The K.C.

‘At the Playhouse we have what should prove a noted success in “The K.C.,” by Dion Titheradge, a new play produced last night for the first time on any stage, and to which additional interest is added by its being Mr. Titheradge’s first long play, and by his being himself well remembered as a talented member of the original Repertory Company. At present he is serving with the Army, and is under orders for the front. “The K.C.” is an excellent play. It is cleverly constructed round a well conceived and dramatic situation; its interest strengthens as the story unfolds, culminating in the last scene, and its characterisation shows intuition and knowledge, producing an ideal of justice joined to a kindly toleration. As the K.C. himself, Mr. Percy Foster must take chief honours for the acting, if it is possible to discriminate between the work of the small but admirable cast. The play was enthusiastically received, and the audience was not satisfied until the author came forward to receive the plaudits’ (Liverpool Echo, 30 April 1918). ‘In his play “The K.C.,” produced with every sign of cordial approval last evening, Mr. Dion Titheradge has struck a strong vibrant variant on an old but always interesting theme. Learned counsel’s conflict ‘twixt love and duty - professional etiquette versus parental, or other, affection - has done service in divers ways in dozens of theatrical performances. In the present instance we have an agreeably fresh and well-drawn version of a familiar story. There is considerable merit in the construction of the three acts, though no one could ever be in doubt as to the elucidation of the robbery which forms the basis of the work. Yet the interest is strenuously maintained, and if the closing episode is something in the way of an anti-climax it is nothing worse than a sweet sop which those who insist upon a happy ending delight to swallow ... In answer to insistent calls, the author, who appeared in khaki, offered a brief acknowledgment of thanks’ (Liverpool Daily Post, 30 April 1918). ‘On Monday evening, an appreciative audience witnessed “The K.C.,” a comedy by Mr. Dion Titheradge, which, although lacking in any special originality, interest sustained throughout' (Birkenhead News, 1 May 1918). ‘It has been pleasant to welcome Mr. Dion Titheradge to Playhouse in the rôle of author. His comedy, “The K.C.,” will be continued during next week. A new ending to the last act has been introduced to improve the final curtain’ (Liverpool Daily Post, 3 May 1918). ‘In his comedy, “The K.C.,” Mr. Titheradge has not aimed high enough either to succeed or fail particularly strikingly; he has just achieved the pleasant mediocrity that is compounded of little imagination and lot of stagecraft. The seven characters are very well presented by the Playhouse company, though in Mr. Percy Foster’s interpretation of the name-part lies, of course, the main interest of this production. It is a rôle that suits him, dare one say, too well? For there are moments when (is it Sir Benjamin or Mr. Foster?) who makes one feel, not boredom, but the gentle lassitude that so often overtakes the receiver of good advice’ (Liverpool Daily Post, 7 May 1918). ‘A Playhouse favourite - and one of its strongest artistic assets - Mr. Percy Foster, has joined the Army, without, we understand, actually waiting for the “calling up” notice for men of his age. Mr. Foster made his last appearance at the Playhouse on Saturday night, when at the close of “The K.C.” he was repeatedly called before the curtain. He made a neat little speech, explaining that he left the Playhouse on the most cordial terms with the directors and all his colleagues’ (Liverpool Daily Post, 14 May 1918).

When Jay and Gerard’s Productions advertised in The Stage, 5 December 1918, for theatres for The K.C., Rex Gerard’s address was the New Theatre, Salisbury. The following review was included in an advertisement for The K.C. in The Era, 26 February 1919: ‘A simple, but moving story, finely written and unfolded, with an artistry that arrests attention from start to finish’ (Salisbury Times).

‘Mr. Dion Titheradge, a brother of Miss Madge Titheradge, and an officer in the Royal Artillery, has written a play. It is entitled “The K.C.,” and will be produced at Brighton this week. It will be transferred to London as soon as a theatre can be found for it’ (Sunday Mirror, 8 December 1918). ‘Jay and Gerard’s company are at the West Pier, where they are giving eight performances (six matinées and two evening presentations) of The K.C. The play is skilfully acted, the leading characters being portrayed by Rex Gerard, whose Sir Benjamin Oddington, K.C., is a particularly clever impersonation, Helena Pickard as Dorothea Oddington, and Ernest Jay as Arthur Dawson’ (The Stage, 12 December 1918). The following reviews were included in an advertisement for The K.C. in The Era, 26 February 1919: • ‘Sir Benjamin Oddington, K.C., is in reality one of the strongest, yet most lovable and fascinating characters ever created on the stage, and on Brighton West Pier Mr. Gerard presented one of the finest character studies ever witnessed in the theatre’ (Sussex Daily News) • ‘An interesting situation, handled with grip and conviction, and a performance of much intelligence and sympathy … Mr. Gerard has a real mellow humanity as the K.C. … gives a ripened understanding, and an altogether winning performance’ (Brighton Herald) • ‘“The K.C.” is an exceedingly clever play of modern life that has met with much public favour … In addition to the advantage of a powerful plot of sustained interest, the play is the medium of a remarkable character sketch. Rex Gerard’s Sir Benjamin Oddington, K.C., is an infinitely clever conception, in which he rises to the altitudes of his art. Should be seen by all lovers of a really good play’ (Brighton Standard).

