For Sweethearts and Wives

Examiner of Plays' Summary:

A simple-minded old fashioned melodrama, written up to the date of German submarines and English destroyers. It is on board one of the latter that the commander of one of the former meets his fate as a spy, who having stolen the plan of his craft from a British shipbuilder has added mercer to his other offences, and seems likely to be hanged after the fall of the curtain. The shipbuilder in the meanwhile has commanded little pity, as he has fraudulently secured the all-important plans from a workman inventor, whose marriage to his daughter threatens to upset his own insidious domestic schemes with regard to a ward and her money. The story is a trifle confused, and is obviously strung together for the purpose of introducing the sensational navel scenes already mentioned, as well as others in which cunning and violence prove no match for patriotism inspired by war. Quite innocent in its frank crudity; and recommended for license, Ernest A. Bendall.

Researcher's Summary:

Arthur Rosebery’s For Sweethearts and Wives is an updated version of his earlier play The Master Man, which was first performed at the Theatre Royal, Plymouth, on 18 April 1910, and which was described in that day’s Western Morning News as ‘an ambitious work, but on popular lines’ whose ‘principal scenes have special naval, military, and engineering interest’. From accounts of the plot of The Master Man in the Western Morning News, 19 April 1910, and in The Stage, 21 April 1910, it is clear that Rosebery’s updated version not only moved the setting from the Boer War to the Great War, and added submarines, but also introduced the character of the German spy Hawker (i.e. Corvetten Kapitan Heinrich Heier). The play was routinely advertised as ‘the naval drama of to-day’. Reviews often drew attention to the play’s varied and spectacular settings, including a shipbuilder’s office, the birthplace of battleships, the quarterdeck of HMS Glorious, a decoy ship, the control chamber of a German submarine and the church by the sea for ‘Sweethearts and Wives’. In March-May 1919 Rosebery advertised the play as ‘the first and original submarine play’. There was also a ‘Tableau – Triumph of the British Fleet’. The sentiments in the lengthy praise of the British navy in the Acton Gazette, 14 September 1917 (beginning ‘Civilians have now learnt the full value of the supremacy of the seas won by our gallant sailor-men, and what they owe to the Navy. They know now they are dependent on the free passage of our ships for their food supplies’ - see under the performance at the King’s Theatre, Hammersmith), were repeated in whole or in part in several other newspapers. For Sweethearts and Wives was toured by Arthur Rosebery’s own repertoire company from August 1917. Its 800th performance was announced in the Halifax Evening Courier, 16 August 1919. The Shields Daily News, 28 August 1920, said that the original company had played it over one thousand times. The actress Polly Marsh played Dame Manley over one thousand times (The Stage, 24 February 1921) and her obituary in The Era, 20 June 1923, said that she had never missed a single performance. The high number of performances was achieved because for two years this was the only play that the company performed and often it did so twice-nightly, albeit in a shortened form. The Era, 27 June 1917, advertised the play as available ‘In Four Acts for Once Nightly, or Two Parts Twice Nightly’. The Halifax Evening Courier, 16 August 1919, reassured readers that while, ‘on this occasion, of course, they will be playing the “twice nightly” version’, it would include ‘the thrilling submarine and battleship scenes’. Then in August 1919 the company added other plays to its repertoire, notably a new play by Rosebery, The Silent Watch. Thereafter For Sweethearts and Wives was played less often, the last performance found being one night in October 1921. A planned ‘touring revival’ of both For Sweethearts and Wives and The Silent Watch in autumn 1922 seems not to have materialised (The Era, 17 May 1922).

Licensed On: 30 Jul 1917

License Number: 1081

British Library Reference: LCP1917/16

British Library Classmark: Add MS 66171 K

Performances

Date	Theatre	Type
6 Aug 1917	Borough Theatre, Stratford	Unknown	Licensed Performance
6 Aug 1917	Borough Theatre, Stratford	Professional	Read Narrative The Era, 8 August 1917, reviewed ‘“For Sweethearts and Wives.” Naval Drama, in Four Acts, Produced at the Borough Theatre, Stratford, on Monday, Aug. 6’. The cast was: George Gold, Henry Bedford; Engineer-Commander Frank Manley, R.N., Jackson Hayes; Captain Sir Richard Gaythorne, Leo Heron; Captain Hardy, R.N., Cole Aspinall; Lieut. Wilson, R.N., R. Soutter; Corpl. Robert Manley, Tim Plaford; Fredk. Sharp, W. G. Blunt; William Strong, Ronald Adair; Fregatten Kapitan Karl Schmidt, Wilfrid George; Corvetten Kapitan Heinrich Heier, F. Roy Jackson; Fritz Reitze, Elliott Hill; Charlie Page, L. T. Cliff; Tom Brown, F. Roberts; Adam Bell, George Scott; Tom Jones, Henry Jackson; Dame Manley, Polly Marsh; Trixie, Hettie Gale; Mary Gold, Nina Oldfield; Blanche Pearl, Julie Kennard. The review continued: ‘On Bank Holiday the Borough Theatre, Stratford, reopened with this new and startling naval melodrama, with appropriate attractions in the shape of submarine and sea-battle and electrical effects of a sensational nature. It was produced by Henry Bedford, and the incidental music is by H. Sullivan-Brooke … The piece is bright, breezy, and full of realistic incident. The working of the submarine-chaser model and the interior of a U-boat fitted with wireless and periscope complete are noteworthy examples. It is capitally staged and acted’ (The Era, 8 August 1917). ‘“For Sweethearts and Wives,” a strong naval drama from the pen of Arthur Rosebery – previously produced under the title of “The Master Man” at Plymouth and at the Pavilion, Mile End, in April, 1910 – made its initial appearance at Mrs. C. Ellis-Fredericks’s house on the afternoon of August Bank Holiday. The author, by means of revisions and topical additions, has made the drama one of peculiar at the present time, dealing, as it now does, with the submarine menace, and he has been singularly successful in his treatment of the dialogue and both being direct and tensely interesting ... There are no longer any allusions to the Boer War, and quite new is most of act four, which opens on the interior of a German submarine built after Manley’s model ... “Sweethearts and Wives” was enthusiastically received by a large audience on the occasion of our visit, which augurs well for the ensuing tour. It is excellently staged throughout, and special mention should be made of the Birthplace of Battleships and the Flood in Act 2, and the Submarine Interior in the final act; also of the quarterdeck of H. M. S. Glorious, and of the decoy ship Vulkan’ (The Stage, 9 August 1917). 'This powerful and Interesting play, written by Arthur Rosebery, met with a most favourable reception on Monday last by a delighted audience [at the Borough, Stratford]. The story deals with a very much up-to-date subject, namely the present submarine menace Most of the striking situations centre round, as they naturally should, the hero, Frank Manley, a clever inventor in naval matters. A very interesting scene is provided by the interior of a German submarine, built after Manley’s model, whose designs have been stolen by a German spy, who has been masquerading under the name of Henry Hawker when employed as manager of an English engineering firm ... There should a happy future for this stirring up-to-date naval drama’ (The People, 12 August 1917). ‘There is no doubt about the success of “For Sweethearts and Wives.” It opened at the Borough Theatre, Stratford, on Monday to business of £275, and the theatre has been sold out the whole week’ (Weekly Dispatch (London), 12 August 1917).
