Great War Theatre

Examiner of Plays' Summary:

I have read something almost the same as this melodrama before: presumably it is a fresh version. It is rather an unpleasant production. In the beginning the villain, Callaw, and the hero, Esmond, are students at Edinburgh. Callaw falsely tells Esmond that the heroine, Helen, is engaged to him, and persuades Esmond to go through a form of 'Scotch marriage' with a poor girl Delilah. After this Callaw drugs Esmond and Delilah's lover in her own class takes her away. Two years later Callaw and Esmond are officers in the same regiment. Esmond accuses Callaw of cowardice at the Front and makes him send in his resignation; Callaw, having persuaded Esmond to promise silence, withdraws his resignation and says that Esmond is lying. Helen, persecuted by Callaw, who is backed up by her mother, flies to Esmond's quarters. She stays the night with him (act II, p43) and the next day they go to a Church to be married. The ceremony is interrupted by Callaw, who produces Delilah. In the result Delilah confesses that she was arrived before and Esmond and Helen are free to marry. Callaw is convicted of cowardice on the field by the production of a witness, supposed to be dead, and having shot at Esmond and wounded the witness is himself shot by the soldiers who think him made. There is some rather indelicate comic business, but not enough so to cut. The military business is absurd, but I do not think there is any harm in it. There are a few other points to be considered. (1) Act I, p.24. The villain proposes a night with two girls too coarsely and I should cut out the passage marked. Later on (2) act I p.32 Delilah's 'commencing to undress' etc is unnecessary (though nothing comes of it ) and should be cut. (3) One can hardly excise, perhaps the passage indicating that the heroine passes the night previous to marriage with the hero, Act II, p.43, but her references to this incident as their 'spiritual marriage' and the approval of heaven, act III, p.24 and act IV, p6 are objectionable. (4) Lastly, the beginning of the marriage service in church at the altar may be thought objectionable, but I think there are precedents for it. Recommended for licence. G. S. Street.

Researcher's Summary:

This is a new version of a play by the same title, which was first performed on 4 September 1916 and was popular through late 1916 and 1917. For performances of that version of the play see: https://www.greatwartheatre.org.uk/plays/script/1449/

Licensed On: 13 Jun 1918

License Number: 1622

Author(s):

Genre(s):

British Library Reference: LCP1918/11

British Library Classmark: Add MS 66193 C

Performances

Date Theatre Type
17 Jun 1918 Theatre Royal, Norwich Professional Licensed Performance
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This was the date of the licensed performance however the exact date of this performance has not been found. The play was performed alongside other Carlton Wallace plays as part of the summer season of drama at Norwich Theatre Royal, inaugurated on 27 May by Messrs Bostock and Fitt in co-operation with Carlton Wallace's company. The season was extended beyond a trial period. Performers included: Roy Fortescue, Evelyn Carleton, and Joan Wilson.
8 Jul 1918 Theatre Royal, Oldham Professional
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The Era, 10 July 1918, listed The Amazing Marriage as On The Road from 8 July at the R., Oldham.
7 Aug 1918 Theatre Royal, Hanley Professional
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The Staffordshire Sentinel, 3 August 1918, advertised at the Theatre Royal, Hanley, G. Carlton Wallace’s company in The Amazing Marriage on Monday-Wednesday, 5-7 August, and The Apple Of Eden on Thursday-Saturday, 8-10 August.
19 Aug 1918 Opera House, Belfast Professional
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Performed for the week.
2 Sep 1918 Opera House, Cork Professional
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Performed this week alongside 'The Apple of Eden', 'The Enemy in our Midst' and 'The Village Blacksmith'.
9 Sep 1918 Theatre Royal, Waterford Professional
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The Waterford Standard, 7 September 1918, advertised at the Theatre Royal, Waterford, an ‘enormous and expensive attraction. G. Carlton Wallace and his company in the following Plays:- “The Apple of Eden,” “The Enemy in our Midst," "The Amazing Marriage”’ on Monday-Friday, 9-13 September. ‘For Time and Prices see Day Bills’.
26 May 1919 Lyceum Theatre, Ipswich Professional
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Performed this week alongside 'The Apple of Eden', 'Joan of the Sword' and 'The Village Blacksmith'.