Great War Theatre

Examiner of Plays' Summary:

This is a sort of ‘revue’, but with only one or two songs, apparently. The first scene is in a ‘stores’, and there is much business of the comedian, Nosey, meddling in everybody’s business, and being eventually discomfited by being told he has eaten poisoned chocolates. The second scene is a ‘Government Employment Office’ and Nosey, installed as manager, questions people and so on. The third is a suburban street. Nosey is married and there is business of his being henpecked and ‘carrying on’. There are also scenes of young women and their young men. A character called Bolo appears in all the scenes and of course turns out to be a comic spy. The dialogue is vulgar but not suggestive. I note a passage on p.24 with business of sham nursing, as to which a caution that nothing suggestive must happen seems to be necessary. Recommended for License. G .S Street

Researcher's Summary:

Although no author was given on the licensed script, newspaper reviews identify the authors as Fred Karno, John Gerant, Karno's manager; and George Hughes (see Stage, 11 October 1917), although Hughes is not mentioned as an author in many reviews and adverts. This was the second of three versions of the script, each licensed separately: in October 1917 (LCP1917/20) and February (LCP1918/3) and July 1918 (LCP1918/12). Performances for each version can be found on their relevant page. The original title for the sketch was 'Nosey Parker' but Karno changed it to 'Nosey Knows' following an objection by the music hall performer Charlie Austin who performed as P.C. Parker. The name of the spy changed through the run, beginning as Smart (see Stage 11 October 1917) and then becoming Bolo (see licensing report of February 1918), Rolo Bolo around February 1918 and finally Rolo Offenthompson (Aberdeen Press and Journal, 9 April 1918).

Licensed On: 2 Feb 1918

License Number: 1380

Author(s):

Genre(s):

Keyword(s):