13 Aug 1917	Theatre Royal, Halifax	Professional	Read Narrative ‘Arthur Rosebery’s successful play, “For Sweethearts and Wives,” which has made such a sensation at the Borough, Stratford, during the past week, opens with the full London company to-morrow at the Theatre Royal, Halifax’ (The People, 12 August 1917). Advertised in the Halifax Evening Courier, 17 August 1917 as ‘The Naval Drama of To-day’.
20 Aug 1917	Theatre Royal, Bury	Professional	Read Narrative 'Arthur Rosebery’s stirring naval drama opens to-morrow for a week with a strong London company and all the original naval effects at the Theatre Royal, Bury’. The People, 19 August 1917. Was that Bury, Lancashire, or Bury St. Edmunds, Suffolk?
27 Aug 1917	Shakespeare Theatre, Liverpool	Professional	Read Narrative ‘On Monday evening the Shakespeare Theatre stage is to bear one of the most elaborate spectacular plays seen in a Liverpool theatre for many a day. It is entitled “For Sweethearts and Wives,” and is a strong naval drama from the pen of Arthur Rosebery. The author, we are informed, has made the drama one of peculiar interest at the present time, dealing, as it does, with the submarine menace, and he has been successful in his treatment of dialogue and plot. Part of the credit for the production, we understand, is due to Mr. H. Chance Newton, the well-known theatrical journalist, better known “Carados” of “The Referee.” The play was produced for first time in London a fortnight ago, and it is the full London company which comes to the Shakespeare Theatre on Monday’ (Liverpool Echo, 25 August 1917). ‘Melodrama in a very popular form is presented this week at the Shakespeare Theatre, Liverpool, Arthur Rosebery’s Naval drama, “For Sweethearts and Wives,” being staged. This is a play abounding, in its four acts, in incidents that hold the attention of the audience from the beginning to the end' (Birkenhead News, 29 August 1917). ‘There is no gainsaying the warmth and kindliness of the greeting extended to “For Sweethearts and Wives,” which is attracting satisfactory audiences to [the Shakespeare]. Full of wholesome sentiment, touching scenes, and patriotic points, it runs a pleasing course’ (The Stage, 30 August 1917).
3 Sep 1917	Theatre Royal, Blackburn	Professional	Read Narrative The Stage, 6 September 1917, listed For Sweethearts and Wives as On Tour from 3 September at the Royal, Blackburn.
10 Sep 1917	Grand Theatre, Nottingham	Professional	Read Narrative ‘There is a nautical atmosphere about “For Sweethearts and Wives,” the drama which occupies the boards at the Grand Theatre that makes it very refreshing, and incidentally the work of the great, silent, senior service is admirably illustrated by the story it unfolds. While lore, interest, and romance are well in the picture, exciting moments come when wireless telegraphy is used and the designs of the crafty enemy are frustrated. Of a talented band of players Mr. Harry Bedford is chief’. Nottingham Evening Post, 11 September 1917.
17 Sep 1917	King's Theatre, Hammersmith	Professional	Read Narrative ‘Civilians have now learnt the full value of the supremacy of the seas won by our gallant sailor-men, and what they owe to the Navy. They know now they are dependent on the free passage of our ships for their food supplies. This should give additional interest to the naval drama of to-day, “For Sweethearts and Wives,” which Mr. Mulholland announces will be presented for the first time in the West End at the King’s Theatre, Hammersmith, on Monday next, Sept. 17, and during the week at 8 p.m., with a matinee performance on Thursday at 2.30. The battleship of today is a triumph of engineering. She is no longer dependent on the fickleness of the wind. Her sails have been superseded by the propeller driven by mighty engines of 50,000 horse power. One immense tripod mast, with topmast, and top-gallant mast rises up from midships, carrying signal yards, searchlights, fire control station, and the wireless some 200 feet above the level of the sea. Round the inventors, builders, and crews of these magnificent ships, Arthur Rosebery has woven the story of “For Sweethearts and Wives.” We have read of daring midshipmen, lieutenants, captains and admirals, but very little of our engineer officers, who give the ship her motive power and life. In the Dogger Bank fight, the noted athlete, Engineer-Captain Taylor, M.V.O., brought his ship into fighting range of the Bluecher. He was the only officer of his ship killed in that engagement, but his wonderful driving of his ship won for his branch of the service the much-coveted executive curl(?) and oak leaves. This is the type of man Arthur Rosebery has selected for the hero of his play, whom he calls Frank Manley. Frank’s inventions revolutionise marine engineering and incur for him the enmity of the unskilled labour cast aside by his inventions, whilst he is beset by spies eager to steal his secrets for our enemies. He aspires to the love of his master’s daughter, and is promptly dismissed for his presumption. How he triumphs over the foe, runs the spy earth, wins the approval of all his fellow men and the woman he loves, is told in four exciting acts through a series of interesting scenes that introduce us to the shipbuilder’s office, the birthplace of battleships, the quarter-deck, the interior of a submarine, a supply ship, and “The Church by the Sea.” For the Den scene, models of the submarine and destroyer have been specially made by the Clyde Engineering Works' (Acton Gazette, 14 September 1917).
24 Sep 1917	Wimbledon Theatre, Wimbledon, London	Professional	Read Narrative The Stage, 20 September 1917, listed For Sweethearts and Wives as On Tour from 24 September at Wimbledon. Advertised in The People, 23 September 1917.
1 Oct 1917	Hippodrome, Croydon	Professional	Read Narrative Advertised in the Era, 26 September 1917: the cast included Henry Bedford, Ronald Adair, F. Roy Jackson, Nina Oldfield and Julie Kennard. Previewed in the Norwood News, 28 September 1917, with a line drawing of a scene from the play. Advertised in The Stage, 4 October 1917: ‘Played with the Greatest Success at Borough Theatre Stratford; King’s, Hammersmith; Shakespeare, Liverpool; Royal, Halifax’.
