Great War Theatre

Examiner of Plays' Summary:

This is a homely sketch in Barrie’s finer and less freakish vein of pawky humour touched by tender sentiment. Its heroine is an old charwoman, who is introduced to us as quaintly discussing with fellow-charwoman, over tea and shrimps, their view on the War, and their pride in the sons taking part it. Presently there is announced to the hostess the home-coming on leave of her boy, private Dowey of the Black Watch, whose bundle of sham letters she has been proudly exhibiting to her envious friends. On his arrival it turns out that her relationship to him is a pious fiction invented by her so that she, like her neighbours, should have ‘someone at the war’. In reply to the young man’s natural denunciation of her innocent fraud - the possibilities of which are very skilfully suggested, the whole pitiful story of the imaginary motherhood comes out. Then begins the mothering which, by the temptation of creature comforts, bath and bed and food, eventually softens and wins the heart of the angry young man who as a matter of fact is as lonely as his supposititious parent. The process is full of human touches not less sure than subtle. So also is the study of the farewell when the end of the lady's happy leave ends also the amiable imposture; while a note of infinite but almost silent sadness is sounded in the final glimpses at the poor kindly old charwoman, tending bravely the mementoes of her few days of stolen happiness with the imaginary son for whom an unseen piper is now playing the 'Black Watch last farewell' both tender and true and cordially recommended for license. Ernest A. Bendall.

Licensed On: 19 Mar 1917

License Number: 865

Author(s):

Genre(s):

British Library Reference: LCP1917/7

British Library Classmark: Add MS 66162 A

Performances

Date Theatre Type
7 Apr 1917 New Theatre, London Professional Licensed Performance
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Performed by G. H. Mulcaster (Private Dowie), Jean Cadell Mrs. Dowie), Claire Greet, Ivy Williams, Pollie Emery (charladies). Other pieces on the same bill were: 'Wurzle- Flummery' by A. A. Milne, and 'Seven Women' by J. M. Barrie, with Irene Vanburgh.
14 May 1917 Empire Theatre, New York Professional
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Producer-Charles Frohman, Inc., John J. McFarlane (Private Dowey), Beryl Mercer (Mrs. Dowey), Theodor von Eltz (Mr. Wilkinson, a clergyman, Chorus - Clara T. Bracy, Lillian Brennard & Alice Esden.
15 Nov 1917 King's Theatre, Edinburgh Professional
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Producer - Dion Boucicault
26 Nov 1917 Coliseum, London Professional
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Performed by G.H.Mulcaster (Private Dowey), A. Carlaw Grand (Mr Wilkinson), Irene Rooke(Mrs. Dowey, Chorus-Frances Wetherall, Helen Colville & Pollie Emery.
5 Dec 1917 Coliseum, London Professional
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Performed by Billy Meeson, Vesta Tilley, Keith Vincent, and Zomah.
4 Nov 1918 Alhambra, Glasgow Unknown
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‘A one-act play, “The Old Lady Shows Her Medals,” by Barrie, is capably produced at the Alhambra by Miss Agnes Bartholomew, who, in the leading role, gives a clever study of an elderly charwoman who is pathetically anxious to have a son participating in the Great War, and adopts a private of the same surname as herself. Mr. Heath Haviland is excellent as Private Dowie. The play is characteristically Barrie, and one is kept hovering between laughter and tears. There is a splendid variety programme in addition’. Daily Record, 5 November 1918.
8 Feb 1926 Little Theatre, Bristol Unknown
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‘The [Bristol] Little Theatre Company this week are reviving three plays by Sir James M. Barrie, each of which bring back - to many at least - vivid recollections of those crowded days of campaigning. The mystery, the fantasy, the inscrutable, is each exemplified in these three pieces, and the infinite artistry of the master of stagecraft, and of diction, protrudes itself from practically very line in “The New Word,” “The Old Lady Shows Her Medals,” and “A Well-remembered Voice" ... The second play, a classic, so far as war plays go, and one which many an ex-soldier will remember with affection whilst the actual “business” was proceeding “over there,” provided opportunities for Marjorie Fielding and for Alfred Brooks, which both of those accomplished artists took the fullest advantage of. The former took the part of Mrs Dowey, and Miss Fielding gave of the best of her capabilities as an actress of powerful characterisation. Mr Brooks, as the Gordon Highlander, could scarcely have been bettered in vocalisation or deportment. The part of the Rev. Williams was taken by the new stage director, Max Jerome, who did his share splendidly'. Western Daily Press, Tuesday 9 February 1926.
8 Dec 1926 ?, Bath Amateur
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‘The New Word’, ‘The Old Lady Shows Her Medals’ and ‘Barbara’s Wedding’ were the three one-act plays by J. M. Barrie that were chosen for a reading by the Bath Playgoers’ Society on Wednesday 8 December 1926. Bath Chronicle and Weekly Gazette, Saturday 11 December 1926.