British Library Reference: LCP1918/3

British Library Classmark: Add MS 66185 F

Performances

Date Theatre Type
4 Feb 1918 Empire Theatre, Leeds Professional Licensed Performance
Read Narrative
Performed for the week by George Hestor (actor), Dorothy Frostick (actress), Ethel Arden (actress), Marie Ellis (actress), Nab (sic - Nat) Lewis (actor).
11 Feb 1918 Empire Theatre, Sunderland Professional
Read Narrative
Performed for the week by Will Hayes (sic - Hay) (actor), Dorothy Frostick (actress), Ethel Arden (actress), Nat Lewis (actor). ‘The Empire Theatre was a house of laughter last night. Nosey Knows is Fred Karno’s best production up-to-date. Its humour is highly farcical. It is clever and chippy, too, and the high level of quality is maintained all through. George Hester as Nosey is the greatest asset, but Nat Lewis and Dorothy Frostick stood right out in an all-round strong company’ (Sunderland Daily Echo and Shipping Gazette, 11 February 1918)
18 Feb 1918 Empire Theatre, Birmingham Professional
Read Narrative
Performed this week by George Hestor (actor), Dorothy Flastichi (sic - Frostick) (actress), Ethel Arden (actress), Joan Hestor (actress), Marie Ellis (actress), Norman Carn (actor), J. R. Blay (actor), Nat Lewis (actor). ‘Nosey Knows, which is the top-liner at the Empire Theatre, is not a revue or a musical comedy, but it embraces the best elements of both without having anything very much in common with either. It is one of the snappy, high-spirited Karno creations. It is in three scenes, and has a merry host of comedy merchants to carry the merriment and hilarity briskly along’. (Evening Despatch, 16 February 1918) ‘A Karno sketch is hardly expected to contain a deeply-laid plot, but the production with the title Nosey Knows, for which Mr. Karno is responsible at the Empire this week, has both plot and an exceedingly smart dialogue. Mr. Will Hay, as “Nosey”, has the support of a capable company’. (Birmingham Daily Gazette, 19 February 1918)
4 Mar 1918 Newport Theatre, Newport Professional
18 Mar 1918 Empire Theatre, Dublin Professional
Read Narrative
Performed at the Empire for the week.
25 Mar 1918 Royal Hippodrome, Belfast Professional
Read Narrative
Performed for the week by Will Hay (actor), Dorothy Frostick (actress), Mara Collins (actress), Nat Lewis (actor). ‘Patrons of the Hippodrome have had the pleasure frequently of witnessing Fred Karno’s farcical productions, but it is a question if any of them have created greater amusement than that which occupies the stage this week under the title of Nosey Knows. Both houses received it with open arms ...'. (Northern Whig, 26 March 1918)
1 Apr 1918 Empire Theatre, Glasgow Professional
Read Narrative
Performed for the week.
8 Apr 1918 His Majesty's Theatre, Aberdeen Professional
Read Narrative
Performed for the week by Will Hay (actor), Dorothy Frostick (actress), Ethel Arden (actress), Nat Lewis (actor). ‘The productions of Fred Carno (sic - Karno) have attained a high pitch of popularity in Aberdeen, and those who have laughed merrily over The Hydro, The Mumming Birds, and Phew will find Nosey Knows, presented at His Majesty’s Theatre last night, as enjoyable as the best. It is as ingenious as it is mirthful, and the characters are marked, amid all their delicious absurdities, by a consistency rare in a farcical sketch. For example, Will Hay, in the title part, appears in many droll guises, but he preserves throughout the distinctive quality of a Paul Pry, sparing no effort to know all that is to be known about the business of other people, and turning that knowledge to his own profit without any qualms of conscience. Mr. Hay is a comedian of equal vivacity and versatility, and he actually contrived to spring several perfectly fresh jokes upon a delighted audience. It is perhaps the most rare of all experiences, and the house was warmly appreciative of the novelty! A host in himself, Mr Hay was efficiently supported by a clever company, and the jests at the vagaries of Government control lost nothing of their piquancy as they were delivered by Mr Jack Mann, Mr Nat Lewis, and the other comedians ... The diverting farce, into which the element of burlesque enters strongly, was preceded by two capital “turns” …’ (Aberdeen Evening Express, 9 April 1918)
15 Apr 1918 Empire Palace, South Shields Professional
Read Narrative
Performed for the week by Will Hay (actor), Enid Allen (actress), Marie Ellis (actress), Dorothy Frostic (sic – Frostick) (actress), Charles Hammel (actor), Norman Carn (actor), Jack Mann (actor), Nellie Hill (actress), Rosie Lewis (actress), Thomas Prior (actor), Harry Biezzand (actor), Ethel Arden (actress), Nat Lewis (actor).
29 Apr 1918 Hippodrome, Hulme, Manchester Professional
Read Narrative
Performed for the week.
6 May 1918 Empire, Penge Professional
Read Narrative
Performed for the week: ‘There is almost continuous laughter throughout the three scenes, principally on account of Will Hay, who I at least the equal of many men with big London reputations. But he should omit the spitting on his hand business. From personal observation I saw it was distasteful to the better parts of the audience, and a comedian of Hay’s calibre does not need adventitious aids of that sort to raise laughs’. (The Encoure, 9 May 1918)
3 Jun 1918 Hippodrome, Southampton Professional
Read Narrative
Performed for the week.
10 Jun 1918 Grand Theatre, Hanley Professional
Read Narrative
Performed for the week.
15 Jun 1918 War Hospital, Stoke-on-Trent Other
Read Narrative
‘Entertainment to Wounded Soldiers. The wounded soldiers at the War Hospital [at Stoke-on-Trent] enjoyed another splendid entertainment on the 15th inst., when the programme was again comprised of items by the artistes appearing at the Hanley Grand Theatre. The members of Fred Karno’s company, in the amusing sketch Nosey Knows, presented the piece in its entirety, and the performance was keenly appreciated’ (Staffordshire Advertiser, 22 June 1918)
24 Jun 1918 New Theatre, Oxford Professional
Read Narrative
Performed for the week.