8 Oct 1917	Grand Theatre, Southampton	Professional	Read Narrative Advertised in the Hampshire Advertiser, 6 October 1917, as ‘The Great Naval Drama of to-day’, ‘A melodrama of the purest type’ and ‘A skilful blend of thrills on land and sea’. ‘A great, and enthusiastic reception has been given to the melo-dramatic play at the Grand Theatre this week, entitled “For Sweethearts and Wives.” Mr. Arthur Rosebery has woven a most interesting, alluring and patriotic story. He has selected for the hero an engineer officer of one of our battleships. He is first introduced as a young inventor, who presumes for the hand of a daughter of his master, a great ship builder, thus incurring his great hostility and that of his confidential clerk, a German spy. In the end the young engineer succeeds in distinguishing himself, and claims his heart’s desire. A good many novelties are introduced into the scene, notably, the interior of a “U” boat while in action. It is exceedingly attractive, and the play is cleverly presented and well acted. How the hero triumphs over the foe, runs the spy to earth, wins the approval of all his fellow men and the woman he loves is told in four exciting acts, through a series of interesting scenes that introduce us to the shipbuilder’s office, the birthplace of battleships, the quarter-deck, the “U” boat, and the church by the sea for “Sweethearts and Wives.” Mr. Jackson Hayes takes the hero’s part in a thoroughly manly manner; and very clever indeed is Miss Nina Oldfield and Miss Julie Kennard. The comic touches are very amusing’ (Hampshire Advertiser, 13 October 1917).
15 Oct 1917	Brixton Theatre, Brixton	Professional	Read Narrative ‘A distinctly good spy play, seasoned with a strong love interest, much good fun, and plenty of sound sentiment’ (The Star, London, 17 October 1917, quoted in an advertisement in the Birkenhead News, 27 April 1918). ‘The fortnight’s engagement of Mr. Arthur Rosebery’s company with his naval play, “For Sweethearts and Wives,” should prove popular. Elegantly staged, this interesting and powerful play is meeting with deserved success. Although recently seen as near as the Hippodrome, Croydon, it should have by no means exhausted its drawing powers at this cosy house. Well cast and firmly played by all, the piece is followed with interest' (The Stage, 18 October 1917). ‘Arthur Rosebery’s successful drama, “For Sweethearts and Wives” started on Monday last a fortnight’s season at the Brixton Theatre. Its many thrilling situations and natural comedy scenes made a strong appeal to a crowded and appreciative audience, and we may add that tears and hearty laughter prevailed during the opening performance' (The People, 21 October 1917).
29 Oct 1917	County Theatre, Reading	Professional	Read Narrative ‘A War Drama Of Today. It would appear from the evidence furnished by the finished product, as represented in the play itself, that the author of “For Sweethearts and Wives” has not only drawn upon the widely diffused activities created and accelerated by the war, but has also sought to typify in the numerous scenes and features of the story something of the teeming diversity of interest created by the world-wide appeal to the patriotism of the nations. Prospective visitors to the Royal County Theatre, Reading ... may gather some idea of the play’s manifold attractions from the fact that in the course of three acts we are introduced to the various manifestations of life as seen in connection with the shipbuilding industry side by side with the work of the individual craftsman and originator, in the demonstrated aspirations and ideals of a true democracy, in the supreme adventure of war and its hazards - in submarine and battleship, in decoy ships - and in the sinister associations of the spy system and its interaction with the influences of the debased and treacherous elements of industrialism. But Mars and Mammon are by means the only gods directing the destinies of the individuals concerned; a varied expression of the gentler impulses is incorporated in the movement of the drama, and satisfactorily dominates the ultimate issues' (Reading Mercury, 3 November 1917).
5 Nov 1917	Prince's Theatre, Portsmouth	Professional	Read Narrative ‘“For Sweethearts and Wives” is a story of thrilling interest, and to do with a gang of clever German spies; and because of the drama of naval life with which it is interwoven it seems to possess exactly that interest which appeals so strongly to a Portsmouth audience. Well presented and excellently acted, it receives applause at each performance. The setting of the drama is very fine, and it receives justice from the admirable company responsible for its production’ (The Stage, 8 November 1917).
19 Nov 1917	Hippodrome, Bolton	Professional	Read Narrative Noted in The Stage, 22 November 1917.
26 Nov 1917	King's Theatre, Longsight, Manchester	Professional	Read Narrative ‘A stirring up-to-date naval drama, “For Sweethearts and Wives,” is given at the King’s, Longsight, and meets with well-deserved success’ (Manchester Evening News, 27 November 1917). ‘It is an interesting and powerful play, and has the advantage of being elegantly staged’ (The Stage, 29 November 1917).
3 Dec 1917	Grand Theatre, Oldham	Professional	Read Narrative The Stage, 6 December 1917, listed For Sweethearts and Wives as On Tour from 3 December at the Grand, Oldham.
10 Dec 1917	Theatre Royal, Rochdale	Professional	Read Narrative Advertised in the Rochdale Observer, 8 December 1917, as ‘The Great Naval Drama … A Thrilling Drama of British Pluck and Hun Perfidy’. Also, ‘Capital entertainment for the patrons of the Rochdale Theatre Royal is provided by the naval drama “For sweethearts and wives,” which is being performed there by a London company twice nightly this week. Being thoroughly up-to-date in its scenic arrangements and plot, the piece is replete with thrilling situations, many of which are due to the murderous machinations of wicked Germans engaged in the war with Groat Britain. There are also in the play, however, several heroic English characters, mainly officers of the navy, whose duty it is to checkmate the evil efforts of the enemies of their country and their success in that task is eventually overwhelming, so that before the story finishes virtue is amply rewarded. Among the novelties introduced in the drama are the interior of a “U-boat” in action, the theft of models of a new submarine, and a series of stirring scenes on several British battleships. The play is splendidly mounted and well acted throughout’ (Rochdale Observer, 12 December 1917).
24 Dec 1917	Theatre Royal, Leicester	Professional	Read Narrative The Stage, 27 December 1917, listed For Sweethearts and Wives as On Tour from 24 December at the Royal, Leicester.
31 Dec 1917	Opera House, Northampton	Professional	Read Narrative ‘For this week there are two houses nightly at the Opera House, when a naval drama, “For Sweethearts and Wives,” is being given. The play is exciting and topical. Around the adventures of a naval engineer, Mr. Arthur Roseberry [sic] has written an exciting story. He has perfected inventions which will revolutionise marine engineering, but his success is threatened on the one hand by the opposition of unskilled labour, which is likely to be displaced, and on the other by the plotting of spies, who hope to secure the fruit of his brains for this country’s enemies. A love story runs through the play, for the engineer is in love with his master’s daughter. It is such a play as will please a Northampton audience, and is well acted and well staged’. Northampton Chronicle and Echo, 1 January 1918.