The Bath Chronicle and Weekly Gazette, 14 December 1918, carried a full page advertisement for, at the Theatre Royal, Bath, for six nights from 16 December (with matinées on Wednesday and Saturday), ‘Messrs. Jay & Gerard Present (by arrangement with Mat. Jerome [sic - Max Jerome?]) The Outstanding Success of the Season, “The K.C.” A New Play in Three Acts, by Dion Titheradge’. The following review was included in an advertisement for The K.C. in The Era, 26 February 1919: ‘There are many wise sayings and much that is pleasing to be heard and seen during the unfolding of this entertaining play … Mr. Gerard’s exposition is most effective, and the house thoroughly appreciated his clever acting’ (Bath Chronicle).

The Stage, 27 December 1918 and 2 January 1919, listed The K.C. as On Tour from 30 December at the Pal., Westcliff.

The Stage, 2 and 9 January 1919, listed The K.C. as On Tour from 6 January at the O.H., Buxton. The following reviews were included in an advertisement for The K.C. in The Era, 26 February 1919: • ‘Far above the average histrion is Mr. Rex Gerard - a wonderful actor … The part of the K.C. is an intellectual treat’ (Buxton Herald) • ‘Many, many thanks to Messrs. Jay & Gerard for the high excellence of the fare at the Buxton Opera House – “The K.C.” The audiences have been full of appreciation, and many patrons left the theatre with the honest intention of paying a second visit’ (Buxton Advertiser).

The Stage, 9 January 1919, listed The K.C. as On Tour from 13 January at the O.H., Harrogate (3) and the O.H., Scarborough (3).

The Stage, 16 January 1919, listed The K.C. as On Tour from 16 January at the O.H., Scarborough (3).

‘Next week’s production at the Shakespeare of “The K.C.,” by Dion Titherage [sic], should be of especial interest to Merseyside theatre-goers. The production is by arrangement with Mr. Rex [sic] Jerome, the one-time popular manager of the Liverpool Playhouse, who is now business manager in London at the Duke of York’s. The part of Sir Benjamin Oddington will be played by Mr. Rex Gerard, who recently was playing and producing at the Playhouse. He will especially be remembered in “Doormats,” “Passers By,” “The Importance of being earnest,” and other well-known plays in which his versatility made him most popular’ (Birkenhead News, 12 April 1919). ‘“The K.C.” Mr. Dion Titheradge’s domestic comedy, recalling pleasant memories of his presentment, some time ago, at the Playhouse, occupies the more spacious stage of the Shakespeare Theatre this week. There is no suggestion that it gains in dramatic point or emphasis by its larger environment. It would seem rather to lose by that lack of intimacy which is so essential to plays of a certain metier. And yet the lengthening of perspective does diminish some of the faults which this work, with its suggestion of the “grumpy” idea, possesses. In any case the rather thin story of the rusticating “silk” returning to the fierce light of the law courts in order to restore domesticity would appear to be still quite acceptable. An interested audience last night applauded Mr. Rex Gerard in the name part – a careful and studied bit of character acting - and due recognition was not lacking for others concerned in the well-balanced cast’ (Liverpool Daily Post, 15 April 1919). ‘Mr. Rex Gerard received a warm welcome on his appearance in “The K.C.,” the grumpy-like play by Dion Titheradge which last year was produced at the Playhouse under Mr. Max Jerome’s management. In the part of Sir Benjamin Oddington, Mr. Gerard wisely makes no attempt to appear very old: elderly men do not always become decrepit and testy. He assumes the character of a retired King’s Counsel still brisk in many ways, well-voiced in learned and philosophic quotations and aged only by a certain amount of stiffness in movement and slightly failing memory as regards trivial details. The very old man who regains the energy of his younger days in a crisis has been perfected elsewhere and is undoubtedly a picturesque study. Sir Benjamin gives us another, and possibly a more natural view of an old lawyer whose powers revive when he is persuaded to defend the man who would marry his daughter. The part is a heavy one and for a young actor to sustain it with restraint and at the same time to dominate the story throughout is indeed a worthy achievement, interesting and attractive especially to those who have enjoyed Mr. Gerard’s playing of quite different characters at the Playhouse. An actor should be judged on his versatility. The remaining principal characters are well rendered and the piece runs steadily through three acts of interesting developments’ (Birkenhead News, 16 April 1919).

