Great War Theatre

Examiner of Plays' Summary:

This is a serious, well-written but very talky, problem play, dealing with the conflict between the duty of patriotic militarism and the love of husband for wife and of father for son. The father, Col. Eulin, bitterly disappointed at having been prematurely retired, has no interests in life beyond those connected with the army, in which he has lost his eldest son and in which the other two are serving, the second satisfactorily till news comes of his death in Algeria, and the youngest reluctantly, as his bent is scientific, and he has a horror of warfare. The latter, Pierre, confides in his mother - a pathetic figure in her bravely-born-sorrows - that he has invented a marvellous explosive, the formula of which he will not sell even to his government, but has determined to destroy. This she persuades him to entrust to her charge; but when they go to find it they catch the Colonel stealing it - an effort which he defends on the ground that since he may no longer serve in the army he serves his country as a spy, in which capacity he has discovered his son's secret and proposes divulging it to the authorities for use in the imminent war. The clash of convictions with regard to duty in the matter leads up to a striking argumentative scene between the Colonel, Madame Eulin and Pierre, which is, however, not very conclusive and has no very dramatic issue. The long-winded discussion seems less likely to interest an English than a French audience; but it is wholly void of offence and is Recommended for license. Ernest A. Bendall.

Licensed On: 17 Nov 1914

License Number: 3022

Author(s):

Keyword(s):

British Library Reference: LCP1914/33

British Library Classmark: Add MS 66081 N

Performances

Date Theatre Type
20 Nov 1914 Prince of Wales Theatre, London Unknown Licensed Performance
17 Apr 1916 Prince of Wales Theatre, London Professional
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First tour in England of the distinguished French actress. Supported by high-class company of French and Belgian artists of the best known Theatres of Paris, Bruxelles, and Anvers, including M. Yves Renaud. Servir by Henri Lavedan in Two Acts. Repertoire: Servir by Henri Lavedon La Chienne du Roi by Henri Lavedan Half of any net profit will go to the French Red Cross (The Stage - Thursday 13 April 1916)
17 Apr 1916 Prince of Wales Theatre, London Professional
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This house opened for the first three nights of the week, and the French actress Alice Dermont and her Company presented Servir, and La Chienne du Roi to a demonstrative audience on Monday.On Tuesday and Wednesday La Parisienne, and Le Baiser were staged. (The Stage - Thursday 20 April 1916)
17 Apr 1916 Princess Theatre, Manchester Professional
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Mlle. Alice Dermont is about to undertake a tour of matinees with a programme of French plays (including La Parisienne, by Henri Bocque, Le Baiser by Theo de Bannveile, Servir by Henri Lavedan; and La Chienne du Roi also by Lavedan. Her company include M. Yves Renaud from the Theatre Sarah Bernhardt; M. Deviaines from the Grand-Guignol; M. Julien Gatley, and M.Sapedani. Although Mlle. Dermont calls it a matinee tour she will begin it at the Prince's Manchester, with three evening performances and a matinee opening on April 17. Mlle. Dermont will be remembered for her excellent performance in Servir at the Prince of Wales in 1914 which we praised at the time, drawing attention to her considerable command of the English language and her dramatic power. She proposed to devote 50 per cent of the profits from her tour to the French Red Cross Fund. (The Stage - Thursday 13 April 1916)
17 Apr 1916 Princess Theatre, Manchester Professional
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The cordial friendship between the French, the Belgians, and ourselves which the European cataclysm has cemented makes the visit of Mdlle. Alice Dermont particularly welcome. The distinguished French actress is supported by Mons. Yves Renaud and these two players make a successful appearance in two of Henri Lavadan's plays - Servir, and La Chienne du Roi. Apart from them the cast is not strong in either play, but the two leaders act with conspicuous ability. Serious drama is rather at a discount just now, but from its artistic deserts as well as from the fact that the French Red Cross Society is to share in the proceeds, we should hope for a more generous support than was accorded last night. (Manchester Evening News - Tuesday 18 April 1916)