7 Jan 1918	Theatre Royal, Chatham	Professional	Read Narrative Advertised in the East Kent Gazette, 5 January 1918: ‘Arthur Rosebery presents his full London company in the great Naval Play of To-day, For Sweethearts and Wives’.
21 Jan 1918	Metropole Theatre, Openshaw	Professional	Read Narrative ‘At the Metropole “For Sweethearts and Wives,” a naval drama, provides a stirring and well-developed story’. Manchester Evening News, 22 January 1918.
28 Jan 1918	Junction Theatre, Manchester	Professional	Read Narrative ‘A powerful naval drama, “For Sweethearts and Wives,” is being staged at the Junction with great success’. Manchester Evening News, 29 January 1918.
4 Feb 1918	Empire, Swindon	Professional	Read Narrative ‘Next week a thrilling drama illustrative of the splendid heroism of the engineers on our warships is told in the naval story, “For Sweethearts and Wives.” A young engineer discovers a new motive power for increasing the speed of ships, which is as good as doubling or trebling their tonnage, and incurs the enmity of unskilled labour by his progressive methods. He is beset with spies watching their opportunity to steal his secrets for the enemy. He is under-rated by his master, whose daughter he loves, but love for his sweetheart and determination to win her carry him through all difficulties to triumph in the service of his King. The strong patriotic interpretation of the play will no doubt evoke an enthusiastic response from Swindon audiences. The play will he presented twice nightly - at 6.45 and 9 o’clock’. North Wilts Herald, 1 February 1918.
11 Feb 1918	Hippodrome, Croydon	Professional	Read Narrative ‘Capt. E. B. London, the manager of the Croydon Hippodrome, is to be congratulated upon the quality of the fare he has been serving to us lately. Not only have the patrons of the Hippodrome had considerable variety in the style and character of the entertainments submitted to them, but rarely have the most captious been able to find fault with the quality of the interpretation ... During the current week, Arthur Rosebery’s popular naval drama, “For Sweethearts and Wives,” fills the bill, and is played by the author’s full London company. There are some nine scenes, mainly with a strong naval flavour. Two shows a night, as usual, at 6.30 and 8.50’. Norwood News, 15 February 1918.
18 Feb 1918	Palace, Watford	Professional	Read Narrative Listed in Calls for Monday 18 February in The Era, 13 February 1918. And The Stage, 21 February 1918, listed For Sweethearts and Wives as On Tour from 18 February at the Palace, Watford.
4 Mar 1918	Theatre Royal, Plymouth	Professional	Read Narrative Advertised in the Western Morning News, 2 March 1918: ‘Arthur Rosebery’s Full London Company including Hettie Gale late of Plymouth. Scenes include Blanche Pearl’s Flat, The Shipbuilder’s Office, Dame Manley’s Cottage, George Gold’s Office, The Home of the Inventor, Gaythorne Manor, The Birthplace of Battleships, The Old Mill, The Old Crown, Submarine Interior, Tableau – Triumph of the British Fleet, Quarterdeck of H.M.S. Glorious, The Decoy Ship and The Sailor’s Church by the Sea’. ‘It is not often that a drama ends in a triple ceremony. The play being staged at the Theatre Royal, Plymouth, this week does. Hence it is no doubt that it is considered to make that special appeal to the fair sex which the title implies. Before the happy consummation of hopes a long story, with innumerable incidents and events grave and gay, has to be threaded through. From the shipbuilder’s office, with its villainous espionage, and the temporary triumph of the German agents, easily detected under a thin disguise of Northcountry dialect, the play moves to the tossing ocean, where some old scores are wiped off by the clever trapping of German submarine, with old “friends” aboard, by a decoy ship. The interior of the submarine is shown, and this scene, together with its excitement, was appreciated. There is an abundance of comedy to relieve the strain which might otherwise be felt ... There are songs at intervals, chiefly of a humorous character’ (Western Morning News, 5 March 1918).
11 Mar 1918	Theatre Royal, Exeter	Professional	Read Narrative ‘A typical war-time drama being is produced at the Theatre Royal, Exeter, this week, and it is one which should attract large audiences, for it contains many thrilling incidents, interspersed with humour and love affairs. Throughout the piece Master Cupid is kept extremely busy. Of course, there are German spies in the story, and the manner which the master spy gains possession of the plans of a new design revolutionising British shipping on and beneath the water, and how he is finally brought to bay by the pluck and ingenuity of the inventor, form the basis of a strong plot which is well worked out amid many dramatic incidents. Some of the scenes are most ingenious, especially so being that of the old mill in which Frank Manley tests his model ships, and the scene inside the German submarine, while the tableau, “Triumph of the British Fleet,” is an excellent piece of stage realism' (Exeter and Plymouth Gazette, 12 March 1918).
18 Mar 1918	Elephant and Castle Theatre, London	Professional	Read Narrative Advertised in The People, 17 March 1918, and listed in The Stage, 21 March 1918.
1 Apr 1918	Hippodrome, Salford	Professional	Read Narrative ‘At the Salford Hippodrome the naval play “For Sweethearts and Wives” is proving immensely popular’. Manchester Evening News, 2 April 1918.
8 Apr 1918	Osborne Theatre, Manchester	Professional	Read Narrative ‘The naval play, “For Sweethearts and Wives,” is one of the best things of its class, and should suit the tastes of the Osborne patrons’. Manchester Evening News, 9 April 1918.
22 Apr 1918	Opera House, Harrogate	Professional	Read Narrative Arthur Rosebery advertised in The Stage, 21 March 1918, for a theatre for For Sweethearts and Wives for 29 April ‘to follow Opera House, Harrogate’.
29 Apr 1918	New Theatre Royal, Birkenhead	Professional	Read Narrative ‘“For Sweethearts and Wives” is presented this week at the Birkenhead Theatre Royal by Arthur Roseberry’s [sic] company. Melodrama pure and unadulterated, “For Sweethearts and Wives” holds the interest of the audience by a series of sensational episodes and by its strong patriotic and naval atmosphere. The play is creditably acted’ (Liverpool Daily Post, 30 April 1918). ‘At the New Theatre Royal this week Mr. Arthur Rosebery with a first-class company presents the great Naval drama of to-day, entitled “Sweethearts and Wives.” The house was a packed one, and the audience most appreciative and enthusiastic. The drama is a most thrilling one, abounding with unexpected incidents throughout, the scenery being a great asset (Birkenhead News, 1 May 1918).