The Stage, 17 and 24 April 1919, listed The K.C. as On Tour from 21 April at the Gaiety, Douglas.

The Stage, 22 and 29 May 1919, listed The K.C. as On Tour from 26 May at the St. G., New Brighton. ‘“The K.C.” as presented by Jay and Gerard’s company, is proving one of the successes of the season, being acted with life and colour, accentuated by the distinctive characterisation of Sir Benjamin Oddington, K.C., by Rex Gerard, Dorothea Oddington by Helena Pickard, and Arthur Dawson by Ernest Jay. Other members of the company who are very successful are Robert Brasher (David Hislop), George R. Harrison (Beagle), Frank Moody (Inspector Hitchin), and Olivia Glynn (Lilian Alvon [sic - Alvin])’. The Stage, 29 May 1919.

‘During the week there has been a fine company at the Hippodrome, Leek. Messrs Jay and Gerard provided a fine entertainment in “The K.C.” during the first part of the week and there should have been larger audiences to appreciate the efforts of the excellent company. Rex Gerard as the “K.C.” was splendid, and Jay as “Arthur Dawson” was extra(?). The other characters were excellently portrayed, “Dorothea Oddington” being finely acted by Miss Helena Pickard. On Thursday night “Cook” was produced and this play of Jerome K. Jerome’s should crowd the house during the week end’. Leek Times, 7 June 1919.

Noted in The Stage, 19 June 1919.

Noted in The Stage, 26 June 1919.

The Stage, 26 June and 3 July 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 30 June at the Spa, Whitby.

The Stage, 10 and 17 July 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 14 July at the Grand, Rhyl.

Noted in The Stage, 24 July 1919.

The Stage, 31 July 1919, listed The K.C. as On Tour from 31 July at the Alex., Ilfracombe (3).

The Stage, 31 July and 7 August 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 4 August at the Col., Aberystwyth.

The Stage, 7 August 1919, listed The K.C. as On Tour from 11 August at Minehead (3) and Ilfracombe (3).

The Stage, 7 August 1919, listed The K.C. as On Tour from 11 August at Minehead (3) and Ilfracombe (3). The Stage, 14 August 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 14 August at Ilfracombe (3).

The Stage, 14 and 21 August 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 18 August at the Assembly Rooms, Tenby.

The Stage, 21 and 28 August 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 25 August at Llandrindod Wells.

The Stage, 18 September 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 22 September at the Pav., Newquay (3) and the Pav., Penzance (3).

The Stage, 25 September 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 25 September at the Pav., Penzance (3). However, the company may have performed only Cook and not the K.C.: see The Cornishman, 22 October 1919, reviewing The K.C. at this theatre on 20-23 October 1919.

The Stage, 25 September 1919, listed both The K.C. and Jerome K. Jerome's Cook as On Tour from 29 September at the Pav., Torquay. ‘Torquay Amusements. Despite the railway strike and the consequent difficulties of locomotion … having come from Penzance by road, Mr. Rex Gerard with his theatrical company appeared in the play “K.C.” before large attendances in the Pavilion’ (Western Morning News, 30 September 1919).

The Cornishman, 22 October 1919, advertised at the Pavilion on Monday 20 October for four nights Rex Gerard in The K.C. The cast was: Sir Benjamin Oddington, K.C., Rex Gerard; Arthur Dawson, Graham Cameron; David Hyslop, Cyril Fairlie; Beagle, Geo. R. Harrison; Inspector Hitchen, Frank Moody; Lilian Alvin, Frances Cameron; Dorothea Oddington, Helena Pickard. Also: ‘Only on rare occasions are Penzance audiences privileged to watch such an amazingly clever performance as is being enacted at the Pavilion during the first four nights this week, by Mr. Rex Gerard and company, but the ungrudging plaudits showered upon them at the opening performance on Monday, can leave not a vestige of doubt that the management have accurately gauged the requirements of their patrons. Mr. Rex Gerard and his masterly company are no strangers to the town, but will be happily remembered by those who were fortunate enough to see produced at the Pavilion just recently, Jerome’s irresistible creation “Cook.” The piece presented on Monday was eminently adapted to the company’s abilities, and each member entered into the spirit of the play with a zest and confidence that lent an unusual air of realism to the whole performance, whilst assuring the players an audience at once sympathetic and keenly attentive. The play is an exceptionally powerful one, and one that cannot fail to exert a peculiar fascination ... It would be futile, in so brief a notice, to attempt to convey an adequate and just impression of such a wonderfully clever production, but in anticipation of the inevitable heavy demand for seats the soundest advice we can offer intending patrons, to avoid disappointment, is to book early’ (The Cornishman, 22 October 1919).

