Tode … Charles Poulton Denver Pasha … Vernon Fortescue Olan Bey … Ernest A. Duval Limberg … Derek Mason Krout … Wm. Boosey Golch … Geo. Field A Eunuch … Ernest Lodge Casima Von Luff … Marie Robson Zuleika … Amy McNeill Dora Gerrard … Violet Ingram Josephine … Maudie B. Douglas.) The Stage, 16 September 1915, listed the same cast as The Era and, after narrating the plot in some detail, ended its review as follows: 'It will be seen from the foregoing résumé of the plot that the piece is by no means lacking in exciting incidents. It found favour with an audience that filled the house from floor to ceiling at the opening performance ... [The play] should make a capital touring drama during the present strenuous times’.
27 Sep 1915 Her Majesty's, Walsall Professional
Read Narrative
‘Next week, “A Sailor’s Love,” described as “a bang-up-to-date current events” drama will be staged. It tells a story of the Dardanelles, and is sure to prove a popular production’ (Walsall Advertiser, 25 September 1915). ‘“A Sailor’s Love,” a story of the Dardanelles, which the Repertory Company have presented this week, is by the authors of “A British Soldier,” one of the first plays written on the present war, and produced at Her Majesty’s a year ago ... The principal roles are ably sustained by Mr. Beckett Bouid as Von Luff, Mr. J. B. Shinton as Mayne, Miss Ada M. Ryder as Dora, and Miss Enid Ross as the villain’s wife. Mr. Fred Blake as an English sailor, Miss Poppy Lytton as the French maid, Miss Isabel Hunt as a ubiquitous Jap, and Mr. Jack Bland as Von Luff’s confidant, are mainly responsible for the humorous side. Smaller parts are well played by Mr. Norman Tracy, Mr. Ernest Regent, and Miss Marie Thorne’ (Walsall Observer, and South Staffordshire Chronicle, 2 October 1915). ‘What is described as the bang-up-to-date “current events” drama, “A Sailor’s Love,” is being presented at Her Majesty’s Theatre this week with considerable success. It a story of the Dardanelles and abounds in interesting scenes and thrilling situations. From start to finish the play is most enjoyable, and the efforts of the Repertory Company have met with much appreciation' (Walsall Advertiser, 2 October 1915).
6 Mar 1916 Theatre Royal, Yarmouth Professional
Read Narrative
‘On Monday evening next, March 6th, the Morton Powell Repertory Company will again be presenting the bill of fare at this popular place of amusement, and will present for the first time in Great Yarmouth Mr. Rollo Balmain’s greatest up-to-date drama, entitled “A Sailor’s Love,” which has been touring the provinces most successfully for a considerable time past [sic!], and the engagement next week should prove a noteworthy one. This will be the first play of a nautical nature presented by the members of the Repertory Co., and the change should meet with the hearty approbation of the patrons of the Theatre Royal ... Local playgoers may look forward to an adequate representation, the naval uniforms giving a splash of colour to the various scenes’ (Yarmouth Independent, 4 March 1916). ‘The Morton Powell Repertory Company is playing at the Theatre Royal this week the up-to-date drama “A Sailor’s Love.” The scenes in which the plot is developed embrace London, Torbay, the deck and Marconi room of a ship, and an Eastern Palm grove and Ruined Mosque. Many exciting episodes occur. The role of Commander David Maine, R.N., is ably played by Mr. Jack Fortescue and Miss Mabel Scudamore cleverly depicts Dora Gerrard. Other parts are well filled’ (Yarmouth Independent, 11 March 1916). Noted in The Stage, 9 March 1916.