6 May 1918	Victoria Opera House, Burnley	Professional	Read Narrative ‘If the hearty- and spontaneous applause which greeted the presentation of the war play “For Sweethearts and Wives,” at the Victoria Theatre on Monday evening was any criterion, then the success of this splendid production during its stay here is assured. We have seen numerous dramas dealing with the war and designed to “thrill” British audiences. Whilst many of these have achieved that end, they have left a vague and unconvincing Impression. That, however, is certainly not the experience to be derived from a visit to the Victoria this week. All who have seen Arthur Rosebery’s naval play will readily testify to its intrinsic merit not merely as a war thriller, but a drama of a high type, given a full “life” and vivid realism which only talent of the best order could impart ... The scene representing the quarter-deck of a British battleship, and the tableau depicting the triumph of our Fleet, arouse great enthusiasm. The theme is smartly developed, and throughout the action never falters. A strong love interest with a vein of comedy happily introduced greatly enhance the appeal of the story … not the least appealing element of the play [is] the humour and up-to-date topical allusions which constantly have the audience rocking with laughter. The play is the best of its class seen at the Victoria for a lengthy period’. Burnley News, 8 May 1918.
13 May 1918	Prince's Theatre, Bradford	Professional	Read Narrative The Era, 15 May 1918, listed For Sweethearts and Wives as On The Road from 13 May at the Pns., Bradford.
20 May 1918	Theatre Royal, Sheffield	Professional	Read Narrative ‘“For Sweethearts and Wives” proved a capital attraction at the Theatre Royal. It is highly dramatic, and spectacularly naval’. Sheffield Daily Telegraph, 21 May 1918.
3 Jun 1918	Borough Theatre, Stratford	Professional	Read Narrative ‘A fine programme has been arranged by the management of the Borough Theatre, Stratford, for next week, when Arthur Rosebery presents Hettie Gale and full London company in the great naval play, “For Sweethearts and Wives”. The play abounds in exciting episodes and thrilling situations. Good takings are predicted for next week. The play will be staged nightly, while there are two matinees, Wednesday and Saturday, at 2.30’. East London Observer, 1 June 1918.
17 Jun 1918	Hippodrome, Richmond-upon-thames	Professional	Read Narrative The Stage, 13 and 20 June 1918, listed For Sweethearts and Wives as On Tour from 17 June at the H., Richmond.
5 Aug 1918	Dalston Theatre, London	Professional	Read Narrative ‘The great naval drama, "For Sweethearts and Wives,” visits the Dalston Theatre on August Bank Holiday, and should draw crowded houses. Presented by a first-class company of star artistes, this striking play is unique of its kind, and a real Bank Holiday attraction. There will be matinees on Monday and Thursday at 2.30’. East London Observer, 3 August 1918.
12 Aug 1918	Hippodrome, Dover	Professional	Read Narrative Reported with cast list in the Dover Express, 16 August 1918.
19 Aug 1918	King's Theatre, Hammersmith	Professional	Read Narrative ‘At Mr. Mulholland’s … theatre, the King’s, Hammersmith, the attraction this week is “Sweethearts and Wives”’. The Era, 21 August 1918.
26 Aug 1918	Empire, Rotherham	Professional	Read Narrative Advertised in the Sheffield Evening Telegraph, 27 August 1918.
2 Sep 1918	Palace, Newcastle	Professional	Read Narrative ‘“For Sweethearts and Wives” is the story of a powerful war episode based upon an incident in a modern naval battle. It will be presented at the Palace Theatre, and is sure to meet with hearty approval’ (Newcastle Journal, 31 August 1918). Advertised in the Newcastle Journal, 2 September 1918: ‘The Great Naval Drama … Playing to Crowded Houses Everywhere’.
9 Sep 1918	Grand, West Hartlepool	Professional	Read Narrative Advertised in the Hartlepool Northern Daily Mail, 7 September 1918.
23 Sep 1918	Theatre Royal, Smethwick	Professional	Read Narrative ‘The naval play, “For Sweethearts and Wives,” has had a splendid reception during the week [at the Theatre Royal]. Mr. Arthur Rosebery (the producer) has woven an excellent story from material supplied by current events on the high seas’. Smethwick Telephone, 28 September 1918.
30 Sep 1918	Theatre Royal, Aston	Professional	Read Narrative ‘A naval play, “For Sweethearts and Wives,” by Arthur Rosebery, proved an attraction to the Aston Theatre Royal last night. It is a stirring drama, with several striking naval scenes, including a tableau, “The Triumph of the British Fleet,” and the author’s own company is a capable one’ (Birmingham Mail, 1 October 1918). ‘“For Sweethearts and Wives” is the title of a naval play presented last by Mr. Arthur Roseberry’s [sic] London company. The piece, which has a capital setting, was well received by the large audience, the cast being an all-round excellent one’ (Birmingham Daily Gazette, 1 October 1918).
7 Oct 1918	Palace Theatre, Bordesley	Professional	Read Narrative ‘A thrilling drama of the nautical type, “For Sweethearts and Wives,” completely won the good graces of the audience [at the Bordesley Palace] last night. It contains the requisite amount of heroics and love, and German spies and despicable deeds, to make the successful war play, and is capably presented’. Evening Despatch, 8 October 1918.
14 Oct 1918	Grand, Wolverhampton	Professional	Read Narrative The Era, 16 October 1918, listed For Sweethearts and Wives as On The Road from 14 October at the New, Wolverhampton. Similarly The Stage, 17 October 1918, but naming the G., Wolverhampton.
4 Nov 1918	Elephant and Castle Theatre, London	Professional	Read Narrative The Stage, 7 November 1918, listed For Sweethearts and Wives as On Tour from 4 November at the Elephant, S.E.
11 Nov 1918	Royal Hippodrome, Eastbourne	Professional	Read Narrative ‘The reversion to the dramatic type of entertainment at the Royal Hippodrome has been cordially welcomed this week by many patrons. Mr. Arthur Rosebery’s naval drama comes opportunely at a time when the power of the British Navy is more apparent than ever. Instead of dealing with the gay middy and the debonair officer, “For Sweethearts and Wives” centres round the inventors, builders and crews of our magnificent ships. The scenes are set in the shipbuilder’s office, the birthplace of battleships, the quarter-deck, the interior of the submarines, the supply ship, and the climax is reached within the Church-by-the-Sea. where the prayers of the women are offered unceasingly for their men who are braving the dangers of the deep. Mr. Rosebery’s excellent company work harmoniously, and the result of their united efforts is an entirely commendable presentation of his story ... ”). Much of the success of the production is due to the care which has been exercised on the setting. The result is that the scenes are brimful of interest. At the conclusion of the second act an effective and artistic tableau, entitled “The Triumph of the British Fleet,” evokes enthusiastic applause' (Eastbourne Chronicle, 16 November 1918).