Noted in The Stage, 6 November 1919: 'performed every afternoon and on two evenings’.

‘Rex Gerard and company are fulfilling a week’s engagement with “K.C.” and “Cook.” The excellent company met with a hearty reception on Monday in the first-named piece, providing a performance of high artistic merit ... “Cupid in Hospital” [by J. Sackville Martin] preceded the main piece, and is also acted in clever fashion’. The Stage, 15 January 1920.

‘On Monday and the two following evenings, Rex Gerard presented “The K.C.” and he was seen to great advantage in the title role. Miss Helena Pickard made a fine “Dorothea.” The remaining characters were well pourtrayed. On Thursday evening “Passers By” was played, and those who have not seen this excellent play will do well to secure seats at once for one of the last two nights’. Leek Times, Saturday 31 January 1920.

‘“The K.C.,” Dion Titheradge’s story of a mysterious robbery and its unravelling, is again at the Winter Gardens, where Mr. Rex Gerard is playing his original part as the young engineer, accused of the theft and whose defence is undertaken by the retired King’s Counsel, Benjamin Oddington. The philosophic utterances put into the mouth of this delightful character are well voiced by Mr. H. Lane-Bayliff. Miss Doris Lloyd, the third of the trio of Liverpool Repertory favourites, is charming as the trustful young girl of the piece. Miss Marie Dix portrays an exacting role with distinction’ (Liverpool Daily Post, 1 June 1920). Noted in The Stage, 3 June 1920.

‘The work of Rex Gerard at the [Tynemouth Palace] last night was appreciated in a manner that indicated with great emphasis that his audience realised the ability, sincerely, and artistry immerged [sic] in his delineation of “The K.C.,” the title role of the play By Dion Titheradge, brother of the renowned actress, Madge. Mr. Gerard achieved a success, and although he had by no means a large audience, owing to counter attractions over the road, the approbation from it was sincere. The story is wonderfully constructed, and splendidly presented ... Another fine feature of the Palace programme is the orchestra’s excellent contributions during the acts’. Shields Daily News, 29 June 1920.

When Harold Dayne of the Rex Gerard Repertory Co. inserted a theatrical card in The Stage, 2 September 1920, saying ‘Dis. Sept. 13. Termination of tour’, the address was the Lyric, Carmarthen; next, Brecon. Also: ‘Rex Gerrard and Marie Dix are here in a series of plays. The engagement opened on Monday with “The K.C.,” a good play, with Rex Gerard as Sir Benjamin Oddington, Marie Dix as Lillian Alvin, and Pauline Parry as Dorothea Oddington. The other pieces billed are “Cook” and “Cupid In Hospital.” The Stage, 2 September 1920.

‘“The K.C,” to be produced at the Repertory Theatre, Plymouth, next week, is a new play [sic], by Dion Titheradge (brother of Madge Titheradge, of Drury Lane Theatre), which has proved its popularity by paying many return visits to theatres throughout the country. The plot centres round Sir Benjamin Oddington, K.C., an old lion of the law. Partly asleep under the influence of good Hampshire air, and grown gentle under the spell of good literature, he is one of the strongest, yet most lovable and fascinating characters ever created. This important rôle falls to Mr. Rex Gerard, who will be supported by Mr. William Daunt, for some time a leading member of the Birmingham, Manchester and Liverpool Repertory Theatres; and the well-known actress Miss Marie Dix is included in a company eminently worthy of interpreting such an excellent play' (Western Morning News, 5 March 1921). Noted in The Stage, 10 March 1921.

Noted in The Era, 13 April 1921, and The Stage, 14 April 1921.