3 Feb 1919	Empire, Swindon	Professional	Read Narrative ‘Mr. Alfred Manners starts a short twice-nightly season next week at 6.40 and 9 o’clock with a return visit of the popular naval play, “Sweethearts and Wives”. It is a strong and powerful story of the doings of the British Navy, with plenty of good comedy. The usual twice-nightly prices of admission will be charged’. North Wilts Herald, 31 January 1919.
10 Feb 1919	Empire, Southend	Professional	Read Narrative The Stage, 6 February 1919, listed Sweethearts and Wives as On Tour from 3 [sic] February at the E., Southend.
17 Feb 1919	Palace, Watford	Professional	Read Narrative The Stage, 13 February 1919, listed Sweethearts and Wives as On Tour from 17 February at the Pal., Watford; and also listed Arthur Rosebery’s For Sweethearts and Wives in Calls For Next Week at Watford.
10 Mar 1919	Opera House, Dudley	Professional	Read Narrative ‘Mr. Arthur Rosebery is presenting next week at the Dudley Opera Home, twice nightly at 6.15 and 8.30, his latest and greatest production, “For Sweethearts and Wives,” the up-to-date naval drama. Naval plays are always popular, and “Sweethearts and Wives” will be found far ahead of all others ... “For Sweethearts and Wives” is in eleven scenes, that of the control chamber of the submarine should not be missed’. Dudley Chronicle, 8 March 1919.
17 Mar 1919	Theatre Royal, Aldershot	Professional	Read Narrative When Arthur Rosebery advertised in The Era, 19 March 1919, for theatres for For Sweethearts and Wives, his address was the Theatre Royal, Aldershot. He described the play as ‘The Naval Drama of To-day. Now in second year of tour. The First and Original Submarine Play. Full London company of 14 Artistes. Under the personal direction of Arthur Rosebery’.
7 Apr 1919	Brixton Theatre, Brixton	Professional	Read Narrative The Stage, 3 and 10 April 1919, listed For Sweethearts and Wives as On Tour from 7 April at Brixton, S.W. And when Arthur Rosebery advertised his services as business manager, publicity expert and press agent in The Stage, 10 April 1919, his address was For Sweethearts and Wives, Brixton Theatre.
28 Apr 1919	Lyceum Theatre, Newport	Professional	Read Narrative When Arthur Rosebery advertised in The Era, 30 April 1919, for theatres for For Sweethearts and Wives, his address was the Lyceum Theatre, Newport.
5 May 1919	Prince's Theatre, Portsmouth	Professional	Read Narrative ‘Mr. Peter Davey announces a return visit to the Prince’s Theatre, next week, of the original London company in Arthur Rosebery’s popular Naval drama “For Sweethearts and Wives.” The piece met with a most flattering reception on its previous visit in November, 1917, and it has been continually touring since that time ... As the drama is built around the men build and man our battleships, it will especially appeal to Portsmouth playgoers’ (Hampshire Telegraph, 2 May 1919). ‘“For Sweethearts and Wives” is on a return visit [to the Prince’s, Portsmouth], and the flattering reception it is receiving shows that it has still all the popularity which it gained on its first visit in November, 1917. Nor is this to be wondered at with a Portsmouth audience, seeing that the plot is built round the men who build and man our battleships' (The Stage, 8 May 1919).
12 May 1919	Opera House, Burton-on-Trent	Professional	Read Narrative When Arthur Rosebery advertised in The Era, 14 May 1919, for theatres for For Sweethearts and Wives, and inserted a theatrical card in the same publication describing himself as ‘Business Manager, Publicity Expert, and Press Agent’, his address was the Opera House, Burton-on-Trent. However, when he inserted a theatrical card in The Era, 21 May 1919, his address for that week was the Opera House, Burton-on-Trent. And The Stage, 15 and 22 May 1919, listed For Sweethearts and Wives as On Tour from 19 May at the O.H., Burton-on-Trent. So was the company at the Opera House for two weeks?
24 May 1919	Theatre Royal, Bath	Professional	Read Narrative ‘Patrons of the Theatre Royal will be presented with an attractive naval programme for Whit-week, when the popular naval drama, “For Sweethearts and Wives,” written by Arthur Rosebery, will be presented by the original London company, now in their third year of continuous tour. It is arranged in three acts. In the first we are introduced to the builders of our battleships, and in the third we see how our gallant sailors defended our shores in the late war. A rich vein of comedy runs right through the play, and here and there a musical number, for nobody loves a song better than Jack. The company will open with a matinee performance of “Sweethearts and Wives” on Monday. On Thursday evening the company will present Arthur Rosebery’s latest success, the romantic naval play of intense womanly interest “The Silent Watch” … Among the younger members of the company are winners of the D.S.C., M.C., M.M., and Croix de Guerre. These plays, as well as affording good entertainment, serve to impress upon the people ashore their eternal indebtedness to our sailors who not only save our homes from invasion but keep them supplied with food’ (Somerset Guardian and Radstock Observer, 21 May 1920). ‘It is appropriate that Mr. Carlton should have selected for his Empire Day and Whit-week programme at the Theatre Royal the most popular naval drama of the day, “For Sweethearts and Wives,” written by Arthur Rosebery, whose experiences in the fleet date back to the days of Alexandria. “For Sweethearts and Wives” is arranged in three acts. In the first we are introduced to the builders of ships. In the second we are shown the keen rivalry of nations for a supreme motive power. In the third we see how our gallant seamen fight for England, home and beauty. The story abounds with domestic comedy, and here and there a catchy musical number. This drama will be presented by the original London company, who have played it continuously for the past three years in all the principal suburban and provincial theatres from Plymouth to Glasgow and Scarborough to Swansea ... On Thursday the new romantic naval play, “The Silent Watch,” will be presented' (Bath Chronicle and Weekly Gazette, 22 May 1920).
26 May 1919	Victoria Theatre, Kettering	Professional	Read Narrative The Stage, 22 and 29 May 1919, listed For Sweethearts and Wives as On Tour from 26 May at the Vic., Kettering.