Reviewed in The Era, 20 April 1921, and The Stage, 21 April 1921. ‘Miss Horniman chose Messrs. Rex Gerard and William Daunt’s production of Dion Titheradge’s play “The K.C.” as her last play at the Gaiety, Manchester, which closes its doors under her management on Saturday evening. “The K.C.,” which began a fortnight’s season on Monday, April 18, is playing to exceptionally good business. In the cast are at least three members of Miss Horniman’s late company, namely, Mr. Rex Gerard, Mr. William Daunt, and Mr. Fred Owen’ (The Stage, 28 April 1921). An advertisement for The K.C. in The Stage, 19 May 1921, quoted the following ‘Manchester press opinions’: • Manchester Guardian: ‘The stirring play “The K.C.” may fairly be added to the thousand and one reasons why the Gaiety Theatre should not become a Kinema’ • Daily Mall: ‘A fascinating play - the story well told, and the cast possesses great ability’ • Sunday Chronicle: ‘ Gripping drama. An ingenious play. Rex Gerard’s performance stamps him as an actor of outstanding ability’ • Evening News: ‘A powerful play. Wonderful acting by Mr. Rex Gerard’ • Evening Chronicle: ‘Stirring new play. Rex Gerard’s performance a piece of character acting without a flaw. The same elements will make “The K.C.” that have stood “Romance” in good stead for years’ • Weekly Times: ‘Mr. Rex Gerard deserved the ovation he received at the end of the performance. It is a most delightful character - all are fascinated’.

The Stage, 12 May 1921, listed The K.C. as On Tour from 9 May at the Court, Wigan.

The Portsmouth Evening News, Monday 16 May 1921, advertised at the South Parade Pier, Portsmouth on Monday-Wednesday Cupid in Hospital and on Thursday-Saturday the 3-Act play The K.C. Also: ‘The entertainments and attractions provided during the holiday period on the South Parade Pier, under the direction of Mr. F. G. Robson, were of the usual high-class character … in the afternoon [yesterday] a strong company of artistes, who made up their deficiency in numbers by the quality of their acting, gave the first performance of a brilliant little comedy, “Cupid in Hospital,” which will run till to-morrow evening, when its place will be taken by an equally attractive play, “The K.C.”’ (Portsmouth Evening News, Tuesday 17 May 1921).

The Stage, 2 June 1921, listed The K.C. as On Tour from 30 May at the Opera House, Southport. Noted in The Stage, 2 June 1921.

Advertised in the Reading Observer, 12 November 1921: ‘Prior to its West End Production’. Also: 'The legal profession have been well represented at the County Theatre this week, where “The K.C.” is being played. Here we have not only an excellent and moving little story but acting of the highest order. We have no hesitation in saying that Jerrold Robertshaw, in the part of Sir Benjamin Oddington, the K.C., is a responsible for as good a display of the great art of acting as has been seen at this theatre, and when there is added to this the fact that the play is quite above the ordinary in point of merit, we pay the company a high compliment, but one thoroughly deserved ... The play should be witnessed by all who love a good wholesome story admirably told. Lincoln Calthorpe, as Beagle the butler, is excellent. J. W. Austin, as David Hyslop, plays his role to perfection while Marjorie Maclean, in the part of the K.C.’s daughter, and Ray Desmond, the wronged woman, also achieve success. The play is preceded by a one-act piece entitled “The Touch of Truth,” creditably presented by J. W. Austin and William Daunt’ (Reading Standard, 19 November 1921).

Ramsgate seems to be growing popular as a producing town. Several pieces which have afterwards found their way to London, or missed it on account of failure, have had their first performance there. On Monday next, at the Palace, Mr. Jerrold Robertshaw is to produce “The K.C."’ (The Stage, 17 November 1921). ‘There is a good evening’s enjoyment awaiting any who visit the Palace Theatre, Ramsgate, this week, during the production of Dion Titheradge’s now play, “The K.C.,” which is being offered to local audiences prior to its appearance at a London theatre. At the first performance on Monday evening the play had a deservedly warm reception, and at the conclusion of the last act, so vociferous was the applause that Mr. Jerrold Robertshaw, who been entrusted with the title role, was not able to leave the stage until he had voiced the author’s and company’s thanks for the reception the play had been accorded. From the first minute of the production there was little cause for anxiety on the part of either the producer or the members of the cast. It was obvious that the admirably written dialogue and clever characterisation had “caught on.” From beginning to end the play is full of charming and, at times, highly dramatic, situations, to which the excellent company gathered together were able to do full justice. Chief amongst these was Mr. Jerrold Robertshaw as Sir Benjamin Oddington, K.C. ... It was truly a great piece of acting, and thoroughly deserved the praise accorded. The minor parts bristled with difficulties, and were of the character which made them easy to overact. An error of taste or judgment in many cases would have wrecked many of the great scenes, but so clever was the characterisation that the whole conveyed in a remarkable degree the purpose of the author' (East Kent Times and Mail, 23 November 1921). ‘On Monday evening was presented at the Palace, Ramsgate, “The K.C.,” originally produced at the Playhouse. Liverpool, April 29, 1918. The author is Dion Titheradge. and Mr. Jerrold Robertshaw is responsible for the revival, which he has booked for a short provincial tour before presenting it to a London audience. The book has been touched up slightly, to make it more suitable to an audience of the present day, but otherwise it is practically the same as when first written’. The cast was Sir Benjamin Oddington, K.C., Jerrold Robertshaw; Arthur Dawson, William Daunt; David Hyslop, J. W. Austin; Beagle, Lionel Calthorpe; Inspector Hitchen, Eric Blythe; Dorothea Oddington, Marjorie Maclean; Lilian Alvin, Ray Desmond. The review continued: ‘It is a play with strong possibilities, and gives many opportunities for good acting ... A pleasing curtain-raiser, “The Touch of Truth,” was presented by Messrs. Austin and Daunt, the former showing clever acting’ (The Stage, 24 November 1921). ‘The “K.C,” a new play by Mr. Dion Titheradge, produced the Palace Theatre, Ramsgate, this week has the merit of originality with a good strong situation well brought out. When thoroughly knocked into shape and ruthlessly speeded up, the play has sufficient strength to warrant its success in London' (Thanet Advertiser, 26 November 1921).

The Bexhill-on-Sea Observer, 26 November 1921, advertised at the Gaiety Theatre, Hastings, from Monday 28 November the ‘Important Personal Visit of the Eminent Actor Mr. Jerrold Robertshaw and Actual West End Company prior to London Production in the New Play “The K.C.,” By Dion Titheradge’. Also: 'Hastings for some time past has been regarded by managers and authors as a criterion of dramatic fare. Acting on this and from a personal knowledge of the discrimination of the Hastings people, Mr. Jerrold Robertshaw has decided to place before the public an entirely new play, “The K.C.,” by Dion Titheradge, prior to a West End production, feeling that if his venture received commendation here there can be no doubt of future London approval ... The cast has been carefully selected and rehearsed, and the combination of a good play, fine cast, headed by a brilliant actor as Mr. Robertshaw undoubtedly is cannot fail to send every visitor the Gaiety home convinced that they have spent a pleasant and profitable evening' (Hastings and St Leonards Observer, 26 November 1921; also the Bexhill-on-Sea Observer, same date). Noted in The Stage, 1 December 1921. Also: ‘Hastings has been once again selected for a trial run of a new play before production in London, and if the welcome accorded Dion Titheradge’s “The K.C.” at the Gaiety Theatre on Monday night is any criterion of coming events, the piece has a brilliant future. Seldom has a theatre audience been so unanimous in its decision that the play is a fine one, or that it was superbly acted. The applause at each curtain was quite electrifying and many times did the onlookers spontaneously break in, being unable to bottle up their overwhelming appreciation. It is a matter for regret that the author was not present to share in the glories of the evening, but Mr. Jerrold Robertshaw, in a few words of thanks, said he would wire him in the morning and send him the good news' (Bexhill-on-Sea Observer, 3 December 1921; also the Hastings and St Leonards Observer, same date).

Noted in The Stage, 8 December 1921.

‘Jerrold Robertshaw and company present “The K.C.” “The K.C.” is a blend of real humour and pathos. In the part of Sir Benjamin Oddington, the K.C., Jerrold Robertshaw finely represents the touchy old man who suffers from a bad memory until he goes back to take up the defence of a worthless young man The part is a difficult one, but in such able hands is all that could be desired. Mr Robertshaw is well supported by J. W. Austin, as David Hyslop, William Daunt, as the worthless lover of the K.C.’s daughter plays cleverly. The butler, Beagle, is in the safe hands of Lincoln Calthorpe. Ray Desmond, as the discarded mistress of Arthur Dawson, shows dramatic skill, and Greta Wood, as Dorothea, is effective’. The Stage, 15 December 1921.

The Northampton Chronicle and Echo, 9 May 1922, reviewed In The Night: ‘On Thursday and Friday night, “The K.C.,” which is shortly to be produced in London, will be staged, and next week “The Walls of Jericho,” an old favourite play, and Jerome K. Jerome’s “Cook”’. Also: '‘The Rex Gerard Repertory Co. last night gave the second of the many plays they hope to give during their season at the Opera House. This was “The K.C.,” a new three-set play by Dion Titheradge. It has been played at the Gaiety Theatre, Manchester, and is shortly to be produced in London. It is a problem play in that it raises several problems which are discussed every day and always will be discussed: the duty of a barrister to his client; the problem of whether a man should marry the woman he has wronged ... . The central figure of the play is a retired K.C., who is fond of books and flowers and quotations, but who finds in a family trouble the call to once again plead in the courts. The family trouble is due to his prospective son-in-law being accused of a crime. To tell the story would be to rob those who go to-night of some of their enjoyment. Mr. Rex Gerard is a wonder actor. He gave the whole audience intense enjoyment last night, and he created a memory of a delightful wise old man which will live long after the details of the play have been forgotten. Tonight “The K.C.” is being given again, and to-morrow “In the Night.” Both plays are worth seeing' (Northampton Chronicle and Echo, 12 May 1922).