9 Jun 1919	Palace Theatre, Tottenham, London	Professional	Read Narrative The Stage, 5 June 1919, listed Arthur Rosebery’s For Sweethearts and Wives in Calls For Next Week at Tottenham. When Elsie May, playing Mary Gold in For Sweethearts and Wives, inserted a theatrical card in The Stage, 12 June 1919, her address was Tottenham. Similarly a card inserted by Geo. Page, playing Bobbie.
16 Jun 1919	?, Walthamstow	Professional	Read Narrative When Elsie May, playing Mary Gold in For Sweethearts and Wives, inserted a theatrical card in The Stage, 12 June 1919, her address for the following week was Walthamstow. Similarly a card inserted by Geo. Page, playing Bobbie.
23 Jun 1919	Palace, East Ham	Professional	Read Narrative ‘A. Roseberry’s [sic] company, including Hetty Gale, Polly Marr [sic – Marsh?], Ronald Adair, and Fred A. Ellis, in their original parts, will appear during the coming week at the East Ham Palace in the stirring naval drama, “Sweethearts and Wives”’ (Pall Mall Gazette, 23 June 1919). When Geo. Page, ‘ the versatile comedian’ playing Bobbie in For Sweethearts and Wives, inserted a theatrical card in The Stage, 26 June 1919, his address was the Palace, East Ham.
30 Jun 1919	Coliseum, Shoreham	Professional	Read Narrative When Geo. Page, ‘ the versatile comedian’ playing Bobbie in For Sweethearts and Wives, inserted a theatrical card in The Stage, 26 June 1919, his address for the following week was the Coliseum, Shoreham.
28 Jul 1919	Opera House, Coventry	Professional	Read Narrative ‘A naval play, “For Sweethearts and Wives,” is produced at the Opera House. It is presented twice nightly by the original London company, including Hetty Gale. The drama’s plot is founded on German intrigue and spy work. The stealing of the submarine plans of the hero of the story and the thwarting of the German plot to put the invention to use against England lead to the principal dramatic situations of the play. Khaki and blue predominate throughout the drama, and there is consequently plenty of love interest and humour running through the production. There are four acts and thirteen scenes calling for a considerable variety of stage effects, several of which are quite good’. Coventry Evening Telegraph, 29 July 1919.
4 Aug 1919	Theatre Royal, Sheffield	Professional	Read Narrative ‘A popular naval drama, “For Sweethearts and Wives,” attracted a large holiday crowd at the Theatre Royal’. Sheffield Daily Telegraph, 5 August 1919.
11 Aug 1919	Hippodrome, Huddersfield	Professional	Read Narrative The Stage, 7 and 14 August 1919, listed For Sweethearts and Wives as On Tour from 11 August at the H., Huddersfield.
18 Aug 1919	Grand, Halifax	Professional	Read Narrative Advertised in the Halifax Evening Courier, 16 August 1919: ‘Welcome return of the stirring naval drama For Sweethearts and Wives. 800th performance by the full London company’. On Friday the 22nd ‘the intense naval play’ The Silent Watch would be performed. Also, ‘Arthur Rosebery’s stirring naval drama, “For Sweethearts and Wives,” pays a return visit to Halifax next week, being down for performance at the Grand each evening but Friday. It met with a splendid reception on the company’s visit to the Royal, and their admirers will welcome the reappearance of Hettie Gale, Polly Marsh, Ab. (i.e. Cole) Aspinall, George Watson, and Jackson Hayes, in their original roles. On this occasion, of course, they will be playing the “twice nightly” version, which includes the thrilling submarine and battleship scenes. On Friday evening Arthur Rosebery will present his new naval play, “The Silent Watch"' (Halifax Evening Courier, 16 August 1919).
25 Aug 1919	Theatre Royal, Dewsbury	Professional	Read Narrative The Era, 20 August 1919, listed Sweethearts and Wives as On The Road from 25 August at the T.R., Dewsbury. Similarly The Stage, 28 August 1919.
1 Sep 1919	Metropole Theatre, Glasgow	Professional	Read Narrative The Stage, 28 August 1919, listed For Sweethearts and Wives as On Tour from 1 September at the Met., Glasgow.
8 Sep 1919	Opera House, Dunfermline	Professional	Read Narrative The Stage, 11 September 1919, listed For Sweethearts and Wives as On Tour from 8 September at the O.H., Dunfermline.
29 Sep 1919	Pavilion Theatre, Weymouth	Professional	Read Narrative The Era, 24 September 1919, listed For Sweethearts and Wives as On The Road from 29 September at the Pav. T., Weymouth.
1 Dec 1919	New Theatre, Crewe	Professional	Read Narrative The Stage, 27 November 1919, listed For Sweethearts and Wives as On Tour from 1 December at the New, Crewe. Also The Era, 26 November 1919. ‘Last Friday night [i.e. on 5 December] [at the New, Crewe] Arthur Rosebery presented Hettie Gale and company in “The Silent Watch” … On Saturday [i.e. on 6 December] the same company played “For Sweethearts and Wives”’ (The Stage, 11 December 1919).
8 Dec 1919	Theatre Royal, Leamington Spa	Professional	Read Narrative ‘For the first three nights of next week the Theatre will be occupied by Mr. Arthur Rosebery’s Co. in the Nautical play “Sweethearts and Wives,” and for the last three nights the same Company will appear in another Naval play, “The Silent Watch.” There will be matinees on Wednesday and Saturday’ (Leamington Spa Courier, 5 December 1919). ‘For the first part of the week the popular naval drama “For Sweethearts and Wives” was the attraction at the Theatre Royal. The plot centres round a young and clever workman who becomes Engineer-Commander Frank Manley, R.N. (Walter Hilliard). This young man is the inventor of a new type of destroyer, the plans of which he offers to his employer, George Gold (Cole Aspinall), a rascally shipbuilder, in exchange for the hand of his charming daughter. The advent of Captain Karl Schmidt - who poses as a patriotic manager to the shipowner - introduces a strong spy element. The play is full of surprises, and interest is intense when young Manley is wrongly accused of the murder of his fiancée’s father. However, like the popular fairy story, all ends well. Manley becomes a famous inventor, marries the girl he loves, and gets the better of the German spy’ (Warwick and Warwickshire Advertiser, 13 December 1919).
15 Dec 1919	Theatre Royal, Winchester	Professional	Read Narrative The Era, 10 and 17 December 1919, listed Sweethearts and Wives as On The Road from 15 December at the T.R., Winchester.