‘Rex Gerrard [sic] and his talented company are paying a visit this week, presenting two interesting plays. “The K.C.,” by Dion Titheradge, was submitted before a good and appreciative audience. Mr. Gerrard [sic] gave a masterly performance of the K.C., Sir Benjamin, and able support was rendered by Cecil Langham as Arthur Dawson. Calvert J. Henson as David Hyslop, Fred Owen as Beagle, Alec Forbes as Inspector Hitchen, Christine Waycher as Dorothea Oddington, and Mary Marvin as Lilian Alvin. The other attraction during the week will be Cyril Harcourt’s play, “In the Night”’. The Stage, 20 July 1922.

‘Rex Gerard’s company are paying a visit in “Called Back,” “Cupid in Hospital,” “The K.C.,” “Cook,” and “David Garrick”’. The company include Rex Gerard, Herbert Fabri, Alec Forbes, Wilton Rees, Margot Gwynn-Griffith, Christine Waycher, and Mary Marvin’. The Stage, 7 September 1922.

‘A welcome announcement is made this week - that Rex Gerard and his specially selected company will occupy the boards at the Hippodrome next week. This is indeed a talented company; they are well known and highly popular - the Company has appeared at many of the most prominent theatres in the country, with great success - this should certainly be a strong recommendation here. On Monday, Tuesday and Saturday, the play presented will be that most interesting three act production: “The K.C.” by Dion Titheradge; followed on Wednesday, Thursday and Friday by Cyril Harcourt’s brilliant 3 act play “ln the Night.” Seats should now be booked for these great attractions’. Rhos Herald, 21 October 1922.

Noted in The Stage, 30 November 1922.

The Thanet Advertiser, 2 December 1922, advertised at the Hippodrome, Margate, in the week commencing Monday 4 December, Rex Gerard in The K.C. on Monday, Tuesday and Friday and in In The Night on Wednesday, Thursday and Saturday. Also: 'Dion Titheradge’s drama, “The K.C.,” the attraction at Margate. Hippodrome for the first three days of the week, is one of the finest dramas we have seen for many a day. Its plot is powerful, its action swift and enthralling, and the denouement thrilling; but cleverest of all is the character portrayal. This rises to a standard only too seldom in modern plays ... For the remainder of the week another strong drama, “In the Night,” will be presented once nightly at 7.45’ (East Kent Times and Mail, 6 December 1922).

‘Dion Titheradge’s well-known play, “The K.C.,” is, with the equally well-known production, “In the Night,” being produced at the Palace Theatre, Ramsgate, this week by Mr. Rex Gerard. The former was staged on Monday and Tuesday evenings, and will be played again on Friday. The latter will be produced this (Wednesday) evening, to-morrow (Thursday) and Saturday. Mr. Rex Gerard’s skill as an actor is quite above the ordinary, and in the parts with which he is entrusted in both productions he is seen to the greatest advantage. On Monday and Tuesday evenings the audiences were delighted with his wonderful portrayal of the old King’s Counsel, who comes from his retirement to defend his daughter’s lover. “The K.C.” is a poignant story, and one which appeals to a wide section of the public, so that all who have not yet seen it should make a point of doing so on Friday evening … Mr. Gerard is supported by an excellent company, including Mr. C. Hamilton Langham, Mr. W. Gordon-Wyld, Mr. Fred Owen, Mr. Herbert Fabri, Miss Kathie Picard and Miss Mary Marvin’. East Kent Times and Mail, 13 December 1922. Also noted in The Stage, 14 December 1922.

‘The visit of Mr. Rex Gerard to the Palladium next week promises a good treat to patrons who enjoy really good plays. The visit is opened by the presentation of “The K.C.,” a famous piece by Dion Titheradge ... “The K.C.” will be played on Monday, Tuesday and Saturday. On Wednesday and Thursday one of Haddon Chambers’ latest plays, “Passers By” will be given’ (North Wales Weekly News, Thursday 1 February 1923). ‘Unfortunately for the first appearance of Mary Marvin’s Company, including Rex Gerard, the famous character actor, at the Palladium, Calvert J. Henson, one of the principals, was taken ill on the journey, and had to be taken to hospital. Mr. Percy Artingstall, the manager, had to step into the breach, and read the sick actor’s part on Monday evening., as it was not possible to get a substitute ... The company are to be commiserated with on their rough luck, but a suitable substitute for Mr. Henson will be found before the play is repeated on Saturday. Last night and to-night, “Passers By,” a popular play by Haddon Chambers, will be given; and on Friday “Cupid in Hospital’ will be presented. Mr. Rex Gerard will continue his season for another week at the Palladium, and for the second week he is playing quite an interesting programme. On Monday, Tuesday and Saturday he is giving Cyril Harcourt’s wonderful play “In the Night,” from the Kingsway and St. Martin’s Theatres, London ... On Wednesday, “The K.C.” is being repeated by desire, and on Thursday and Friday, C. Haddon Chambers’ comedy, “A Tyranny of Tears,” will be played, and all will welcome a chance to see such [a] versatile actor in so fine a piece’ (North Wales Weekly News, Thursday 8 February 1923).