28 Feb 1920	Market Hall, Redhill	Professional	Read Narrative ‘Arthur Rosebery and Gerard F. Buckle will present for the first time in Redhill on Thursday and Friday next Miss Hettie Gale and the original West End company in the successful new romantic naval play, “The Silent Watch,” and on Saturday they will present the most popular drama of the day, “For Sweethearts and Wives,” which they have played in all principal suburban and provincial theatres for the past three years’. Surrey Mirror, Friday 20 February 1920.
17 May 1920	Grand Theatre, Nottingham	Professional	Read Narrative ‘“For Sweethearts and Wives,” which Messrs. A. Rosebery and G. F. Buckle present at Nottingham Grand Theatre this week, contains all the elements of the real melodrama which patrons of the Hyson-green house love. The piece, although not actually a war drama, has a naval atmosphere, and the secret workings of two Germans in this country are portrayed in it' (Nottingham Journal, 18 May 1920). ‘Arthur Rosebery and Gerald F. Buckle are presenting the favourite naval drama, “For Sweethearts and Wives,” which has not been here for three years' (The Stage, 20 May 1920).
4 Jun 1920	Prince's Theatre, Portsmouth	Professional	Read Narrative The Portsmouth Evening News, 2 June 1920, advertised at the Prince’s Theatre that week The Silent Watch with, on Friday 4 June, ‘By Special Desire, the ever popular naval drama of to-day’ For Sweethearts and Wives with the full original cast.
16 Aug 1920	New Theatre, Oxford	Professional	Read Narrative ‘Arthur Rosebery’s company are drawing good houses with “The Silent Watch” and “Sweethearts and Wives"' (The Stage, 19 August 1920).
23 Aug 1920	Grand, West Hartlepool	Professional	Read Narrative ‘“For Sweethearts and Wives,” a naval drama of great interest, is being presented at the Grand Theatre this week, and last night’s audiences found in it a play brimful of action, with a romantic love interest. The story deals largely with the stealing of the plans of a young inventor by an enemy spy, and in their dramatic recovery the audience are given plenty of thrills. Intermingled is also a good deal of humour - thanks chiefly to Miss Polly Marsh, who makes a good Dame Manley. In the whole of the clever scenes there is not a dull moment, whilst the principal characters are well cast and have the support of a good all-round company’. Hartlepool Northern Daily Mail, 24 August 1920.
30 Aug 1920	Theatre Royal, North Shields	Professional	Read Narrative ‘Lovers of drama will welcome the announcement of the first presentation in North Shields on Monday next of the naval drama of to-day – “For Sweethearts and Wives,” by the original company, which they have played over one thousand times. The story is built round the lives of the men who build and man our ships. Throughout this thrilling story there is interwoven a strong vein of comedy that keeps the audience in continual merriment almost from the rise of the curtain to the fall. The scenes are laid in the young engineer’s home, on board ship, and in the church for “Sweethearts and Wives"' (Shields Daily News, 28 August 1920).
18 Oct 1920	Theatre Royal, Sheffield	Professional	Read Narrative Advertised in the Sheffield Independent, 18 October 1920, as the ‘Return Visit of the Greatest Naval Drama of the day’. It would be preceded each evening by the ‘nautical episode’, Crossing The Line, ‘introducing the Ceremonial arranged for the Prince of Wales by King Neptune aboard H.M.S. Renown’. Also, 'The naval drama, “For Sweethearts and Wives,” which is paying a return visit to the Theatre Royal, again attracted a goodly audience’ (Sheffield Daily Telegraph, 19 October 1920).
25 Oct 1920	Royal Theatre and Opera House, Leigh	Professional	Read Narrative ‘Arthur Rosebery and Gerald F. Buckley’s [sic - Buckle's] company are appearing in the drama “For Sweethearts and Wives.” Vincent W. Carlyle plays with good effect in the parts of George Gold and Capt. Hardy. A fine elocutionary performance is that of Norman Leyland as Frank Manley. Edgar Milton ably represents Henry Hawker, and Syd Deane is pleasing as Robert Manley. Peggy Caird plays artistically as Mary Gold. Hettie Gale, as Trixie, and Polly Marsh, as Dame Manly [sic], acquit themselves well’. The Stage, 28 October 1920.
8 Nov 1920	Prince's Theatre, Portsmouth	Professional	Read Narrative ‘Yet another Service drama is presented at the Prince’s Theatre this week by Arthur Rosebery and Gerald F. Buckle’s talented company in “For Sweethearts and Wives,” a spectacular production, and of the many scenes, that in the control chamber of a German submarine takes pride of place' (Portsmouth Evening News, 9 November 1920).
29 Nov 1920	Grand Theatre, Doncaster	Professional	Read Narrative Advertised in the South Yorkshire Times and Mexborough & Swinton Times, Saturday 27 November 1920, for the following Monday-Wednesday, as ‘Arthur Rosebery’s Great Naval Attraction’. The Silent Watch would be performed on Thursday-Saturday.
8 Apr 1921	Theatre Royal, Bury St Edmunds	Professional	Read Narrative The Bury Free Press, 2 April 1921, advertised at the Theatre Royal, Bury St. Edmunds, on Monday-Thursday, 4-7 April, Hettie Gale and the original London company in The Silent Watch, with For Sweethearts and Wives, ‘the great naval and military drama … as played by this company over a 1000 times’, on Friday and Saturday, 8 and 9 April.
11 Apr 1921	Palace Theatre, Battersea	Professional	Read Narrative ‘A packed house gave Arthur Rosebery’s play “For Sweethearts and Wives” a hearty reception on Monday [at the Battersea Palace]. The piece is full of interest, and its dramatic situations appeal greatly to audiences' (The Era, 13 April 1921).
27 Aug 1921	New Theatre, Oxford	Professional	Read Narrative ‘Arthur Roseberry’s [sic] repertoire company is to re-visit Oxford on Monday, and there will be performances twice nightly ... On Saturday night “For Sweethearts and Wives” will be played, in which Roy Jackson and Miss Polly Marsh will have parts’ (Oxford Chronicle and Reading Gazette, Friday 19 August 1921). ‘Mr. Arthur Rosebery’s Company paid a welcome return visit to the New Theatre this week in three plays, “The Silent Watch,” “The Queen’s Rival,” and “For Sweethearts and Wives.” All the plays are old favourites, and there were large audiences each night’ (Oxford Chronicle and Reading Gazette, 26 August 1921).
28 Oct 1921	Theatre Royal, Sheffield	Professional	Read Narrative The Sheffield Independent, Saturday 22 October 1921, and the Sheffield Daily Telegraph, Monday 24 October 1921, advertised The Silent Watch at the Theatre Royal in the week beginning 24 October, with For Sweethearts and Wives on Friday night only.

For Sweethearts and Wives

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