‘Mary Marvin presents Mex [sic - Rex]] Gerard and company in a repertory. On Monday night “The K.C.” was staged. Max [sic] Gerard as Sir Benjamin Oddington, K.C, made the most of a very good part. Doris Hughesdon as Dorothea Oddington is worthy of note. Harold Charlton as Arthur Dawson filled the part realistically. Credit is due to Calvert J. Henson as David Halsop [sic], a role faithfully portrayed. May Marven gained sympathy in the part of Lillian Alvin, which she played with much feeling. These were ably assisted by William Garrett and Fred Owen. “Cupid in Hospital” and “In the Night” are played during the week’. The Stage, 1 March 1923.

The Rhos Herald, 7 April 1923, advertised Rex Gerard’s company as performing at the Hippodrome, Wrexham: on Monday, The K.C.; on Tuesday, In The Night; on Wednesday and Thursday, C Haddon Chambers’ The Tyranny of Tears; and on Friday and Saturday, Cupid in Hospital. Also: ‘Next week, it will be the pleasure of Mr Fender, the manager, to give patrons opportunity of attending the Hippodrome, where Rex Gerard and his specially selected Repertory Company will entertain with some excellent plays, which we are sure will be performed in fine style, Rex Gerard (who takes the leading character in each) having visited Wrexham as recently as October last, when he made a great hit, handling the chief roles with commendable skill, and receiving the most generous tributes of praise from large audiences. The members of his company are all popular artistes, and will contribute their quota to excellent and enjoyable performances, and we anticipate the high level of acting and production will draw the usual full houses’ (Rhos Herald, 7 April 1923). ‘Rex Gerard and his specially selected repertory company - who are occupying the boards this week - have given immense satisfaction. Their performances are of a high-class order, and they deserve the fullest support. Nothing better has been seen here for a long time' (Rhos Herald, 14 April 1923).

‘The next production of the Interlude Players, on Sunday, at the Kingsway, will be Dion Titheradge’s “The K.C,” which was first produced at the Liverpool Repertory, and later was done at the Gaiety, Manchester’. The cast would be: Sir Benjamin Oddington, Jerrold Robertshaw; Dorothea Oddington, Elma Royton; David Hyslop, J. Smith Wright; Arthur Dawson, Kenneth Kent; Lilian Alvin, Olivia Burleigh; Beagle, Sydney Paxton; Inspector Hitchin, Alan Stephenson (The Stage, 14 June 1923). 'It is a pity that so much sound acting as was given last night by Mr. Jerrold Robertshaw as the K.C., Mr. Sydney Paxton as the butler of convention, and Mr. Kenneth Kent as the wicked Arthur should be wasted on such unreal and insincere stuff as this' (Westminster Gazette, 18 June 1923). Reviewed in The Era, 20 June 1923. ‘The plot of Dion Titheradge’s play of crime, law, and love, “The K.C.,” which the Interlude Players presented with success at the Kingsway on Sunday, June 17, has been discussed by us several times. For instance, when it was brought out at the Liverpool Repertory, when it was given at the Gaiety, Manchester, and more recently, whilst it has been played on tour. Mr. Jerrold Robertshaw, who is familiar with the title-rôle, Sir Benjamin Oddington, the retired K.C., brought back to the Law Courts after six years spent among his roses and his books, resumed the part with the former skill, finesse, and command of detail on Sunday, when he produced the piece, together with Mr. Evelyn Roberts, and had to say a few words of thanks on behalf of the absent author. In the circumstances not much need be said of the story of an interesting play, the third act of which is drawn out unnecessarily in the course of explanatory or rounding-off scenes, forming almost a double anti-climax ... How Oddington’s mind, formerly as “fine as steel,” had the “rust” worn off on his return to the Law Courts is the most interesting thing in Dion Titheradge’s play’ (The Stage, 28 June 1923).